![Figure][1] You are standing in the dark immensity of a tunnel stretching for miles before and behind you. It is colder than outer space, and vast superconducting magnets yawn above and flank you, sustained by 8000 kilometers' worth of wound cable. Every fragment of this colossal machine was crafted meticulously, in labs on every corner of the globe. At the flip of a switch, beams containing the energy of 175 metric tons of TNT will zoom around the tunnel, set to collide and explode in violent bursts of energy and light. Amazingly, all fuel for this endeavor comes from a single canister of hydrogen no larger than a fire extinguisher. Where are you? The Large Hadron Collider (LHC)—in the words of Sean Carroll, “the largest, most complex machine ever built by human beings.” In The Particle at the End of the Universe , Carroll embarks on an ambitious voyage through the quest to find the Higgs boson (more colorfully known as the “god particle”) from the development of modern physics, to the construction of the LHC, to the celebrated discovery of July 2012—and beyond. Carroll shines in his use of digestible language to communicate esoteric physics. Although keeping up fully might prove challenging for readers lacking any physics background, much insight can be gained from Carroll's analogies. He explains, for instance, that all “particles” are actually vibrations traveling in fundamental, invisible fields that permeate space, like sound waves propagating through the air. The collision of two particles to produce the Higgs boson is like two vibrating piano strings transferring their vibrations to a third. From the ancient Greeks, to gravity, to the billions of dark matter particles passing through our bodies each second, to the extra dimensions of string theory, the book is a pedagogical tour de force, complete with ample diagrams and appendices. ![Figure][1] Installing the ATLAS calorimeter. PHOTO: ATLAS EXPERIMENT © 2014 CERN The author establishes the human element of the “high stakes drama” surrounding the Higgs boson discovery and announcement in tandem with the scientific. Throughout his narrative, Carroll weaves a sense of the consuming passion that drives physicists on the “emotional roller-coaster ride” of fundamental research. He paints a rich mosaic—peppered with personal details, famous quips, and anecdotes—of the major players in physics over the centuries. The book includes poignant details such as the fact that Peter Higgs's seminal paper was initially rejected for publication and the emotion visible on Higgs's face during the standing ovation that followed the announcement that the LHC had found his eponymous boson. Perhaps the book's strongest facet is its triumphant championing of basic scientific research. Carroll's aim is broad and sweeping: to establish the central importance of science in humanity's wrestle with the question of existence. He terms the finding of the Higgs boson a “success for the human race” in answering our “restless desire to understand our world.” The Particle at the End of the Universe illustrates that finding it “is its own reward,” emphasizes the “universality of the scientific impulse,” and waxes poetic in juxtaposing art and science. The vast behemoth of modern physics, the LHC, and the scintillating discovery of the Higgs boson are not only important because they illumine the “secrets of the Universe”—the entire effort tells us something profound about ourselves. [1]: pending:yes
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