Science Fiction Research Articles

Halil Altındere’s Space Refugee: Martian Modernism, Syrian Resettlement, and Life After Climate Change

Halil Altındere proposes in his video Space Refugee (2016) that Syrian refugees resettle on Mars to escape the dire environmental and political circumstances of Earth. Through a visual analysis of the Martian landscapes and built environments featured in Altındere’s video, I examine how the artist evokes the overlapping visual languages and rhetorical devices used to frame the construction of real and imagined cities in the UAE and on Mars. I argue that Altındere’s Martian landscape brings together features of Gulf modernism in Dubai and Abu Dhabi with elements of historical Islamicate architectures to imagine a Martian modernism that subverts repressive conditions on earth and offers social transformation. I theorize and contextualize Altındere’s vision of a utopian Martian life for Syrian refugees through the framework of Martian modernism. This critical lens elucidates how the visual features, living conditions, and ideological motivations of the future imagined in Space Refugee are shaped by and respond to intersecting histories of modernity, coloniality, architectural development, extraterrestrial exploration, science fiction, and climate change.

Nano-punk and Nanotechnology Genre in Literature: A Scientific and Cultural Analysis of Neal Stephenson’s The Diamond Age

Technology and society have been interconnected since the dawn of civilization. Literature has always served as an active medium to represent the interaction between these two fields. Fiction often utilizes technology as a backdrop for exploring societal conflicts. Science fiction, in particular, frequently depicts the complex interactions between technology and civilization. Nanopunk emerges as a significant genre within the realm of fiction, wherein the potential advantages and drawbacks of nanotechnology are explored within the imaginative landscapes of nanopunk narratives. This subgenre, a derivative of cyberpunk or biopunk, highlights forms of nanotechnology referred to as nano or nanites. Literature assumes a crucial role in depicting the nuances of nanopunk reality. In 1995, Neal Stephenson published his seminal science fiction novel, "The Diamond Age: Or, a Young Lady's Illustrated Primer." This novel delves into the intricate relationship between literature and technology within a dystopian future heavily influenced by molecular nanotechnology. Through its narrative, the novel raises pertinent questions regarding power dynamics and the sociological impacts of technological integration in a futuristic setting. This paper seeks to analyze the implications of these emerging technologies as portrayed through fiction and their potential effects on contemporary society and future generations. It concludes that literature, culture, and fiction will continue to wield significant influence in shaping societal perceptions and attitudes towards the future of nanotechnology.

The Representation of the Anthropocene in Contemporary Chinese Science Fiction

The Representation of the Anthropocene in Contemporary Chinese Science Fiction

On the Hybridity of the Classic Occult Detective Story

Abstract: This paper reads fin-de-siècle and Edwardian British occult detective fiction as a form of proto-science fiction, suggesting that the epistemological focus on the occult typical of these texts can be usefully envisioned as formally and functionally equivalent to the focus of modern science fiction on orthodox science. Drawing from Stephen Halliwell's studies on mimesis and recent developments in the field of unnatural narratology, the paper thus shows how the subgenre of occult detective fiction anticipates and participates in the systematic rationalization of the impossible that distinguishes the discourse of modern science fiction.

The Impact of IoT on Smart City Infrastructure in India

Today, we live in a society where digital communication systems are so advanced that by the mid 2050’s the world will be completely filled by smart buildings on the internet highway like those portrayed in science fiction movies. This is possible because of tech savvy tiny sensors or Internet of Things (IoT) devices embedded in the smart network in order to collect meaningful information about the citizens and their interaction with the ubiquitous environment. Smart sustainable cities are modelled on the Internet of Things blending ICT for better standard of living and citizen services. IoT will modify indoor temperatures and switch off unnecessary lights in homes, detect snags in equipment and fix machines remotely, and provide commuters with information on traffic jams on the go. IoT in smart cities can be implemented by the development authorities but the stake holders of this task are citizens, the municipal government and private organizations engaged in this partnership. Using sophisticated ICT systems makes the city smarter and improves community building and connectivity by interweaving all the components of a city. Privacy and security are the two watch words when it comes to capturing citizens’ data. This data needs to be anonymised before it reaches the civic authorities. This study evaluates the advantages and disadvantages of using IoT in Indian smart cities after discussing an international case study of a smart sustainable city.

Netflix’s high-end global telefantasy: Conspicuous and virtual localism

Netflix has commissioned and released an increasing number of high-end international series that tap into the genres of science fiction, fantasy and horror. These follow one of two strategies: (1) local productions that engage with local folklore and myths, or (2) productions centred in the ‘West’, where international talent is brought in to create cosmopolitan ‘global’ TV events such as 1899 (2022). The first strategy brings together local storytelling with a globally appealing packaging. The second strategy risks reducing ‘transnational’ production to a few tokenistic stars and narratives which are ultimately from everywhere and nowhere at the same time.

A Study on the Subtitle Translation of Moon Man from the Perspective of Eco-Translatology

With the deepening of cultural exchanges among countries, film subtitle translation plays an increasingly important role in cultural exchanges. The quality of subtitle translation will also directly affect the speed of international transmission of Chinese films. The science fiction comedy, Moon Man, contains many humorous language, superb sets and stunning effects to make the film stand out. This paper intends to study Moon Man's subtitle from the perspective of Eco-Translatology, analyze the ecological environment of film translation, and illustrate how the translator adapts and selects translation to adapt to the translation ecological environment from the perspective of three-dimensional transformation, and achieve the maximum multi-dimensional selective adaptation and adaptive selection.

Counter-discourses to social inequalities and urban modernity: Subaltern women in post-2000s Chinese science fiction

ABSTRACT The issues of resurgent class and gender inequalities, rapid urbanization, and huge regional disparity were a notable focus of many post-2000s Chinese science fiction, which vividly created images of subaltern females. This paper looks at how contemporary Chinese sci-fi authors seek social justice by representing the experiences of various subaltern women within the specific genre of science fiction. It argues that the images of socially and culturally marginalized women were used as effective tools for questioning the intersectional social inequalities in contemporary China. The works discussed in this article all problematize the nature and influences of urban modernity by revealing the intersections, tensions, and contradictions between subaltern women and the classed, gendered modernization process. The sci-fi realist portrayal of subaltern agency and gender struggle also helps to generate powerful counter-discourses to urban modernity and technological utopia.

The Right to Mental Autonomy

A number of moral philosophers and legal scholars have now recognized that we possess a natural, or moral, right to mental autonomy. This right is standardly characterized as our right against significant, nonconsensual interference with our minds. However, the precise scope of this right remains under-theorized: what makes some ways of influencing someone’s thinking—rational argumentation, say—permissible, but other ways—pharmacological manipulation—impermissible? Here I argue that the right to mental autonomy should be analyzed as the right to form attitudes in light of reasons. Once understood this way, we can see how this right protects us against all “nonrational” interventions on our thinking—including, but not limited to, nonconsensual neurosurgery, pharmacological manipulations, science fiction mind control, subliminal messaging, and non-reason-giving advertising or nudging. Rather, the only fully permissible ways to seek to influence someone’s thinking are through methods that seek to engage their rational faculties. This result, I claim, accords with our moral intuitions concerning the matter.

Immersion – new media and old ambitions

As immersive exhibitions and entertainments have become fashionable, it should be remembered that they have a long history, stretching back to the panoramas of the 18th century and the many optical novelties of the Victorian era, leading up to cinema and subsequent attempts to make this a more immersive experience. More recently, the concepts of cyberspace and the metaverse have been imported from science fiction to describe virtual experiences now available through digital media. Remediation theory should explain these, as well as their evident popularity, yet cultural and aesthetic hostility to such spatial illusions is almost as old as the new media themselves, and has reappeared in response to immersive exhibitions.

Hospitality and anti-tourist attitudes through the host-guest relationship in the Westworld science fiction series

Westworld is a science fiction series that proposes a theme park of the future where ‘guests’ can live a Wild West experience without restrictions or reprisals, thanks to reallooking android ‘hosts’ who grant all their wishes. Due to the topic covered, this science fiction series allows its use as a common thread for an article that considers the concept of hospitality, the host-guest relationship and its consequence for the management of tourist destinations. This is achieved through an exegesis of Westworld and an analysis of academic bibliography. First, different concepts of hospitality and what they imply for the host-guest relationship are identified. Subsequently, how different theoretical developments on the resident-tourist relationship are proposed entailing different interpretations and reactions to the same objective reality. In conclusion, it should be noted that when tourism is perceived as subordinating the host to the wishes of the guest (as in Westworld), the appearance of anti-tourism attitudes among residents is only a matter of time, generating conflicts. Furthermore, the importance of dominant interpretive theories in determining the reaction of the local population to events that occur should be highlighted.

Belief and Prediction Narratives in Rethinking Discourse: The Experience of Soviet Science Fiction and Ad in the 1950s

In the USSR of 1950s, the sociocultural foundations for the functioning of social practices and institutions were the opposite to those in subsequent periods of the USSR history and modern Russia. In addition, they are opposite to the currently dominant trends in world’s development, depicted in “Retrotopia” of Zygmunt Bauman. In the culture of that time, people poorly expressed mass nostalgia as they searched for an emotional community with collective memory. Rationality was the main defining feature of the 1950s. From this point of view, the author examines narratives aimed at correcting the “Soviet” discourse, discredited during the Second World War and political changes in Soviet society in the late 1940s — early 1950s. There are two types of narrative: the belief and prediction, which were broadcast through commercial advertising and science fiction literature. The prediction narrative remained a specific attribute of the1950s culture and did not receive further promotion.

Desexualisation of the Species or Frankenstein and Possibility of an Island

ABSTRACT This article attends to two key literary considerations of desexualisation, namely Mary Shelley’s Frankenstein (1818), the world’s first science fiction novel, and a significant contemporary rewriting of it, Michel Houellebecq’s Possibility of an Island (2007). Literature, like other forms of art, often reflects fundamental discontents with sex in ‘civilisation’ and the various inflections of power that ripple through them – including knowledge and its role in forms of exploitation. Grounded in sex and death, literature is not only a reflection of and upon social power, but also an expression of our experience of the forces of nature we cannot control, those that remind us we are social animals. In this context, a close reading of Frankenstein’s depiction of failed sexuality and meaning is linked to Possibility’s narrative of transhumanism and its critique of technological solipsism.

Unfulfilled Future Perfect? Comics as a Site of Liberty in Post-Mao China

ABSTRACT This study examines the changing ideological landscape of post-Mao China through the prism of the science fiction work, The Three Courts, published in the late 1970s. This work and its comic adaptations are not landmark works of literary history and popular culture but rather a utopian fable addressing the profound issues of the reform. We demonstrate how the comic version received a temporary ideological license to support the popular liberty movement, which reflects the cooperation of officials and civil society in the face of the socialist faith crisis and how such collaboration broke down in 1979. By analyzing the two revisions made to this work, we argue that the comic can be seen as a site of liberty that contains radical political content, but its visual output has not been censored. Thus, before the new myth of post-socialism took shape, this text reveals the unfulfilled expectations of democratized reforms by pro-democratic knowledge elites and cultural bureaucrats standing among the ruins of Mao-era China.

The Specificity of Fantasy and the “Affective Novum”: A Theory of a Core Subset of Fantasy Literature

This article proposes a new approach to the nature of a core set within fantasy fiction that regards it as a speculative literature of the exploration of subjectivity, one which at its limit conjectures fresh possibilities for the subjective world. To motivate acceptance of this proposed approach, I begin by surveying the existing state of debate in the critical field. I notice the emergence of widening agreement on the idea that fantasy is a literature of the impossible. I then develop the logical implications of this widening agreement in the critical field, arguing that it entails a representational definition of fantasy literature, which implies a modal approach to the core set that defines this literary order. I suggest that the marvellous mode, the kind of writing which represents the impossible, is a broad class that includes other speculative literatures, and that what differentiates these is the referential world within which the impossible happens. The aim here is to break up monolithic conceptions of the impossible, while pointing to a motivation for developing an understanding of the specificity of a core set of fantasy texts that proceeds by way of contrasts. After explaining why I am extremely skeptical about the definition of science fiction as a “literature of the possible”, I probe descriptions of the difference between fantasy and sci-fi. I propose that whereas some science fiction is a literature of conjectural objectivity, guided by the “cognitive novum”, a significant group of fantasy texts is a literature of speculative subjectivity, guided by an “affective novum”.

A comparative study of emotional narratives in Chinese science fiction: exploring the gender perspective

In recent years, there has been an increasing focus on women’s science fiction in China. A prevailing perception among readers and critics suggests that women’s sensibilities enable them to convey more nuanced emotions in their works. To examine this viewpoint within the realm of contemporary Chinese science fiction, a quantitative approach based on affective computing was employed. This approach allowed for a systematic evaluation of indicators such as emotional arc, emotional richness, and twistiness. The findings reveal that while individual writers may exhibit distinct emotional writing styles, overall, there is no significant disparity in emotional narratives between male and female science fiction writers.

Fiction meets fact: exploring human-machine convergence in today’s cinematographic culture

Abstract This article explores the theme of human-machine convergence as portrayed in modern science fiction movies and TV/streaming series and compares them to real-world advancements in robotics, artificial intelligence (AI), and virtual reality (VR). It examines how science fiction often depicts humanoid robots and AI with human-like emotions and intentions, contrasting with the actual technological challenges and ethical considerations in developing intelligent machines. The text discusses the evolution of humanoid robots from fictional portrayals to real-life examples like Boston Dynamics’ Atlas and Tesla’s Optimus. The paper also explores the reverse interaction, where humans become avatars in virtual worlds, and briefly discusses the ethical implications of simulating deceased individuals in digital form. Through this examination, the paper emphasizes the complexity of human-machine convergence and the importance of considering social, ethical, and emotional aspects in technological progress. It concludes by suggesting that while science fiction provides insights into societal fears and hopes regarding technology and thus into ethical and regulative necessities, the real trajectory of human-machine convergence cannot be predicted through film but will be determined by ongoing and after all incidental developments in the real world.

J. Jesse Ramírez, Un-American Dreams: Apocalyptic Science Fiction, Disimagined Community, and Bad Hope in the American Century

J. Jesse Ramírez, <i>Un-American Dreams: Apocalyptic Science Fiction, Disimagined Community, and Bad Hope in the American Century</i>

LINGUO-STYLISTICS OF HORROR IN E. A. POE’S SHORT STORIES

Horror is a genre of science fiction which is intended to, or has the capacity to frighten, scare or disgust the readers by inducing feelings of horror and terror. This piece of fiction in prose of variable length also shocks and startles the readers inducing feelings of repulsion or loathing through creating a frightening atmosphere. Horror is frequently supernatural, though it can be non-supernatural. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society. The present investigation of horror in E. A. Poe’s short stories through the linguo-stylistic and case study methods of analyses aims to disclose the very distinct role of horror fiction in the perspective of human emotions – a kind of “mediator” between the world and its reflection in the language. The results show that emotions as a psychological, physiological and philosophical phenomenon verbally reproduce the emotional attitude of the person towards the world, that emotions are contained, fixed, expressed and indicated in utterances in the form of ideas – and as such – emotions are a perfect object of linguo-stylistic study.

EFL Teachers’ Perceptions of the Use of Science Fiction to Teach Reading &amp; Writing

EFL Teachers’ Perceptions of the Use of Science Fiction to Teach Reading &amp; Writing