This article investigates the movement between contested styles of masculinity in the princely state of Hyderabad, situated in the south of India, in the 1930s and 1940s. Three spaces, at the same time emotional and institutional, dominated political interactions. The court required a masculinity premised on balance. A nobleman had to embody military virtues, but also cultivate himself through the fine arts. The masculinity of the street was premised on the regeneration of the community and on the glorification of burning passions, while the negotiation table needed the figure of a rational man, able to tone down his feelings. While these styles contested with each other, they were not mutually exclusive. As the case study of Bahadur Yar Jang, nobleman, orator, organiser of mass movements, and skilful negotiator in discussions within Hyderabad and between Hyderabad and Indian actors, shows, (some) men could move between these masculinities, divided by fluid boundaries. However, his case also shows that the fluidity has to be historicised: it was neither available to everyone, nor did it survive the radicalisation of Muslim politics in the 1940s and the annexation of the state by the Indian army in 1948.
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