fore 1951 the minimal requirements took the following form. The first year was devoted to a semester of English composition and a semester of speech. The second year offered a choice between United States and world history. In the third there was a first-semester course in economic principles, and in the second semester a choice among three social science courses. The final year provided for four possible areas of study: international relations, the history of ideas, literature, and music. In 1951 a considerably revised program was inaugurated. The revision was motivated by a desire to introduce more substance into the first year, to give the underclassmen some feeling for the sweep of chronological developments in a four-semester sequence ranging from ancient Greece and Palestine to the present, to ground them pretty thoroughly in the three basic disciplines of history, literature, and philosophy, and to allow the upperclassmen a much broader range of possible areas of concentration. It was shortly after the introduction of these new requirements that John Burchard, then Dean of the School of Humanities and Social Science, conceived the idea of a Humanities in French program for properly qualified freshmen and sophomores. The idea became a reality in the fall of 1953, with the assistance of the Rockefeller Foundation, which agreed to finance the experiment for a period of three years. At the end of that period the experiment was adjudged a success, and the program was absorbed into the regular budget. In order to recruit students for Humanities in French, the language backgrounds of all entering freshmen were first studied. It was found that about fifty had had at least three years of secondary-school French and had done superior work in that subject. Each was sent a letter of invitation to participate in the program. It should be noted in passing that no native French-speaking students have ever been permitted to enroll in this program, since we feel that it is in their best interest to take Humani-