Reviewed by: Rabbis and Classical Rhetoric: Sophistic Education and Oratory in the Talmud and Midrash by Richard Hidary Brandon Katzir Richard Hidary, Rabbis and Classical Rhetoric: Sophistic Education and Oratory in the Talmud and Midrash. Cambridge, UK: Cambridge University Press, 2018. 344 pp. ISBN: 9781107177406 Recent scholarship on the Second Sophistic has demonstrated the extent to which that period, in the first centuries of the common era, had a profound influence on rhetoric as a cultural practice. In particular, as Timothy Whitmarsh has noted, “[Oratory] was one of the primary means that Greek culture of the period, constrained as it was by Roman rule, had to explore issues of identity, society, family and power” (5). The Second Sophistic lays the groundwork for the Byzantine tradition, which itself had an enormous influence on the European rhetorical tradition. Yet, the literary cultures inspired by Roman Hellenism were not limited to Greek speakers. Classical Jewish texts like the Mishna, the Talmud, and various midrashim were composed or redacted in the same literary culture that gave rise to Philostratus’s Lives of the Sophists. Richard Hidary’s Rabbis and Classical Rhetoric argues that the Jewish culture which produced the Mishna was affected by the cultural and literary ferment of the Second Sophistic. Hidary observes that the Second Sophistic bears numerous similarities to its contemporary rabbinic movement. He notes, “the rabbis also pushed to uphold their own distinctive Jewish identity and pride in the face of Roman dominance and they too studied and taught inherited religious traditions from antiquity” (5). Like the Greek orators, the Talmudic sages “studied, codified, and lectured about their own past traditions and in a similar way used this as a strategy for upholding their culture and values” (6). The strength of Hidary’s approach lies in his nuanced examination of a range of rabbinical genres. Each of the chapters proceeds in a similar fashion: they begin by explaining the significance and structure of a particular genre of rabbinical writing followed by an explanation of how that genre intersects with rhetorical genres of the Second Sophistic. Hidary explores some rabbinical writing—such as aggadic midrashim, the Talmud Yerushalmi, the Talmud Bavli—as well as some lesser known genres, like the progymnasmata in rabbinical literature. He compares the role of lawyers in Roman and rabbinical courts, the heavenly court in rabbinical literature, and Plato’s heavenly court. Hidary offers a fresh perspective to each genre. Of particular interest is his analysis of Sabbath sermon, which, according to [End Page 340] Hidary, is the mainstay of rabbinical declamation and has its origins in the Second Temple period, which ended in 70 CE. Hidary argues that there is a formal connection between rabbinic homilies and the aggadic midrash. He observes that while some scholars have suggested that “works of midrash aggadah are transcripts of actual synagogue sermons,” most believe they are literary creations, even if they were perhaps sometimes read aloud. Each chapter of aggadic midrash begins with a proem which expounds upon a Biblical verse. Hidary notes that “the verse usually lacks an obvious connection to the Torah lectionary and thus raises the curiosity of the audience. The audience is kept in this state of suspense until the speaker finally manages to connect the opening verse with the first verse of the Torah lectionary, thus delivering his main point with a memorable punch line” (50). Hidary argues that the exordium is the model for the midrashic proem, pointing out that Aristotle “writes that the prooimion of epideictic speeches should begin with an unrelated subject and then transition into the main topic of the speech” (53). But Hidary emphasizes that while the rabbis’ rhetorical form may look Greek, their arguments are designed to demonstrate the superiority of the Jewish people and the Sinaitic revelation. Hidary draws a connection between the Hellenistic orators of the Second Sophistic who “turned to Attic oratory to revive Greek pride in the face of Western Roman political domination” and the rabbis who “[apply] the rhetorical technique of the Greeks to their teaching of Torah,” an application which was ultimately aimed at demonstrating “the perfection of Scripture” (77). The later chapters of Rabbis and Classical Rhetoric compare classical and rabbinic...
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