202 Book Reviews TECHNOLOGY AND CULTURE Instruments in various institutional contexts are also treated. J. A. Bennett examines the interactions of Thomas Hornsby at the Radcliffe Observatory, Oxford, with his instrument makers; Marijn van Hoorn relates the development of the instrumentation at the Teyler’s physical laboratory in Haarlem, Holland; and J. C. Deiman discusses Utrecht University’s microscopes. Several articles provide windows on the instrument-making trade. The instrument makers John Bird, George Graham, and Jesse Ramsden (among others) figure prominently in Bennett’s article. Gloria C. Clifton provides a careful social and institu tional analysis of the producers of optical instruments in 17th- and early18th -century London, complete with a list of all the known manufac turers for this period. There are also detailed examinations ofindividual instrument makers and their businesses or achievements: Hemming Andersen on the Dane Jeppe Smith, Allan Chapman on Jesse Ramsden as a figure who “scaled up” instrument making to an industrial level, and Anita McConnell on the use of Thomas Cooke’s order book to get at a social analysis of who the buyers were for optical instruments circa 1860. Making instruments count, in the history of technology or in the history of science, is no easy matter. Still needed are more catalogs, more photographs and other illustrations, and more examples of promising kinds of historical analysis. This book makes repeated pleas for all of these and provides some promising models to be emulated. Historians of technology and science, with a little reflection, will be able to see many opportunities to extend this example. Moreover, what differences might be found in investigations of instruments and instru ment making in parts of Europe beyond Britain and the north, or in America, or in Asia? While some literature exists for these parts of the world, they are not represented in this volume. Gregory A. Good Dr. Good is associate professor of the history of science at West Virginia University. He researches the history of the sciences of the earth and the instrumentation of these sciences. The Time Museum Catalogue of Chronometers. By Anthony G. Randall. Rockford, Ill.: Time Museum, 1992. Pp. x+366; illustrations, glossary, bibliography, index. $139.00 +handling. The story of the establishment of practical ways of finding longitude at sea should be one of the most fruitful of case studies for historians of technology. It has everything. It was an exceptionally long process taking over 200 years even from the time when the basic methods were first clearly adumbrated in the 16th century and with a prehistory stretching back to antiquity. Those who occupied themselves with the problem were among the leading scholars and craftsmen of their day, TECHNOLOGYAND CULTURE Book Reviews 203 and the story is one in which members of both groups were researching at the technical and scientific frontiers of the acquisition of new knowledge, new skills, and new methods. The subject offers massive materials for renewing the scholar/craftsman debate. At the same time, research into the subject was heavily influenced by economic and social imperatives, while the ways in which this research was modulated can be explained only in terms of patronage networks, artisan education, and the corporative structures that controlled the lives of craftsmen. Few other technological topics are so important, and even fewer offer such a clear demonstration of the cultural and social determination of technical endeavor. Nonetheless, until recently the subject has remained almost exclu sively the preserve of internalist historians primarily concerned to establish the stages of technical progress toward the fully fledged marine chronometer. This is of course the essential backbone, but the subject offers so much more that one can only welcome the present work, which, although itself primarily a technical study, explicitly recognizes the larger context, seeks avowedly to stimulate further research, and has as one main aim the giving of “life and meaning to one of the greatest, most representative collections of chronometers ever assembled” (p. vi). And this is no exaggeration. The work, written by one of the finest watchmakers practicing in the world today, is a catalog of part of the stunning collection of timepieces assembled by Seth G. Atwood and displayed at the Time Museum in...