The very recent decision of the European Court of Justice in Scarlet v SABAM is of high importance, especially for the ongoing debate around copyright enforcement online: the judges of the court decided that wide-ranging measures which involved total monitoring of Internet users' activity and the blocking of peer-to-peer sites via which copyrighted material may be accessed illegally for an unlimited time was a disproportionate measure, and emphasised the fact that intellectual property rights were not absolute rights, but had to be balanced against other rights such as free expression and privacy. This chapter will present an in-depth analysis of Scarlet v SABAM, and the background against which it was decided, in order to assess whether it represents another instance of a fightback against copyright lobbies in Europe. Europe over the last few years has followed the United States in enacting measures to extend copyright terms, and at the national level legislation has also been enacted specifically to target Internet users allegedly infringing copyright protections by downloading illicitly copyrighted material, especially from peer-to-peer filesharing programmes, such as the Digital Economy Act in the United Kingdom, in the midst of heavy lobbying from corporate copyright holders for ever stricter measures. Nevertheless, the Scarlet v SABAM case has been decided at a time when the tide may be turning against the power of copyright lobbies in Europe. Firstly, European Commission Vice-President for the Digital Agenda Neelie Kroes, recently critiqued the current approach to copyright enforcement in Europe as not protecting the interests of the majority of individual artists, as well as being alienating the general citizenry. Furthermore, in the United Kingdom the government has been conducting a wide-ranging review of communications regulation, which has involved discussions over the reform of intellectual property, particularly in the digital age, including a recommendation that an evidence-based approach be adopted to making policy in this area, which balances economic and social objectives (containing an implicit scepticism about the corporate lobbying that has hitherto being a major driver of intellectual property policy).However, Scarlet v SABAM may also encompass the ascendancy in the copyright debate of another powerful lobby with its own interests, namely that of the telecommunications companies such as Scarlet which provide Internet access to users, and for which monitoring users' data to detect copyright violations represents a cost to them lacking a (profit-based) benefit. Although in the past telecoms companies have claimed that they are unable to monitor content, this is not accurate at present, given the availability of deep packet inspection technologies, which are indeed used by these very companies but in a way which provides new means of exploitation and sources of profit by prioritising and/or blocking certain types of Internet traffic.The chapter would consider these issues through the adoption of an actor-based approach, in order to analyse the case in light of the competing discourses presented by the creative and telecommunications industries, in addition to the view of consumer advocate groups. In doing so, the Scarlet case will be assessed in the context of the ongoing debate regarding the limits of copyright, and will also refer to recent developments such as the Copyright in Sound Recordings Term Extension Directive, and proposals for a Directive on Criminal Enforcement of Intellectual Property Rights.