Interior Design Practice Research Articles

Deep Learning-Driven Virtual Furniture Replacement Using GANs and Spatial Transformer Networks

This study proposes a Generative Adversarial Network (GAN)-based method for virtual furniture replacement within indoor scenes. The proposed method addresses the challenge of accurately positioning new furniture in an indoor space by combining image reconstruction with geometric matching through combining spatial transformer networks and GANs. The system leverages deep learning architectures like Mask R-CNN for executing image segmentation and generating masks, and it employs DeepLabv3+, EdgeConnect algorithms, and ST-GAN networks for carrying out virtual furniture replacement. With the proposed system, furniture shoppers can obtain a virtual shopping experience, providing an easier way to understand the aesthetic effects of furniture rearrangement without putting in effort to physically move furniture. The proposed system has practical applications in the furnishing industry and interior design practices, providing a cost-effective and efficient alternative to physical furniture replacement. The results indicate that the proposed method achieves accurate positioning of new furniture in indoor scenes with minimal distortion or displacement. The proposed system is limited to 2D front-view images of furniture and indoor scenes. Future work would involve synthesizing 3D scenes and expanding the system to replace furniture images photographed from different angles. This would enhance the efficiency and practicality of the proposed system for virtual furniture replacement in indoor scenes.

Exploring the use of recycled materials in interior design and their environmental benefits

Sustainable and environmentally friendly interior design practices have grown in popularity in recent years. The field of interior architecture has adopted a fresh perspective in its design process. Consideration of both the user's and the environment's well-being are central to sustainable interior design. Sustainable interior design is discussed in the article, along with the significance and use of certain materials. In addition, examples of completed projects that prioritize environmental friendliness are shown, along with the fundamental principles of sustainable design. As a result of the economy's meteoric rise, "green ecology" has quickly gained widespread acceptance. Investigating and studying the potential uses of biodegradable materials in this setting is worthwhile. The use of biodegradable materials in home decor is the topic of this article. Avoidance, reduction, and reuse are the three main tenets of waste minimization initiatives.

Research and Practice of Interior Design Based on Deep Convolutional Generative Adversarial Networks Algorithms

Research and Practice of Interior Design Based on Deep Convolutional Generative Adversarial Networks Algorithms

Revisiting Bodies in Interior Design Practice

Addressing human bodies is inevitable in interior inquiries and practices. Integrating knowledge about human bodies into design practice can extend beyond the idea of bodies as merely static entities with fixed dimensions. The idea of bodies as the basis for spatial design practice views the human body as a living entity that dwells, occupies, moves, and engages in space. Knowledge about bodies as the basis of practice also needs to view bodies' presence as sociocultural entities. The emergence of the virtual environment provides another context with a shifting materiality of bodies and interior spaces. This issue of Interiority acknowledges the breadth of knowledge about bodies in spatial design disciplines. The articles demonstrate various ideas that reflect some challenges surrounding the integration of knowledge about bodies into design practice.

Film + Design

The design of scenography, staging, lighting and objects for representation and presentation within the film genre forms one of the most seductive areas in the practice of interior design.?The merging of space and movement within this medium provide context and site for the visual translation of narrative, engagement of image and spectacle and discourse surrounding the iconography and imagery of history, culture and society. This studio, delivered to second and third year interior design students at the University of South Australia, delved into the multi-disciplinary practice of the film process. It introduced students to the various roles and responsibilities of the designer working within the medium of film. It attempted to meld the theoretical and practical through a series of design projects which analysed and developed design proposals while challenging traditional realms of interior design practice. Four specific theory lectures were developed to provide a theoretical reference for the project work. These were structured to explore notions of montage, place, and fragmentation through representation and imagery. To augment these lectures and translate existing skills into the conventions of film design practice, practical workshops exploring the techniques of script breakdown, drafting, lighting and packaging formed an integral part of the lecture series. To develop critical analysis and observation of existing practices, students were asked to watch a minimum of ten films - either from the supplied listing' or as proposed. They were asked to comment both in visual and text form, on the various devices used to visualize the narrative in each film. To do so, they identified the broad themes of the film and documented design methods used to represent these themes - form, lighting, spatial sequencing, etc Gaining an understanding of a body of film works allowed students to engage in both theoretical and practical approaches to the design process in a reflective and responsive way.

Fostering social responsibility for interior design practice

Tertiary interior design courses incorporating the equivalent of four years education aim to provide students with the opportunity to develop the knowledge, skills and values needed to practice as a professional interior designers. In doing this, the various universities recognise the parameters and elements of professionalism formalised by the International Federation of Interior Designers and Interior Architects (IFI) and correspondingly endorsed by the Design institute of Australia (DIA), a member organisation of IFI and professional organisation for design professionals in Australia.

Augmented Realites: A Comparative Analysis of AR and VR Innovations in Interior Design By IJISRT

This comprehensive research paper conducts an in-depth comparative analysis of ten pivotal studies investigating the integration of augmented reality (AR) and virtual reality (VR) technologies in interior design. It critically examines each study's research methodology, core findings, technological innovations, and strategies for enhancing user engagement. By synthesizing these studies, the paper reveals emerging trends, common challenges, and the immense potential of AR/VR to transform design processes, customer experiences, and market dynamics within interior design. The analysis meticulously delineates how AR and VR are reshaping the interior design landscape through novel visualization capabilities, immersive environments, and user-centric features. Key insights are provided regarding the current state of AR/VR applications, opportunities for further development, and best practices for practical implementations. This comprehensive work serves as a foundational resource to understand the pivotal role of digital innovations, especially AR and VR, in driving the evolution of interior design practices. It offers valuable perspectives for both academics exploring future research directions and practitioners seeking to capitalize on cutting-edge AR/VR solutions.

Application of Furniture Waste : Re-using as an Interior Furniture Elements for Residence

Interior waste management is a crucial aspect of sustainable interior design. it involves the minimization of waste generated by interior design activities and the efficient use of resources. Waste minimization strategies include the avoidance, reduction and reuse of waste materials. Up cycling, which involves the creative reuse of waste materials to recreate functional interior spaces, is also an important aspect of interior waste management. Sustainable interior design practices also emphasize the use of reclaimed and salvaged materials to minimize waste generated. Overall, effective interior waste management is essential for reducing the environmental impact of interior design activities and promoting sustainability.

From Theory to Practice – Interior Design Education for More Sustainable Future

This article discusses the role interior design education plays in the development of greener buildings. Through the encouragement of making sustainable design choices along the design process, the education cultivates a sustainable mindset that contributes to the development of greener spaces, buildings and communities. Even though United Arab Emirates (UAE) shows relatively low per capita CO2 emissions, its building energy efficiency score lags behind that of other nations. This research applies a two-step methodology (qualitative and experimental) to investigate the nexus between interior design, education, and Leadership in Energy Efficient Design-Interior Design and Construction (LEED ID+C) in promoting sustainable buildings design in the UAE. Qualitative methods are applied for the review and analyses of the relevant literature, while experimental measures the efficiency of integrating the LEED ID+C framework into an interior design studio as a teaching method. This experimental teaching method challenges students to comply with LEED ID+C v.4.1 reference guide from the very beginning of the design project and throughout all phases until project completion. The success of the experimental teaching methods is measured through a set of criteria that include information acquisition, knowledge and skills development, and awareness enhancement. As the participant pool varies from level two to level four students, the experiment reflects a comprehensive educational perspective. The results of this study show that such experimental teaching methods contribute to bridging the gap between sustainable interior design theory and practice by instilling sustainability consciousness and skills in students. The results also demonstrate that the experimentation eradicates the barriers to sustainable interior design practice as it relates to Information, Knowledge, and Awareness. The study concludes by highlighting the benefits of the experimental teaching method and suggests how the method can be further improved.

FEATURES OF DESIGNING A MODERN OFFICE SPACE, ITS EQUIPMENT AND FURNITURE

The aim of the study is to identify the main factors, modern approaches and methods of creating a comfortable office space based on the analysis of modern domestic and foreign experience in designing this type of premises.
 Methodology. Critical analysis of scientific sources on the research topic, normative and reference literature, comparative analysis of advanced domestic and foreign experience in office interior design, and a synthesis of the research results have been used in the study.
 Results. Historical aspects of the development of offices and modern trends in the interior design of this type of premises are considered. The main factors of creating a comfortable office space are identified: design in accordance with modern ergonomic requirements; implementation of aesthetic principles of interior design, effective functional and planning organisation. The ergonomic criteria for workplace organisation are presented, and the main aspects of office ergonomics are highlighted. Based on the analysis of modern design experience, approaches and techniques of artistic and aesthetic, functional and planning solutions for office spaces are identified. In particular, rational planning that combines common communication spaces with individual workstations, artistic and aesthetic solutions with balanced colour palette and accents, optimal lighting and modern ergonomic equipment are becoming integral components of an effective modern office space.
 The scientific novelty lies in determining the main factors in creating a comfortable office space based on the analysis of modern interior design practice for this type of premises, identifying current trends, approaches and techniques for creating the office interior, which is a further contribution to the development of research on office environment design.
 The practical significance of the results obtained lies in the possibility of their application by designers and employers when designing office interiors.

A systematic review of chinese culture and heritage in interior design practices

The aim of the current paper was to analyze and explore the research published on the topic of Chinese interior design. The researcher analyzed the research published in the past decade (2012-2022) by applying a PRISMA method-based systematic review of research. The researcher used four phrases made up by mixing and matching the keywords that were used to extract articles (journals and conference papers) from Scopus, WoS, and Google Scholar. A total of 35 papers were included in the review after carefully filtering out irrelevant research. All of the included papers were qualitative in nature. Most of the studies were experimental case studies, while some were review or concept papers. The researcher included research that was originated in China or written by Chinese authors, was published or presented in the English language between 2012 till 2022 and addressed some topics of Chinese interior space elements or design strategies. The majority of reviewed research was published in the past 5 years. Moreover, the main focus was on the integration of traditional elements and regional design in modern interior design. The other revealed themes were emotional design, “New Chinese Style”, the use of technological innovations like virtual and augmented reality, etc. The researcher has summarized the implications and future directions of research.

Exploring the Interior Designers’ Attitudes toward Sustainable Interior Design Practices: The Case of Jordan

Interior designers play a pivotal role in shaping the built environment and catalyzing positive change through the adoption of sustainable design practices. This study centers on the analysis of prevailing attitudes held by interior designers in Jordan towards sustainable interior design practices. Through a comprehensive methodology involving a literature review and a three-part questionnaire, the research explores the benefits, challenges, and integration of sustainability principles. The study highlights substantial awareness (85%) of sustainable interior design’s environmental impact and resource preservation. Additionally, 81% acknowledge its enduring significance and 89% recognize its diverse benefits. While 61% exhibit familiarity and 27% claim professional experience. Among sustainability indicators, energy efficiency scores 4.25, resource efficiency 4.27, and “Design aligns with laws and regulations by the Ministry of Labor” ranks highest at 4.37. This study significantly augments our understanding of sustainable interior design by introducing a comprehensive evaluation framework that encompasses the three sustainability dimensions. It equips decision makers with a robust tool to identify specific practices that bolster sustainability performance, further advancing the field. Furthermore, this study provides practical strategies for the application of sustainable interior design principles in the Jordanian context, emphasizing the need for hands-on training, interdisciplinary collaboration, policy development, and ongoing monitoring. These strategies aim to bridge the gap between awareness and practical experience, fostering a culture of sustainability within the interior design profession. The findings of this research resonate with existing literature on sustainability in the built environment, demonstrating a global shift towards sustainability as a fundamental approach rather than a passing trend. The introduced comprehensive evaluation framework equips decision makers with a robust tool to identify specific practices that bolster sustainability performance, further advancing the field of sustainable interior design in Jordan and beyond.

Exploring the Integration Practice of Traditional Architectural Decoration and Modern Interior Design

Exploring the Integration Practice of Traditional Architectural Decoration and Modern Interior Design

Replicas (recreations) of Soviet design of the 1960s-1970s in contemporary interior design practice

Replicas (recreations) of Soviet design of the 1960s-1970s in contemporary interior design practice

Barriers to the practice of sustainable interior architecture and design for interior renovations: A Parsimonious-Cybernetic Fuzzy AHP approach

While the notion of sustainability has long been a major concern in the built environment, the practice of sustainable interior architecture and design still falls short. This study aimed to identify and analyse barriers to the practice of sustainable interior architecture and design. To this end, after identifying 30 potential obstacles through a review of literature, a two-round Enhanced Fuzzy Delphi Method involving 13 qualified experts was employed resulting in the exclusion of 10, and the addition of one new barrier. To prioritise the remaining, a novel Parsimonious Cybernetic Fuzzy Analytic Hierarchy Process was introduced, significantly reducing the number of pairwise comparisons and eliminating the need for a complicated AHP questionnaire. Results showed the highest prioritised barriers are: (1) lack of sufficient sustainability modules in the education of interior architects/designers, (2) designers' lack of experience and technical understanding, (3) lack of codes, regulations and specific legal frameworks designed for different types of projects, (4) lack of interest from the client, and (5) designers’ lack of training. The findings of this study provide valuable insights for professional interior architects/designers, educators, statutory authorities, governments, and policymakers. Considering the dearth of existing literature on this topic, the present study fills this gap by providing a comprehensive list of barriers to sustainable interior architecture and design, establishes the groundwork for future research to build upon, and introduces a novel P-CFAHP that has not been employed before.

Professional Course Streaming in Interior Design: Example of Differences between Residential and Non-Residential Space

室內設計空間類型多元廣泛，包括商業空間、辦公空間、住宅空間，細分又可有所謂餐飲、銷售、廠辦等等，如何讓高等設計教育能夠應付外界不同類型的設計工作是很重要的一環。本研究針對學界、業界之間的學用落差，提出兩個問題1.在室內設計執業領域中其非住宅與住宅空間其工作內容的差異為何？2.針對學用合一之目標，室內設計教育以住宅－－非住宅空間專業分流的可能性？本研究以步驟一質性：「專家訪談法」，討論教育與執業過程中，對於住宅與非住宅兩種類型的專業知能差異探討。步驟二量性：「問卷調查法」，針對文獻與步驟一所整理出的室內設計專業學習項目以問卷了解各項專業知能的差異細節。研究結果發現，本研究所歸納出的31個專業學習項目可分為五大面向探討：1.使用者與使用評估2.專業知識3.溝通與呈現4.文件與法規5.工程管理整合。此五種面向在質性與量性分析皆呈現顯著差異，其中以專業知識差異最大，溝通與呈現差異最小，顯示若想要拉近產學距離，在專業知識面向中高度差異之項目，授課規劃上確實有分流教學之必要。The types of interior design spaces are much diversified, including commercial, office and residential spaces, which can also be divided into food, sales industry, and factory offices. This research is focusing on asking two questions in responding to the gap between the industry and academia.1. What is the difference in the work content between non-residential and residential spaces in interior design practice? 2. Is it possible for interior design education to have professional courses for non-residential space and residential space respectively (streaming)? Step one: Qualitative: expert interview method- this method discusses the difference between residential and non-residential professional knowledge in the process of education and career. Step two: Quantitative: Questionnaire survey method, based on the interior design work items sorted out in the literature and method one, we use questionnaires to understand the detailed differences in professional knowledge of each different category. The results of the study have found that there are 31 professional work items can be divided into five major aspects: 1.User and their evaluation. 2.Professional knowledge. 3.Communication and presentation. 4.Documents and regulations. 5.Project management integration. These five aspects show significant differences in both qualitative and quantitative analysis. Among them, aspects2 is the most significant, while aspects3 is the least significant. This result demonstrates that if we want to narrow down the gap between industry and academia, it will be necessary to teach courses with medium, high level of differences and difficulties by utilizing streaming education.

Application of Green Design Concept in Interior Design Practice

Parallel with the increasing development of China’s social economy, many people are paying attention to the high-level design quality of interior design and the aesthetics and environmental protection of interior design. Therefore, the concept of integrating green design has become the focus of designers in the works of interior design. Based on the overview of green interior design concept, the author introduces the role and principles of green design concept in interior design, and discusses in detail the key applications of green design concept in interior design, hoping to provide reference and guidance for interior design practitioners.

Re-evaluating Post-war Interior Design Practices through Client Histories: Loti Smorgon and Her Architect/Decorator Noel Coulson

ABSTRACT In 1947 in Victorian Modern, Robin Boyd named a group of leading modern architects, including many who had trained at Geelong’s Gordon Institute. Yet Boyd omitted successful graduates whose work did not fit his narrowly defined parameters of modern design. Significant amongst these was Noel Coulson, RAIA, whose architecture and interior design practice made him highly desirable to Jewish immigrant clients. Like many whose work traversed both aesthetic and professional boundaries, Coulson has been overlooked by an Australian historical field profoundly shaped by Boyd’s preferences. Via a detailed study of Loti and Victor Smorgon’s Toorak house designed by Coulson in 1953, this paper argues that previously under-researched client histories have value in contesting such historiographical limitations. Client-centred methodologies reveal interior designers’ roles as hybrid practitioners — both cultural producers and mediators — supporting an understanding of modernity determined by the home as the locale of modern life rather than prescriptive aesthetic values. This paper proposes a re-assessment of post-war interior design historically marginalised within hierarchies of cultural production; and the role of the client as integral to a more inclusive understanding of the modern interior in post-war Australia.

Collective Memories of Shared Space and Experience in the Creation and Inhabitation of Virtual Studio

AbstractArt and design students’ occupation and use of physical studio spaces have decreased and altered during the Covid 19 pandemic, and online learning spaces have become increasingly important. This case study explores the value of collective memories of shared space in the creation and inhabitation of online studio, using recalled narrative and thematic analysis to inform refinement of the virtual studio used during a unique year. Interior design practice is rooted in collective human interactions within the built environment. We describe the positive effect familiar layout and language have on interior design students' ability to engage effectively in online studio activities, thus enabling students to feel optimistic about the events they have experienced and highlight the effectiveness of the events. Feedback from students and staff provides insight into the influence of digital proxies for space, and the use of familiar language affects the perception of online studio. We conclude by testing our early findings, describing elements the student body found most supportive and propose how we may further expand this research to provide a basis for designing effective and engaging virtual studio spaces.

A Comprehensive Review of Deterrents to the Practice of Sustainable Interior Architecture and Design

The interior environment as the place where people spend nearly 95% of their time in, has recently received considerable attention within the domain of the built environment. The concept of Sustainable Interior Architecture and Design (SIAD) and its significance have been recognized given its potential for energy conservation, and its impacts on occupants’ satisfaction, comfort, as well as their physical and psychological wellbeing. Although the adoption of SIAD is crucial in achieving the sustainable development goals, its practice is still hindered by numerous deterrents. A number of studies have reported on these deterrents; however, there is no comprehensive review of the literature on this topic. Thus, as a first step toward addressing the present gap, this article provides a two decade (2000–2021) systematic review of the relevant literature that investigates a total of 51 publications. Furthermore, a scientometric analysis was conducted, and the co-citation and co-occurrence of journals and keywords were analyzed to illustrate the scientific landscape. A comprehensive summary table is provided consisting of 61 deterrents to the practice of SIAD that are categorized into five main categories: (1) economic; (2) attitude, knowledge, and awareness; (3) market, information, and technology; (4) education and training; as well as (5) government and professional bodies. Finally, the findings are deliberated upon and directions for future research are discussed.