And, finally, need I add that I who speak here am bone of bone and flesh of flesh of them that live within Veil? W. E. B. Du Bois (February 1903) On 21-22 May 2004, dozens of scholars, colleagues, and friends from across United States gathered in Riverside, California, to honor work and intellectual legacy of P. Sterling Stuckey. The immediate occasion of conference was Stuckey's retirement from Presidential Chair and Distinguished Professor of History at University of California, Riverside. Entitled, Africans, Culture, and Intellectuals in North America: P. Sterling Stuckey and Folk, conference celebrated achievements of one of America's greatest historians. is rare indeed that scholars from a variety of fields and disciplines meet in conference to honor work of a single living colleague. In this case, conference was treated to a veritable outpouring of papers from scholars, colleagues, and former students, all of them eager to salute and discuss Professor Stuckey's influence and achievements. As participants themselves acknowledged, conference was an event as rare as it was rich in intellectual content and camaraderie. In all, thirty-five papers were presented, ranging widely over forty years of Stuckey's extraordinary career. The essays making up this special issue of The Journal of African American History consist of a selection of papers presented at conference. The focus of essays center around subject that is most frequently associated with Stuckey's innovative scholarship and legacy, namely, theme of Afrogenesis in formation of slave culture and collective agency of enslaved. (1) Publication of this Special Issue appears almost forty years since original appearance of Stuckey's path breaking essay Prism of Folklore: The Black Ethos in Slavery in Summer 1968 issue of The Massachusetts Review that struck first startling note of what was instantly recognized as a paradigm shift in reorienting contemporary understanding of slave culture. is difficult from this distance in time to appreciate or get a sense of extraordinary impact that appearance of this single essay had on scholarly profession at time. In fact, as we learned at conference, an earlier version of essay was actually written as a paper for a graduate research seminar at Northwestern University taught by Professor George Frederickson. In disclosing this bit of information at Riverside conference, Frederickson underscored achievement of published essay: It is arguably, he noted, the most historiographically important journal article on slavery ever published. More than any other work of 1960s it signaled [and] heralded paradigm shift in representation of slave experience that came to fruition in 1970s and 80s. After giving a careful review of state of historiography before and after publication of Prism of Folklore in 1968, Frederickson concluded: was first piece of authoritative historical writing to advance a new paradigm based on exposure of a semi-autonomous slave culture and community, a perspective that shifted historiographical emphasis away from victimization and toward creativity and agency. Through use of folklore--the songs and stories that have been collected and passed down--he was able to create a compelling and persuasive counter image to submissive, pathetic, and ineffectual Sambo. Instead of being stripped of cultural resources, slaves were, [Stuckey] maintained, able to draw creatively on their African heritage and adapt it [to] their current circumstances. This stereotype of hapless, helpless slave, first enshrined in historical literature by U. B. Phillips and then modernized by Stanley Elkins, had been dealt a lethal blow. …
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