Artistic Practice Research Articles

Visual Art Representation and Social Attitudes Towards Transgender Individuals in Pakistan: Exploring Queer Theory, Personal Narratives, and Societal Change

This research paper investigates the intricate interplay between visual art representation, social attitudes, and the experiences of transgender individuals within the Pakistani context. By integrating the frameworks of queer theory, personal narratives, and the recent enactment of the transgender bill, this study aims to contribute to the creation of a more inclusive and supportive society for transgender individuals in Pakistan. The paper begins by providing a comprehensive understanding of key terms such as LGBT, transgender, and gay, clarifying their distinct meanings to avoid misconceptions. It then introduces the theoretical lens of queer theory, which offers critical insights into challenging societal norms and perceptions regarding gender and sexuality. Through an in-depth case study of a college friend who underwent a gender transition and now identifies as a woman, the researcher engages in meaningful dialogue to gain a profound understanding of her personal experiences, challenges, and transformative journey. This exploration sheds light on the emotional disorientation and internal conflicts often encountered when interacting with individuals who have undergone gender transitions, emphasizing the need for empathy and understanding in fostering meaningful connections. Furthermore, the research delves into the realm of visual art practices among transgender individuals in Pakistan, analyzing the artistic expressions of transgender artists and those who explore transgender themes. By examining the transformative power of visual art to raise awareness, promote empathy, and challenge stereotypes, the study highlights the potential of art as a catalyst for social change and acceptance. In addition, the paper addresses the broader societal implications and attitudes towards transgender individuals in Pakistani society, particularly in the context of the transgender bill. It underscores the urgency for progress in terms of ensuring equal treatment, inclusivity, and acceptance, aiming to dismantle discriminatory practices and foster an environment that embraces diversity. Overall, this research contributes to the ongoing discourse on transgender rights and social attitudes in Pakistan. By amplifying personal narratives, employing queer theory as an analytical framework, and recognizing the transformative potential of visual art, this study advocates for the dignified treatment and facilitation of transgender individuals as valued members of society with respect and equality.

Regional Claims Through Exhibitions—The Transnational Circulation of Włocławek “Fajans” in East Central Europe

The article examines the exhibition history of hand-painted ceramic objects from the “Fajans” factory in Włocławek and the politics of regional contextualization during the period of détente in the 1970s and 1980s. It extends both existing scholarship on transnational art history in socialist Europe and the notion of cultural diplomacy, approached here in the context of regional politics and economic frameworks. The paper highlights the peripheral networks and movements that developed in relation to the socialist cultural politics of working-class artistic engagement and artistic practice as labor. Questions of cooperation between Poland and other socialist states are of particular interest, as are the implications of détente for East Central Europe. The reconstruction of the transnational circulation of “Fajans” objects is based on a comparative analysis of international “Fajans” exhibitions, using documentation from the archives of the Faience Department of the Museum of the Kujawy and Dobrzyń Land, as well as from the archives of the city of Novi Sad. Based on the researched material and the conceptual framework of transnational art history, the article proposes a concept of regional cultural diplomacy.

Exploring young children’s self and others: integrating visual diaries and the digital emotional expression application in art education

ABSTRACT This study explores the integration of technology-based and hands-on art practices in an early childhood art education program tailored to preschoolers in South Korea. The participants of this study included 20 young children aged five or six years old, who engaged in the program for a two-year period. By employing qualitative research methods, the results reveal the young learners’ enhanced expression of their emotion, including feelings, desires, and moods with the aid of visual diaries in conjunction with a digital emotional expression application supported by teacher intervention. Further, the young learners were stimulated to engage in self-discovery, self-awareness, and understanding of others. Ultimately, young children’s visual diaries enhanced educators’ and parents’ comprehension of their emotions. Moreover, showcasing these visual diaries and collaborative artwork promoted numerous opportunities for engagement and resonance with the local community. The fusion of visual diaries and the digital emotional expression application is viewed as a practice of emotional meaning making, wherein art and technology agency is distributed.

Operational Competence of the Visual Arts Teacher in Art Practice: Interrogating the Underlying Factors

This study is on operational competence of Visual Arts teachers’ art practice, focusing on the factors influencing their competence and its relevance in contemporary contexts of arts education. Drawing upon literature from education, art pedagogy, and teacher training, this study identifies key factors that contribute to the operational competence of Visual Arts practice, including artistic skill, proficiency and reflective practice. Through an analysis of empirical studies and practical insights, the study highlights the visual arts teachers’ own art practice factors. It also underscores the significance of research informed policies and curriculum frameworks that support the holistic development of Visual Arts education and the cultivation of a vibrant artistic community within schools and society at large. It engages qualitative research design. A sample of twelve (12) Visual Arts students and one (1) Visual Arts teacher each from eleven (11) schools within the six Education Districts of Lagos State were purposively selected. Data was obtained using Portfolio Review Rubrics. Thematic Analysis was employed in analysing data gathered. Findings revealed that Visual Arts teachers’ competence in art practice differs in nuances of scope. It also revealed that teachers’ competence in art practice is a determinant of students’ learning outcome in art practice. Based on the findings, recommendations were made that workshops and conferences on art practice and pedagogy be organised for Visual Arts teachers to improve their operational competence in art practice. It further recommended that art teachers’ training curriculum be re-packaged to include more art practice activities than pedagogy so as to adequately build their art practice competence in scope and strength for prospective art teaching career.

Endowed with positive values and fatal weaknesses: Public art practices in post-industrial landscape --- A systematic review

Public art, due to its convenient participatory function and strong social integration ability, is being widely used in the protection, adaptive reuse and innovation of urban post-industrial landscape. In the process of urban renewal, although different forms of public art practice have brought many positive values and benefits to post-industrial landscape, such as the preference for sustainable development of the city, the continuation of urban context or the concern for local community residents based on “top-down” and “bottom-up” cases. Meanwhile, a series of fatal weaknesses arise are ultimately attributed to fragment and single protection of post-industrial landscape. The goal of this study is to systematically review and classify articles on the involvement of public art in post-industrial landscape (a process for screening articles was designed) in order to more clearly find out the positive values and fatal weaknesses of public art practice in various process of post-industrial landscape protection based on both “top-down” and “bottom-up” models. Most previous studies have focused on case analysis and have not discussed this issue or used this method. Therefore, the study is valuable. The conclusions of the study show eight positive values and seven fatal weaknesses in the application of public art practice in post-industrial landscape. It should be pointed out that “inspiring interaction and involvement” and “strengthening community identity,” are the most important factors in the practice of public art in post-industrial landscape. In the future stage, we should focus on and address the issue of "how to establish long-term artistic practice?” and “how we can better balance interests and rights among multiple stakeholders?" within public art academic ocean.

Economic Influence of the Practice of Pottery on Local Progress: The Pottery Centers of the Lacs District of Central Côte d'Ivoire as a Case Study

Pottery is an activity that has its origins in the Neolithic period. It allows producers to find a way to live. This traditional activity is considered an income-generating activity. Traditional pottery is an economic activity practiced by women. The examines pottery art practices of the Lake district through examination of potters’ techniques and development of their production. The study show characteristics of the pottery production of two ethnic groups and the impacts of pottery production on local development. To better understand our subject we adopted both a qualitative and quantitative approach. The responses from this research show at first glance that there are two ethnic groups producing traditional pottery in the Lakes district: the Baoulés (81%) and the Mangoros (19%) with different characteristics in their production. Then, the potters of the said district are not organized into a cooperative or association. And finally, the revenues from the factories are used to improve the living conditions of households.

Renegotiating the notion of artistic genius - within the frame of an institutional theatre

This exposition explores how the Betty Nansen Theatre in Copenhagen, with the artistic research project, BETTY DEVELOPS, works with spreading a collaborative practice to the infrastructure of an entire institutional theatre and how this renegotiates the notion of artistic genius and the star. The exposition offers a meta-reflection on the author’s artistic research activities at the theatre. These reflections shed light on what happens when collaborative methods of working and producing are implemented in an institutional theatre and discuss the extent to which artistic research can develop methods for collaborative co-creation as well as resistance to the neoliberal individualised performance culture. Could such methods prevent you from falling back on a modernist understanding of the artist as the original creator of an individual expression and instead support a collaborative art and knowledge practice? As opposed to defining artistic creation as something that springs from and comes from an individual (the artistic genius or star), the author argues that artistic creation is a relational act, and that art is something that comes to be between people. This exposition is a collage of empirical material, text, images, and video gathered and produced over the last five years while facilitating, documenting, researching, and sharing the development of fourteen BETTY DEVELOPS productions.

The Integration of Arts-Based Research Methods in Scientific Studies

Arts-based research (ABR) integrates creative and artistic practices into academic research, offering novel methodologies that enrich scientific inquiry. This interdisciplinary approach enables the exploration of complex human experiences, emotions, and phenomena through mediums like visual art, drama, poetry, and music. This paper examines the benefits and challenges of integrating arts-based research into scientific studies, highlighting its capacity to elicit deeper, embodied insights that complement traditional methods. While ABR fosters innovative data collection and engagement, it faces skepticism regarding rigor and validity in the scientific community. This study examines how the collaboration between scientists and artists can bridge these challenges, emphasizing best practices for effective integration. The paper concludes by offering examples of successful arts-based research in scientific contexts and suggests strategies for future implementation. Keywords: Arts-based research, Interdisciplinary research, Artistic methodologies, Scientific inquiry, Creative expression, Data collection.

Technology-Enhanced Art and Sustainable Discourse Practices

This study explored the potential of technology-enhanced art in fostering sustainable discourse practices and social connection in the digital age. As technology advances, new opportunities emerge to integrate digital tools into creative practices, particularly in the realm of art. By examining the intersection of art, technology, and discourse analysis through a sustainability lens, this research aims to uncover innovative approaches to promoting effective communication, civic engagement, collaboration, intercultural understanding, empathy, and resilience incorporating co-design processes, shared decision-making, or collaborative art-making activities. The study provides an overview of technology-enhanced art practices including social media, virtual reality, interactive installations, and digital storytelling tools, and their impact on discourse practices within diverse socio-cultural contexts. It investigates the role of digital platforms and creative processes in facilitating social connection through discourse. The research focuses on a thematic approach to technology-enhanced art interventions that promote sustainable discourse practices and social connection. Through a thematic and intervention-based approach, this research combines a review of current literature with case studies showcasing the successful implementation of technology-enhanced art interventions. So the current study argues that technology-enhanced art holds significant potential for fostering sustainable discourse practices and social connection in the digital age. By harnessing the power of digital tools and creative processes in an environmentally conscious manner, artists, educators, and practitioners can support social connections. This, in turn, contributes to personal, social, and environmental resilience in a rapidly evolving technological landscape.

Shaping civic values of modern youth: Evaluating the influence of the international plein air as a specially organized artistic practice

Introduction. The article investigates the problem of patriotic education of modern youth. The purpose of the research is to identify and clarify the peculiarities of the influence of an international plein air as a specially organized artistic practice on the formation of modern youth civic values. Materials and Methods. The research is based on axiological and personality-centered approaches. The main research method is theoretical (reviewing regulatory documents and scholarly literature, analysis and synthesis, comparison, generalization and data interpretation). In addition, a practical method was used (students performing search and short-term training exercises, as well as long-term artistic compositions). The project of the International Art Competition called ‘Without Borders’ that is analyzed in the article is a new format of an online professional Internet competition for students majoring in Arts for partner pedagogical universities. Results. The article analyzes the results of the international project on patriotic education and formation of civic values in modern students, implemented within the framework of cooperation between pedagogical universities of Belarus and Russia. The study convincingly proves that it is the plein air that provides an effective environment for developing students’ artistic and creative skills, implementing patriotic education of students, as well as contributes to shaping their readiness to organize patriotic educational activities in the future. Conclusions. The article concludes about the specifics of the influence of the international plein air as a specially organized artistic practice on the formation of modern students’ civic values.

The elegance of lacquer: Unveiling traditional lacquer techniques in East Asia

This research delves into the intricate world of lacquer art in East Asia, aiming to unravel the relationships among artisan perspectives, aesthetic values, and the contemporary relevance of this ancient craft. The purpose is to provide a comprehensive understanding of how historical development, apprenticeship traditions, and evolving aesthetic values shape the intricate landscape of lacquer artistry. Employing a qualitative approach, this study conducts in-depth interviews with artisans and experts in the field of lacquer art. The research involves a comparative analysis of past literature, drawing upon historical and contemporary works to contextualize the findings within the broader trajectory of lacquer art. Thematic analysis is also applied to unravel the nuances of artisan perspectives, the transmission of knowledge through apprenticeship traditions, and the cultural and aesthetic dimensions embedded in lacquer paintings. This mixed-methods approach enriches the study by providing a holistic and nuanced exploration of the identified variables. The findings illuminate the enduring significance of apprenticeship traditions in preserving traditional lacquer techniques, with artisans actively navigating challenges posed by globalization and digital platforms. Aesthetic values, including symbolism and visual harmony, are revealed as integral components contributing to the narrative richness of lacquer paintings. The study uncovers the dynamic relationships among these variables, emphasizing the adaptive nature of lacquer art in a contemporary context. The implications extend to cultural preservation, heritage management, and educational initiatives, offering valuable insights for practitioners, policymakers, and educators involved in the realm of traditional crafts. The study contributes to theoretical frameworks on cultural continuity, knowledge transmission, and the socio-cultural dynamics of artistic practices.

Student Opinions on the Sustainable Art Practice of Printmaking Papers Converted from Waste Paper

This research focuses on understanding and addressing environmental issues through art by integrating waste paper into sustainable art practices. The unique value of this study lies in its emphasis on the fact that combining recycled paper with art carries not only environmental benefits but also social and creative potential. As part of the research, paper-making workshops were organized to facilitate the convergence of recycled paper with art, during which waste paper was recycled to produce printmaking paper. Subsequently, participants were given the opportunity to carry out linoleum printing applications by incorporating local elements into their works. In this research, implementation and examination studies were conducted in line with the stated aims and objectives. The study employed a case study design, one of the qualitative research methods, and data were collected through a semi-structured interview form. Based on these data, it was clearly demonstrated that the students who participated in the paper recycling workshop and engaged in the processes of printing on recycled materials for sustainable art practices experienced an increase in environmental awareness, and their positive impact on sustainable art was clearly revealed.

Reimagining the use of 19th-century techniques on historical piano: from the perspective of a 21st-century pianist

The difference in embodiment experience when transitioning from one piano to another is highly complex, not to mention the transition from a modern piano to a 19th-century historical piano, as playing techniques were also different. As the modern piano is very different from 19th-century keyboard instruments such as the fortepiano, it can be difficult for a modern pianist to understand the techniques used in the 19th century, and why. While it may be impossible to perfectly reconstruct the playing of 19th-century pianists, this study focused on the process of reimagining the 19th-century playing techniques on historical instruments from the perspective of a 21st-century pianist which will help develop understanding towards the potential roles and impact of these techniques, recognize the connections between instruments and techniques, as well as their influence on my playing as a pianist-researcher. Through this artistic practice, the feedback and observations from these experiences in the form of reflection logs were used to uncover the roles and effects of these techniques. This exposition will discuss a performer-researcher’s experience with references to the current literature, demonstrate how these techniques help narrow the gap between the modern and period instruments, especially in terms of touch and control, and investigate the effects of the artistic practice on dynamics and phrasing. Video clips of performances on both modern grand piano and historical instruments such as the fortepiano will also be included to better demonstrate the different approaches.

A critique of the ecological art research in China

Ecological art represents a novel artistic genre that melds the realms of creative expression with environmental conservation, reflecting the contemporary art world’s focus and allure towards the natural environment. Nowadays, scholarly inquiry into ecological art within China is predominantly categorized into four domains: educational practices in ecological art, aesthetics in ecological art, the innovation and utilization of ecological art forms, and interdisciplinary studies within ecological art. Within these areas, research in ecological art education accentuates the pedagogical approaches to artistic innovation and education.

The Influence of Curatorial Art on Visual Art

As time progressed and societal structures underwent transformation, there was a notable increase in interest in the memories encapsulated by objects. This resulted in a significant increase in the development and popularity of museums and art exhibitions, which in turn gave rise to a multitude of innovative spatial art forms, and the term “curation” was born. This research program examines the impact of the curatorial space on the visual presentation of artworks and its role in the visual arts as a whole. This is achieved using an analysis of several specific cases. Moreover, it demonstrates the evolution and advancement of the utilisation of curatorial space for the presentation of artworks. The concept of curatorial space is both flexible and complex, with implications for both the visual arts and their presentation. The utilisation of new media and technology in curatorial environments has been demonstrated to offer several advantages over physical curation. These include enhanced accessibility, flexibility, and the capacity to reach a broader audience. Consequently, curators and artists are presented with the chance to interact with audiences and cultivate innovative artistic practices and prospects in the domain of digital media and technology.

Understanding China’s infrastructure activities in Africa through artistic practice and exhibition

The infrastructure-led development model initiated by China under the Belt and Road Initiative (BRI) has faced domestic and international challenges. By focusing on a national travelling art exhibition featuring Chinese railway construction in Africa in 2023, this paper examines the role that curatorial and exhibition practices can play in (re)shaping public geopolitical understandings of China-Africa relations. Exhibiting over 200 artworks collected from both China and Africa, this art programme not only forms a nuanced, personal and storied narrative of China’s overseas development work in Africa but also tactically responds to current internal and external criticism of the Chinese government’s global ambitions channelled through the BRI. This work extends the ongoing interest geographers have at the intersection of the visual arts and critical geopolitics.

Transmission capabilities of SoulCollage in socio-pedagogical practice

Introduction. Artistic pedagogical technologies are widely used in pedagogical practice. However, a new technique, SoulCollage, is just beginning to be used in our country, and has not yet been reflected in Russian scientific publications. Scientific research devoted to SoulCollage and its use in practice has been published abroad since 2010.Purpose setting. The problem of the research is to find an answer to the question: does SoulCollage have transmission when used to form a positive mood? The purpose of the study is to search for manifestations of the property of transmission in the artistic pedagogical practice of collaging, using the example of SoulCollage. By transmission we mean a change in psychological state in response to a directed influence. The hypothesis of the study is the assumption that SoulCollage can be used as a socio-pedagogical practice when influencing the psychological state of a child in order to form a positive attitude (according to A. S. Makarenko).Methodology and methods of the study. The research methods were theoretical analysis, SoulCollage practice and pedagogical observation. Five educational practices on working with SoulCollage were conducted with students of Omsk State Pedagogical University aged 18 to 24 years. 54 people participated in the study.Results. The article reveals the historical origins of the development of SoulCollage and the technology of its application. The structure of the deck in Soul Collaging is described, which consists of deck suits: committee cards (psychological dimension), council cards (archetypal dimension), companion cards (consisting of animal guides that live in the chakras), community cards (social dimension). The technology for using SoulCollage in social and pedagogical practice is presented. Conclusions. The observation results showed that participants in social and pedagogical practice exhibit positive charge, they demonstrate increased interest in self-knowledge. The effects of socio-pedagogical practice are expressed interest: in SoulCollage cards, in participants in socio-pedagogical practice, in the study of Eastern philosophy and Jungian archetypes.

The effect of listening to music and drawing on coping with dysmenorrhea complaints in nursing students: randomized controlled trial

AimTo examine the effect of listening to music and drawing on coping with dysmenorrhea complaints of nursing students.MethodsThe study was a double-blind, three parallel-group randomized controlled trial conducted between August 2023 and May 2024 at Bartın University, Faculty of Health Sciences, Department of Nursing. Ninety-six dysmenorrheic nursing students with regular menstrual cycles were included in the study and randomly assigned to three groups as drawing, music and control groups. Visual Analog Scale (100mmVAS of pain), Perceived Stress Scale (PSS) and Menstrual Symptoms Scale (MSS) were applied to the students at baseline, 1st and 2nd months. The interventions were as follows: the music group listened to a 29-minute and 32-second song three days before menstruation and on the first day of menstruation in the third month composed by Juan Sebastian Martin-Saavedra, while the drawing group created art for the same duration. The pain scores, perceived stress, and menstrual symptoms were measured in all groups after the interventions.ResultsPretest, 1st and 2nd months 100mmVAS of pain score averages were 7.16 ± 1.99, 7.16 ± 1.99 and 7.50 ± 1.98 for the control group, 7.22 ± 1.64, 4.84 ± 1.80 and 2.13 ± 1.45 for the music group and 6.69 ± 1.80, 5.09 ± 1.55 and 2.91 ± 1.33 for the drawing group, respectively. Pretest, 1st and 2nd months PSS score averages were 28.75 ± 3.71, 29.09 ± 3.87 and 30.03 ± 4.16 for the control group, 29.91 ± 3.98, 14.06 ± 4.06 and 3.59 ± 3.82 for the music group and 27.38 ± 3.63, 18.13 ± 5.60 and 8.34 ± 5.46 for the drawing group, respectively. Pretest, 1st and 2nd months MSS score averages were 79.25 ± 15.41, 88.00 ± 20.08 and 90.66 ± 19.13 for the control group, 85.41 ± 10.77, 62.41 ± 15.23 and 34.00 ± 12.62 for the music group and 80.69 ± 11.07, 65.53 ± 15.37 and 47.31 ± 15.11 for the drawing group, respectively. Mean menstrual pain intensity, mean perceived stress level, and mean menstrual symptoms level in the art and music group decreased significantly at 1st and 2nd months post-intervention (p < .001). A significant increase in score levels was observed in the control group.ConclusionsBoth art and music practices are effective in significantly reducing menstrual pain, perceived stress, and menstrual symptoms in nursing students with dysmenorrhea. It is important to include listening to music and drawing on women’s health and disease nursing practices to control menstrual pain, perceived stress, and menstrual symptoms in dysmenorrhea.Clinical trials registration numberhttps://clinicaltrials.gov identifier NCT06027489; registered August 30, 2023.

Self-portrait as mask. The case study of Gillian Wearing

This article examines Gillian Wearing&amp;rsquo;s Family Album photographic series (2003 &amp;ndash; 2006), relating her self-portraits to the postmodern identity theories of Fredric Jameson (1984) and Kenneth Gergen (1991) for the 1st time, as well as linking them to Hans Belting&amp;rsquo;s interpretation of the symbolism of the mask (2013). In the photographs, Wearing assumes the features of her family members through hyper-realistic masks and wigs, recreating and &amp;ldquo;wearing&amp;rdquo; the faces from the family albums. Through this process, the artist temporarily assumes the identity of another person while creating a new subject that combines and adds further characteristics to the personalities from which it is composed. The photographs from the series are compared with other works by the artist, particularly her self-portraits painted during the 2020 lockdown and those created in 2023, in which she portrays herself without a mask, marking a significant shift in her artistic practice.

Sharing Space and Time in Participatory Artistic Practice

Sharing Space and Time in Participatory Artistic Practice