ABSTRACT H.M. Naqvi’s novel Home Boy features three men of Pakistani background who embark on a cab ride from New York City to Westbrook, Connecticut. They wish to check on an elusive character, Mohammed Shah (a.k.a. the Pakistani Gatsby or the Shaman), who is missing after 9/11. I analyze this journey, known as the “Shaman Run,” as an American road trip. For critical analysis, I synthesize Nancy Leong’s concepts of “open road” and “traffic stop narratives,” highlighting the racialization of American roads, with Sarah Sharma’s notion of “Brown Space” regarding the post-9/11 criminalization of cabdrivers with ties to the Global South. I argue that the Shaman Run begins as an open road narrative but is transformed into a traffic stop narrative overlaid with Brown Space, leading to a reconsideration of the possibilities of open road narratives. Naqvi incorporates elements of road trip fiction in Home Boy to recount how certain Americans did not regard Muslims as fellow mourners in the aftermath of 9/11. Writers and filmmakers from Pakistan and the Pakistani Diaspora have depicted the othering of Muslims in post-9/11 America, but Naqvi is distinctive in foregrounding this theme by repurposing a well-known genre of American literature.