Artistic Sense Research Articles

The Historical Expression and Aesthetic Trends of Lotus in Literati Painting during the Ming and Qing Dynasties

The lotus, celebrated for its cultural symbolism and aesthetic allure, has been a recurring muse for flower and bird painters in Chinese art history. This article explores lotus paintings during the Ming and Qing dynasties, pivotal periods of ideological liberation and societal complexities. Traditional lotus artworks across dynasties have woven a rich tapestry in Chinese painting. Focusing on the lotus, the article intricately combines symbolic meanings and historical contexts, unraveling the flower's intrinsic artistic essence. It sheds light on the evolving aesthetic qualities within lotus depictions, using this exploration as a lens to understand cross-cultural exchanges and clashes between Chinese and Western influences. Emphasizing the inherent artistic will of lotus-themed painting, the research delves into the nuanced development and aesthetic significance of this genre. By elucidating the beauty expressed in the evolution of lotus images, the study provides valuable insights with contemporary relevance. It highlights the symbolic significance of the lotus in Ming and Qing China, incorporating concrete examples of renowned lotus paintings and artists. This comprehensive approach aims to enhance reader-friendly comprehension and explicitly articulates the contribution of these findings to current artistic practices. The research not only deepens our understanding of lotus culture but also serves as a reference for contemporary lotus-themed creative endeavors, connecting historical expressions with modern artistic sensibilities.

Mallarme’s Folding Fan Poetry Illuminated by East Asian Artistic Sensibilities

Mallarme’s Folding Fan Poetry Illuminated by East Asian Artistic Sensibilities

Artistic sense of interior design and space planning based on human machine intelligent interaction

The rapid development of artificial intelligence technology is gradually penetrating into multiple fields such as interior design and spatial planning. The aim of this study is to integrate artificial intelligence with interior design, enhance design artistry and user experience, and address the interactive needs of interior space design choices. A set of indoor space design recognition system has been designed by introducing artificial intelligence networks and attention mechanisms. This study first optimizes the CenterNet algorithm based on attention mechanism and feature fusion to improve its accuracy in identifying complex components. Afterwards, the long short-term memory network and convolutional neural network are trained to complete the task of spatial layout feature recognition and design. The performance test results showed that after testing 100 images, the software could recognize indoor design space images and create corresponding vector format space maps in about 5 minutes, providing them to the 3D modeling interface to generate 3D scenes. Compared to the approximately 25 minutes required by manual methods, the design efficiency has been significantly improved. The research and design method has a fast convergence speed and low loss during the retraining process. In simulation testing, its mAP value reached 91.0%, higher than similar models. It performs better in detecting walls, doors and windows, bay windows, double doors, and two-way doors. Moreover, it has outstanding ability when facing structures such as short walls and door corners, and can recognize and create vector format spatial maps within 5 minutes, which is accurate and efficient. The system designed in this project has optimized the interaction between designers and clients in interior design, accurately capturing user intentions and assisting designers in improving work efficiency.

Historicizing Brati: A Journey of Sujata’s Memories in Mahasweta Devi’s Mother of 1084

Mahasweta Devi’s Mother of 1084 has a trope of returning to the past events, after a tragedy. This trope is central to both the plot and act of narration of the protagonist, Sujata. Sujata’s journey to the past is not just part of a thematic element, but also a narrative strategy through which Mahasweta Devi casts an indirect gaze on the Naxalite world. This study analyses Sujata’s trip into the past by focusing on different subsets of memory involved in her journey which Mahasweta Devi employs throughout the novel. Devi’s Mother of 1084 entirely is a narrative from the perspective of a bereaved Sujata after having lost her son Brati to unknown circumstances. By referring to the theoretical underpinnings of renowned scholars from the field of Memory Studies, including Jacques Lacan, Endel Tulving, Chris Brewin, and Kurt Danziger, this study explores how different memory subsets that of recollection, reminiscence, episodes, semantics, and flashbacks of the characters in the novel come together to historicise the memory of the deceased (Brati). The study then attempts to understand memory’s role as the focal point in bringing an artistic sense to the novel.

‘Endless circumlocutions’: Speaking To and Away from the Point Before and After Melmoth the Wanderer

Circumlocution has been an important stylistic feature of the Gothic novel since its inception in the eighteenth century. Might this rhetorical feature be thought of in national or even geopolitical terms? Horace Walpole and Ann Radcliffe in the eighteenth century had linked circumlocution to a Shakespearean blending of comedy and tragedy that marked a distinctively British artistic sensibility against the constraints of French neo-classicism. However, Maturin’s use of the trope in Melmoth the Wanderer (1820) brought in new national and transnational inflections linked to the central character’s own ability to circle around the world and the presence of colonised others within the text. This article asks whether circumlocution after Maturin’s novel becomes an end in itself, a walking around the borders of speech and meaning that would appeal to later writers such as Edgar Allan Poe and Charles Baudelaire.

Design and Development Of Musical Instruments from Recycled Materials for the Elderly in Phitsanulok Province In the Northern Part Of Thailand

This research project explores the creative potential and sustainable innovation of designing and developing musical instruments using recycled materials, specifically focusing on involving the elderly community. In an era where environmental sustainability is paramount, and the elderly population is often overlooked in creative endeavors, this study aims to bridge these two aspects, offering a unique and inclusive approach to music and recycling. The primary objective of this research is to investigate the feasibility of using recycled materials to construct functional and aesthetically pleasing musical instruments while actively engaging the elderly, music experts, geriatric specialists, product design experts, and technicians in the design and development process. By leveraging their accumulated knowledge, wisdom, and artistic sensibilities, this project seeks to empower and enrich the lives of the elderly while contributing to reducing waste and environmental conservation. Results indicate that the elderly participants derive numerous physical, cognitive, and emotional benefits from their involvement in the project, including enhanced motor skills, cognitive stimulation, and a sense of accomplishment. Additionally, the musical instruments produced demonstrate impressive innovation, sound quality, and aesthetics, underlining the viability of using recycled materials in the design of musical instruments.

MENUMBUHKAN KESADARAN DAN MOTIVASI ANAK TK HIDUP SEHAT HEMAT MELALUI FUN LEARNING

The learning process from an early age needs to be introduced to children as a fundamental means of personal development. One important aspect that needs to be instilled is awareness and motivation for living a healthy and economical life. It's not just about physical health, but financial health as well, which is a factor influencing future well-being. Establishing habits cannot be achieved overnight, but require continuous processes and training to shape character and habits. This activity aims to raise awareness and motivation among kindergarten students about the importance of living a healthy and economical life through fun learning, so that they are motivated to live healthily and save for the future. Methods include preparation, implementation, and evaluation stages. Preparation involves initial visits and meetings with school principals. Implementation is carried out through interactive activities to help students understand the benefits of living a healthy and economical life. Evaluation is done by observing students' reactions after the activity. The results can be seen in the increased understanding of students regarding healthy and economical living. Students are able to differentiate between expensive and cheap foods, and identify healthy foods in their packed meals. The enthusiasm and active behavior of students in answering questions reflect their increased motivation. Furthermore, the series of activities and interactions conducted by students with the children are able to nurture and stimulate artistic sensibilities, creativity, thinking skills, and motor skills. This can be seen through the development and ability of students to complete each activity faster than in previous sessions. The approach through fun learning activities is able to provide understanding, build awareness, and motivate children to adopt healthy and economical living habits.

Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education

Guangxi's intangible cultural heritage music culture has a long history, diverse types, and profound connotations. As a precious and primitive ethnic music cultural heritage, Guangxi's intangible cultural heritage can improve the quality of contemporary vocal teaching in professional skills such as music singing, instrument performance, enhance the training quality of national vocal music talents in China, and promote the development of folk music culture in China. However, as the rapid development of modern society, these valuable musical traditions are facing gradual marginalization and oblivion. Based on this phenomenon, this study interviewed four professors and four students in the field of music education, as well as conducted a detailed survey questionnaire on 347 students from four universities in Guangxi (Guangxi Arts University, Guangxi Normal University for Nationalities, Yulin Normal University, and Guangxi University of Foreign Language). The results show that students and educators maintain a strong interest in and a high level of respect for non-heritage music, despite the challenges of the current education system and resource allocation. Students and educators are eager to contribute to the preservation and transmission of this valuable cultural heritage to enhance the aesthetic and artistic sensibilities of university students and improve their musical aesthetic ability. Therefore, through investigation and analysis of the current situation and existing problems of music education in various universities, combined with the important significance of improving the music aesthetic ability of college students, targeted solutions are proposed to effectively improve the music aesthetic ability of music majors in universities.

The Comparative Study of Metaphorical Images Translation Strategies in Tang Poetry

In Tang poetry, metaphorical images serve as powerful tools for poets to convey their emotions and experiences in a vivid and imaginative manner. These images, drawn from nature, mythology, history, and daily life, allow poets to create rich and layered meanings that resonate with readers across time and culture. The use of metaphorical images in Tang poetry reflects the deep poetic tradition and artistic sensibility of Chinese literature. Translating metaphorical images from Tang poetry into English poses a unique challenge for translators due to the cultural and linguistic differences between the two languages. However, this challenge also presents an opportunity for translators to exercise creativity and interpretation in conveying the essence of the original poems. By carefully selecting appropriate English equivalents for the metaphorical images, translators can capture the beauty and complexity of Tang poetry for English-speaking audiences. Through a comparative analysis of translation strategies employed in representative cases of Tang poetry, this paper combines case study and corpus analysis methods to explore the concept and function of metaphorical images in Tang poetry, analyzes the possibility and importance of its English translation, and provides a comparative analysis of translation strategies for metaphorical images using representative cases of Tang poetry translation. It reveals the rationality and fidelity of translating metaphorical images.

SUSTAINABLE MATERIALS AND METHODS IN INDUSTRIAL DESIGN: BRIDGING THE GAP WITH FINE ARTS AND GRAPHIC DESIGN FOR ENVIRONMENTAL INNOVATION

In recent years, the urgency to address environmental concerns has prompted a paradigm shift in industrial design towards sustainability. This review explores the integration of sustainable materials and methods within the realm of industrial design, facilitated by the interdisciplinary collaboration with fine arts and graphic design. The paper examines how sustainable materials, characterized by their reduced environmental impact and recyclability, are increasingly favored in industrial design processes. It delves into the challenges faced by designers in implementing sustainable practices and the innovative solutions emerging from the fusion of traditional industrial design principles with concepts from fine arts and graphic design. Through a comprehensive literature review, this review highlights the importance of interdisciplinary collaboration in bridging the gap between industrial design and sustainability. It underscores how the integration of artistic sensibilities and graphic communication enhances the aesthetic appeal and functionality of sustainable designs, thereby driving environmental innovation. Case studies and examples from various industries illustrate successful collaborations where sustainable materials and methods have been seamlessly integrated into industrial design projects. The review also discusses the role of consumer awareness and market demand in fostering the adoption of sustainable practices within the design industry. Ultimately, this review emphasizes the transformative potential of merging sustainable materials and methods with fine arts and graphic design in industrial design. It advocates for a holistic approach that prioritizes environmental stewardship without compromising on creativity or functionality, thus paving the way for a more sustainable future in design.
 Keywords: Materials, Industrial Design, Fine Arts, Graphic Design, Environment, Innovation, Review.

Baldassare D’Anna – nove slike s hrvatskih otoka

The Venetian painter Baldassare DʼAnna (Venice, 1572–1646) is represented by numerous paintings in Istria and Dalmatia. His oeuvre, relatively well researched, has been interpreted as comprising eclectic works that reveal direct and consistent influences of his contemporaries and predecessors along the lines of Titian and Jacopo Palma the Younger. This obvious influence resulted in conventional altarpieces and sacral paintings following Renaissance compositional patterns of symmetry and a clear layout, with firmly shaped figures repeating certain bodily features and physiognomy. To this corpus of the painter’s works in Croatia (and Bosnia and Herzegovina), the author has added some hitherto unattributed works on the islands of Brač, Šolta, Lošinj, and Krk. While these additions do not bring novelties in the artistic sense, they emphasize the role, significance, and popularity of D’Anna’s belated Renaissance art among Dalmatian commissioners. The still insufficiently researched role of D’Anna’s workshop collaborators has also been highlighted, given visible oscillations in the artistic value of his paintings.

The Role of Muhammad Ibn Al-Munkadir in the Intellectual Life and the Blogging Movement in the Umayyad Era (41-132 AH / 661-749 AD)

ABSTRACT Ibn al-Mankadr was an Umayyad-era scholar who possessed a wide range of knowledge in various fields, contributing significantly to the intellectual movement and Arab-Islamic civilization. The narratives that contributed to the documentation of Arab-Islamic history originated from Adam and subsequent prophets, and continued through the pre-Islamic era, the era of prophecy, the Rightly Guided Caliphate, and the Umayyad era, up until the time preceding the latter's demise. The author's narratives are characterized by quality, reliability, and truthfulness. Despite their large number, totaling just over 200 hadiths, they were not considered excessive during that period. The author's literary and artistic sensibilities were apparent in his storytelling, prayers, and commentary on certain poems. He supported the Arab-Islamic codification movement at its beginning, which was a crucial source for scholars who codified the Sunnah during his time and afterwards. One of his students, Ibn Shihab al-Zuhri, is considered the first to comprehensively codify the Sunnah and was a contemporary of Ibn al-Munkadir. This represents a fundamental aspect of the initial phase of the Islamic blogging movement.

ARTISTIC ASPECTS OF TRADITIONAL BESSARABIAN FURNITURE (LATE 19TH CENTURY - MID-20TH CENTURY)

The study focuses on the artistic aspects of traditional furniture from Bessarabia, dating from the late 19th century to the mid-20th century. We emphasize the importance of materials, decorative techniques, artistic means, and decorative structure in the crafting and decorating of traditional furniture. The motivation for this research lies in analyzing how the culture and folk art of Moldova are reflected in the characteristics of traditional furniture. The specific hypothesis of this study posits that Moldovan traditional furniture represents an expression of the talent and artistic sense of the craftsmen and householders from Moldova. The research aims to conduct a detailed analysis of the materials used, including wood and others, as well as decorative techniques such as carving, sculpture, and painting. The objectives include a comprehensive description of the mentioned materials and techniques. The research methods included documentary analysis, relevant illustrations, and extensive field research in all regions of the Republic of Moldova, spanning the years 2007-2023, contributing to the scientific and applied foundation of the research. The main results consist of highlighting the role of traditional furniture in reflecting Moldovan culture and folk art, providing data and illustrative images to support these aspects.

Art and Patronage: Revisiting Ottoman Poetry From the perspective of İnalcık and Andrews

As life was shaped around the sultan and the court in the Ottoman Empire, being close to the absolute authority, the shelter of honor and prestige, was a necessity. Being honored by the sultan and having his favor was a must to be the "sultan of poets". Since the biggest compliment was to be a companion of the sultan, one had to reveal all his talent and mastery in the valley of poetry. In this context, the view "talent is subject to compliment" is important. However, it should be noted that almost every poet wanted to be the companion of the sultan, not his bookkeeper. That is, poetic concern preceded political concern. The patrimonial characteristic of Ottoman poetry was the event of tide between the poet's loss of prestige and his desire for reputation. The paradox between the poet's aesthetic concern and patrimonial patronage constituted the essential point of Diwan poetry. The artist was always tested on the fine line between art and life. A pen is the only thing remaining in the shadow of art and power. Each literary period has its unique conditions and sense of art. These conditions should be considered while evaluating a literary work or artist. By his very nature, an artist has poetic and political concerns. Any one of these concerns may be prioritized depending on the characteristics of a period. They may also vary from one artist to another. In this regard, the present study compares the evaluations of Halil İnalcık and Walter G. Andrews in their works titled Şair ve Patron [Poetry and Patron] and Şiirin Sesi, Toplumun Şarkısı [Poetry's Voice, Society's Song] respectively.

Fotografía y conocimiento de la biodiversidad: El uso de la imagen en la conservación

Desde sus comienzos, la fotografía tuvo un importante protagonismo como herramienta documental. Fue utilizada como instrumento en la comunicación y difusión de proyectos de investigación y conservación de la biodiversidad en distintas partes del planeta. En la actualidad, el extraordinario desarrollo tecnológico de la fotografía y su gran popularidad han permitido su uso en la obtención de datos para proyectos científicos de diferente índole, además de facilitar un intercambio mucho más fluido de información entre la comunidad científica y el público –por ejemplo, en programas de ciencia ciudadana. Así, actualmente se plantea un cambio de paradigma para la fotografía, que deja atrás su sentido puramente artístico para desvelar su potencial informativo y generador de conocimiento en el campo de la conservación.

Letters and Musical Sketches. Toward a Proper Integration of Bellini’s Writings.

This article examines the use of XML-based technologies to encode verbal and musical texts in two publishing products featuring autograph material by Vincenzo Bellini (1801–1835), held at the Museo civico Belliniano in Catania, Italy. The first product is a digital scholarly edition (DSE) of Bellini’s autograph letters, encoded using the XML-TEI vocabulary. The second project involves the encoding of Bellini’s musical sketches, which often complement the letters by providing concrete examples of his compositional techniques. An experimental approach using the Music Encoding Initiative (MEI) vocabulary was adopted for these sketches: this encoding process required custom solutions to address the texts’ unique features, such as authorial interventions, the sketches’ embryonic nature, the copresence of musical notation and textual annotations, and the interrelations of different studies. This article therefore examines formal representational strategies and challenges encountered during the encoding process, particularly for musical texts, and presents an initial proposal aimed at properly integrating information from the TEI-encoded verbal texts and MEI-encoded musical texts, using an approach modeled after the Web Annotation Data Model (WADM) and its current implementation in TEI. We believe that the integration of these practices, technologies, and data is a means to unravel Bellini’s compositional process and his artistic sensibility, thereby enhancing both scholarly research and public engagement with his work.

Significance of Art-Integrated Learning in Teaching English Language

In an era when educators and parents nationwide have been struggling with what appears to be out-of-date educational models, the NEP (2020) offered a plethora of innovative ideas. One such idea is the integration of key subjects and skills into the curriculum. The proposal states that in addition to language proficiency, students should also acquire a “sense of aesthetics and art.” Teacher educators are trained by the Centre for Cultural Resources and Training (CCRT) to integrate education and culture. Using his or her experience from a CCRT residential training program, the investigator-turned-teacher educator tried teaching English through the integration of art and culture. After a suitable theme was chosen, a lesson plan that combined culture and art was created to improve communication skills. After testing the developed material on teacher candidates, its applicability was determined. It is intended that this talk would make it easier for attendees to see how art can be incorporated into language instruction. This study assumes significance because the strategy, but not the road map, has been proposed in the NEP 2020 document. It should also be helpful to people who are creating multidisciplinary curricula.

Divine Expressions in Pala Art: Sculptures of Transcendence with special reference to Buddhist minor Deities

The art and iconography of the sculptures from the Pala period (8th to 12th centuries CE) in India represent a significant phase in the evolution of Buddhist and Hindu art. The Pala dynasty, which ruled over parts of present-day India and Bangladesh, was a patron of both Buddhist and Brahmanical traditions, and their art reflects a fusion of influences. This paper attempts to explore the key features and themes of sculptures from the Pala period with special reference to Buddhist minor deities. Pala period sculptures are known for their graceful and fluid style, characterized by soft contours and sensuous curves. This style is often referred to as the "Pala-Sena" style. The sculptures exude a sense of serenity and elegance, whether depicting Buddhist or Hindu deities. Buddhist sculptures from this era frequently depict the Buddha in various postures and mudras (hand gestures). The Buddha is often shown in the Dharmachakra Pravartana mudra (teaching pose) or the Bhumisparsha mudra (earth-touching pose). Bodhisattvas, Avalokiteshvara, Tara, and Manjushri are common subjects in Pala Buddhist art. These figures are portrayed with distinctive attributes and symbols that represent their qualities and attributes. The sculptures often include intricate detailing of jewelry, garments, and hairstyle, reflecting the rich artistic sensibilities of the period.

The Place and Importance of the Tughra Form In Turkish Calligraphy with the Example of Sultan Suleiman the Magnificent

The purpose of this study is to examine the tuğra form, an important element of Ottoman calligraphy, in terms of its place in Turkish calligraphy, historical development, usage areas, and design features. In this context, it is emphasized that the significance of the tuğra goes beyond its function in official documents, serving as an art piece reflecting the artistic sensibilities of its era. Tughras are typically designed in a curved form consisting of the sere, beyze, tuğ, and hançer parts, including the name of the sultan, his father's name, and the phrase "el muzaffer daima." The composition and ornamentation of this text depend on the skills of the artisans of the era and the opulence of the reign. The earliest curved tughra examples that can be found are seen in documents of the Great Seljuk Empire. Later, the use of tughras continued in the Anatolian Seljuks and the Ottoman Empire. Officially, the use of tughras ended on November 1, 1922, with the abolition of the monarchy. The tughra served as a title in official correspondence in the Ottoman state and represented the sultan's signature and the seal of the state. As such, tughras appeared on official documents such as orders, decrees, land deeds, diplomas, as well as on coins, stamps, registration books, dynastic emblems, flags, and official architectural monuments. Additionally, calligraphy works in the form of tughras were created with verses from the Quran, prayers, the Basmala, hadiths, aphorisms, and personal names. The tughra of Ottoman Sultan Orhan Bey, which included the names of "Orhan and his father Osman," laid the foundation for all Ottoman tughra designs. In this study, the tughra of Sultan Suleiman the Magnificent, produced in the Istanbul Palace Workshop during the 16th century, which is considered the brightest period of the Ottoman Empire, was examined. This tughra, currently on display at the New York Metropolitan Museum of Art, was analyzed in terms of its text, calligraphy design, composition features, and illumination patterns. The tughra's design features prominently include the use of gold and navy blue. Illumination patterns feature saz-style dagger leaves, double tahrir-style hatayi designs, stylized carnations, and cloud motifs. Due to these design characteristics, it is believed that the tughra was created in the style of Kara Memi, the chief illuminator of the era.As a result of the research, it was concluded that tughras were not limited to being merely official documents but also represented significant art pieces that reflected the artistic sensibilities of their time.

Późny Gałczyński i Iwaszkiewicz – podobieństwa i różnice

This article shows the late Gałczyński and Iwaszkiewicz as poets in the last years of life. Gałczyński is represented by two poetic volumes: Kronika olsztyńska (1950) and Pieśni (1953), while Iwaszkiewicz – Mapa pogody (1977) and Muzyka wieczorem(1980). Both creators seek order and peace, and even some form of salvation, through references to the world of nature, to neoclassicism as a worldview and a way of artistic expression. They believe in the sense and power of poetry and art in general. They are connected by music, as well as the sacralization of everyday life. In Gałczyński, aesthetic expression is strongly exposed, and Iwaszkiewicz is also, but more clearly metaphysical in nature. The late poetic collections of both analyzed poets are thematically and formally coherent, at a high artistic level, although we find traces of socialist realism in Gałczyński.