With participatory approaches to journalism being lauded as the latest innovation of American journalism, what was once seen as rebellious has become a best practice. adoption of citizen-engaged practices, often referred to as participatory media, may signify a transformative moment in the history of news. result may very well be a return to a style of journalism envisioned by scholars like James Carey, who called for a more humble journalism in which news organizations see themselves as facilitators in a culture's conversation about itself.In his 2015 book Engaged Journalism: Connecting With Digitally Empowered News Audiences, Jake Batsell documents how newsrooms are implementing journalistic routines that attempt to entice audiences into participating in the creation of information. An entire niche industry of journalism is springing up around the premise of engaging with the audience. Hearken, for example, is an entrepreneurial venture that has built a technology that allows news organizations to engage with the audience throughout the newsgathering process. Fueled by unprecedented disruption, U.S. media giants have begun to institute participatory approaches as a way to gain relevance to their shrinking audience. In 2014, the media giant Gannett Co. announced a massive restructuring of its newspapers, slashing jobs as it moved toward digital-first environments and news coverage that have evolved out of focus group work with audiences. Gannett newsrooms have been mandated to see themselves as information hubs that invite citizens to be part of the conversation both in person and online.However, many of the ideas being touted as new and innovative are neither. Engaged relationships with audiences have always been the essence of journalism. Analysis of journalism oriented toward a particular group of which the journalist is a member reveals both the opportunities and the constraints of community-oriented news. As a social force, community's power should not be underestimated nor romanticized. Michael Clay Carey's case study of Budget should thus give pause to those who, first, want to describe the participatory media landscape as a new innovation, and, second, want to credit technology with fomenting a revolution.Carey examines the national edition of a 126-year-old, print-only newspaper named Budget. publication is filled with content produced solely by citizen correspondents, volunteer writers called scribes, who share simple accountings of the goings-on of life in Amish and Mennonite communities nationwide. correspondent-produced newspaper relies on the citizen to participate both as the producer and consumer of content, with the journalist serving simply (humbly, James Carey might say) as a facilitator of this conversation. Budget is a place where this community, bound by a common set of fundamental beliefs, creates a shared meaning. Carey concludes that this participatory newspaper connects a primordial of likeminded people: The newspaper serves as a virtual space where 'over-the-back-fence' conversations take place among family members and former neighbors separated by hundreds of miles. Carey uses Benedict Anderson's vision of the imagined community to describe how Budget joins together a national audience of Amish readers who participate in the mass ritual of reading, which reinforces core, central beliefs and creates a sense of familiarity among strangers among Amish people.Clay Carey shows why some describe Budget as the Facebook of the Amish. Of course, one of the more intriguing findings derived from Carey's work is that the engaged relationship described here happens without the use of online technology. Indeed, many in the Amish eschew technology or outside relationships that might distract from living a life focused on faith.Carey concluded that for Budget, this occurs with submissions that focus on four major themes: community, tradition, worship, and differentiation from outsiders. …