Poetic Imagery Research Articles

التشكيل الحسّي في ديوان " هديّة الأحباب والخلّان" للشّيخ أبي بكر عتيق (دراسة تحليليّة وصفيّة لنماذج مختارة)

Sensory imagery holds great importance for poets, who utilize this phenomenon and incorporate it into their poetry, making it an integral part of their work. This enhances the exploration of how poets skillfully employ sensory imagery to create beautifully crafted poems. The paper begins by providing a brief history of the poet, covering his early life, his pursuit of knowledge, and his literary contributions in both poetry and prose. It also examines the concept of sensory imagery according to modern Arabic language critics, shedding light on its functions and role in Arabic poetry. To explore the poet’s ability to use sensory imagery, the researcher adopts an analytical descriptive method. Finally, the paper concludes that sensory imagery often enriches the reader with hidden meanings, as the poet uses these elements as channels for creating vivid poetic imagery throughout the collection.

The Figurative Style in Contemporary Arabic Poetry (Henda Muhammad as a Model)

This study aims to highlight the figurative style in contemporary Arabic poetry by selecting the poetry of Henda Muhammad as a model. The significance of the study lies in analyzing how the poet employs figurative techniques such as simile, metaphor, and synecdoche to create expressive and rich poetic imagery. The study seeks to uncover Henda Muhammad's innovations in using these rhetorical tools to link the texts to the themes addressed in the poems, with the goal of answering the research question: What are the prominent poetic images at the figurative level and their manifestations of similarity, Metaphor, and synecdoche in Henda Muhammad's poems? The study utilized a descriptive methodology that focuses on describing the phenomenon by highlighting rhetorical purposes and examples and analyzing literary texts from a figurative stylistic perspective to determine their meanings. The study yielded several results, most notably that the poet succeeded in adding depth and aesthetics to her poems through her rhetorical strength, which contributed to enriching the poetic texts both linguistically and aesthetically, with manifestations of emotional impact and deep human experience reflecting a range of Emotions including sorrow, hope, longing, alienation, and patriotism.

The Poetic Image in the Poets of the Diwan School

This article entitled "Poetic Imagery Among Poets of the Diwan School" is a study of poetic imagery which means synonyms of forms of statement such as simile, metaphor, metonymy, and symbol, and is closely related to the sensory aspect. However, Colerogge combines the concept of image and says: It may be a scene or a copy of the sensible. The purpose of this article is to reveal the idea of ​​poetic imagery is based on the embodiment of psychological and emotional dimensions and other things that the poet wants to express with the meanings conveyed by the element of vitality. This article uses a qualitative approach with a library method. The results show that the idea of ​​poetic imagery is based on the embodiment of psychological and emotional dimensions and other things that the poet wants to express with the meanings conveyed by the element of vitality. For this reason, it is necessary to know the life of the poet in relation to the relationship from part to whole, so the researcher studies poetic imagery among several poets of the Diwan School, in the lines that are revealed. They are among the most prominent writers in the school. In creating their images, poets use inanimate and moving nature to form amazing interactions that predict movement, like living things. They also underestimated the importance of speech to the social environment and only mentioned a few

Na spotkanie z nieobecnością. "Tornerai" Justyny Bargielskiej

The purpose of this essay is to analyze and interpret the poem titled „Tornerai” from the debut volume Dating sessions (2003) published by Justyna Bargielska. The choice is due to the assumption that the said work seems to be emblematic of the Polish poet’s oeuvre. On the one hand, it perfectly fits in with the dominant motifs present in her poetry, such as loss, death, trauma, loneliness, or abandonment, on the other hand, it shows fragmentary and oneiric poetic imagery, as well as the author’s characteristic fascination with foreignness, both linguistic and thematic. In addition, as the article attempts to demonstrate, the analyzed poem brings to the fore an autobiographical theme, that of miscarriage, which, also in Bargielska’s later texts, rises even to the status of a driving mechanism of most of her works.

Automatic Generation and Evaluation of French-Style Chinese Modern Poetry

Literature has a strong cultural imprint and regional color, including poetry. Natural language itself is part of the poetry style. It is interesting to attempt to use one language to present poetry in another language style. Therefore, in this study, we propose a method to fine-tune a pre-trained model in a targeted manner to automatically generate French-style modern Chinese poetry and conduct a multi-faceted evaluation of the generated results. In a five-point scale based on human evaluation, judges assigned scores between 3.29 and 3.93 in seven dimensions, which reached 80.8–93.6% of the scores of the Chinese versions of real French poetry in these dimensions. In terms of the high-frequency poetic imagery, the consistency of the top 30–50 high-frequency poetic images between the poetry generated by the fine-tuned model and the French poetry reached 50–60%. In terms of the syntactic features, compared with the poems generated by the baseline model, the distribution frequencies of three special types of words that appear relatively frequently in French poetry increased by 12.95%, 15.81%, and 284.44% per 1000 Chinese characters in the poetry generated by the fine-tuned model. The human evaluation, poetic image distribution, and syntactic feature statistics show that the targeted fine-tuned model is helpful for the spread of language style. This fine-tuned model can successfully generate modern Chinese poetry in a French style.

Närhet som grepp

Contiguity as Device: The Metonymical in Tor Ulven’s Poetry This article localizes the metonymical elements in Tor Ulven’s poetry. In his essays, Ulven expresses an awareness of the limitations of metaphor in representation. Yet, the poetic consequences of this metaphor skepticism have gained little attention. Through an analysis of some frequent motifs in Ulven’ poetry, the article investigates how Ulven makes use of contiguity, rather than similarity, as a principal poetic device. It also argues that his particular use of the word “som” (like/that) does not primarily function as a way of creating relations of similarity, but rather as a relative pronoun, where “som” activates the subordinate clause by introducing a verb. The purpose of the article is to shed light on the correspondences related to contiguity that permeate Ulven’s poetry and that, it is argued, are central to his poetic imagery.

The picture is in the collection “The Suggestion of the Wounded and the Injury of the Wounded” by Al-Husri Al-Qayrawani

The picture is in the collection “The Suggestion of the Wounded and the Injury of the Wounded” by Al-Husri Al-Qayrawani

Aesthetic Education through Classical Chinese Poetry in Higher Vocational English Teaching

Classical Chinese poetry, steeped in profound cultural heritage and imbued with timeless aesthetic value, represents a treasure trove that holds immense potential for enhancing aesthetic education within the realm of vocational colleges. By integrating this ancient literary form into the curriculum, vocational English classrooms can embark on a journey that transcends mere language instruction, nurturing in students a deeper appreciation for beauty and fostering a holistic educational experience. The strategic implementation of aesthetic education through the lens of classical Chinese poetry in vocational English classrooms is a deliberate effort aimed at cultivating students' refined aesthetic taste. It encourages them to delve into the intricate world of poetic imagery, rhythm, and metaphor, thereby awakening their senses to the intricacies of language and the beauty that lies within. This process enriches their understanding of English and broadens their cultural horizons, enabling them to appreciate the interconnectedness of diverse cultures and artistic expressions.

Reflection of Political and Social Influences on the Ghazal Genre in Azerbaijani Literature in the 20th Century: Aliagha Vahid's Literary Works

The essay focuses on the problems that hindered the ghazal genre from developing and how the poet kept the tradition alive in Azerbaijani literature at the start of the 20th century. We used Aliagha Vahid’s literary creativity for our project since he lived through this period in Azerbaijan, experienced all of its hardships, and demonstrated the genre’s potential by creating poetic imagery of the time in his ghazals. He is an Azerbaijani poet who is revered in the Turkic community as Fuzuli’s successor and is credited with saving the ghazal genre in Azerbaijani literature. Analyzing his lyrics provided excellent possibilities to examine the influential factors on all of the Azerbaijani literature at the time. In the study, his creation of new kinds of ghazals with social and political issues while retaining the characteristics of the traditional ghazal genre was investigated. With him, the genre in Azerbaijani literature underwent a new phase. The attempt to eradicate the ghazal from the Azerbaijani literature which has a history of centuries –long history did not succeed as a result of mostly Aliagha Vahid’s serious efforts. For this purpose, the poet’s historical milieu, the challenges of the repression, his satirical ghazals with a sociopolitical theme, the thematic details of his lyrics, and other issues have been involved in the investigation.

Sustainable Production Strategies: Incorporating Internet Celebrity Aspects into Yingjing Black Sand Craft Design

The study aims to explore the intersection of traditional Yingjing black sand products with modern digital age adaptations, focusing on sustainability, cultural symbolism, and the evolving consumer landscape influenced by network platforms. The research employs a tripartite design framework. The first phase involves analysing ‘Internet Celebrity’ characteristics and their associated poetic imagery to understand their impact on consumer behaviour. In the second phase, the study extracts shape semantics from these elements, translating them into actionable design information. The final phase introduces a four-step design process, utilising 3D modelling to create a Yingjing black sand product inspired by ‘Internet Celebrity’ elements. This phase highlights the integration of digital tools in refining traditional craft designs. The research demonstrates that adapting traditional Yingjing black sand crafts to modern consumer trends through digital tools and sustainable production strategies can enhance their relevance in the digital age. The study underscores the importance of preserving historical significance while promoting environmentally conscious design and production. This research provides innovative insights into the adaptation of traditional crafts within the context of the digital age. It offers a structured approach to integrating modern consumer trends with historical craftsmanship, presenting a compelling model for sustainable craft production. The study contributes to broader discussions on sustainability, cultural adaptation, and the evolution of traditional crafts, making it relevant for both academic and practical applications.

Syntaxe et signifiance de la parole conative dans la poésie Africaine Francophone

Syntax and Meaning of Conative Speech in Francophone African Poetry
 For those with an interest in African poetry, particularly Francophone poetry, several distinctive features underlie its originality and authenticity. These encompass rhythm, symbolism, and poetic imagery, serving as fundamental markers of the dominant poetic function within poetic discourse. These elements are inevitable considerations in any analysis, be it poetic or stylistic, of literary texts. Poetry in Africa, and conceivably beyond, undoubtedly serves a pragmatic, or more precisely, pragma-enunciative function, often obscured and overshadowed by the omnipotent poetic function—the quintessential literary function. In practical terms, the pragma-enunciative function of a poetic text is revealed through its conative nature. Essentially, poetry is a form of discourse inherently directed towards otherness, intended for an audience. Even when masquerading as an introspective work originating from the soul, ostensibly focused inward to express emotions in a context of heightened lyricism, poetry is fundamentally a conative expression. This characteristic is intrinsic to African poetry, with conative speech representing an indispensable aspect that may even be considered the ultimate purpose of the unavoidable poetic function of language. It is undeniable that elements such as rhythm, symbol, and poetic imagery, along with other aesthetic devices in verbal creation, serve as means of captivating and elevating the discourse, enabling the poet to construct a message aimed at captivating and stirring the reader. Nearly every aspect of the poem contributes to transforming it into a communication from self to other, essentially constituting second-person poetry. Conative speech, in the context of poetry, also assumes an incantatory function, a concept championed by Roman Jakobson, involving the conversion of an absent or inanimate "third person" into the recipient of a conative message. In the realm of French-speaking African poetry, conative speech holds literary, pragmatic, communicative, psychological, and cultural significance, among other dimensions. It is an indispensable component of African poetry, enhancing its illocutionary or even perlocutionary nature. Consequently, a nuanced examination of the syntax of this speech, especially its unconventional or unexpected elements

„Chusta wiecznie zielona”. Pieta Teresy Ferenc. Studium wierszy

The article attempts to interpret several of Teresa Ferenc’s poems included in the volume Pieta, published in 1981. The selected works combine the motifs of home, mother and the girl who is the author’s porte-parole. Written from the perspective of the trauma experienced in childhood: the burning of the family village and the death of her parents, we find numerous biblical allusions and cultural contexts, the explanation of which is the subject of this study. An attempt has been made to demonstrate the richness of the poetic imagery, the source of which can be traced back to extreme experiences.

АБАЗИНСКАЯ ЛЮБОВНАЯ И ПЕЙЗАЖНАЯ ЛИРИКА 1950-Х ГГ.

Based on the analysis of approximately 30 literary texts, the paper clearly indicates the genesis and evolution of love-landscape themes during one of the early stages of the construction of na-tional literature. The topic is of philological significance since it exposes the roots of the later de-veloped layer of Abaza lyrics, which is represented by the names M. Chikatuev, M. Tlyabicheva, and K. Mkhtse. The primary research methodologies were descriptive, noting the distinguishing aspects of poetry works based on observations and interpretative, revealing the artistic content of texts and their meanings. Not only P. Tsekov, K. Dzhegutanov, B. Thaitsukhov, J. Laguchev, M. Chikatuev, who later became popular poets, but also I. Tabulov, M. Fizikov, Sh. Fizikov, P. Dzugov, B. Ken-zhev, A. Tambiev, Z. Mamatova, who are little known today but participated in the literary pro-cess of their time, are studied. Throughout the study, it is proven that a distinguishing feature of 1950s love and landscape songs is their saturation with social and industrial causes, from which liberation is intended by the end of the decade. Sh. Fizikova’s poetry “The Path Tells” has lyricization of the love topic, B. Thaitsukhov’s poem “The Girl’s Song” contains psychologization of the lyrical subject, and M. Fizikov’s poem “Sing Along and You” contains an alternation of love themes and landscape sketches. The initial landscape poems have a detached declaration of nature’s indications, a lack of vocabulary, and inappropriate repetitions, which are eventually replaced by the authors’ ability to adapt what they saw into poetic imagery, developing them in a logical sequence. And plastic is evident in the best works of K. Dzhegutanov, M. Chikatuev, and B. Thaitsukhov, a harmonic syn-thesis of form and content, filling the artistic text with expressive linguistic means.

Генезис образов посева и жатвы в батальном тексте рубежа XVIII-XIX века

<p>The article deals with visual metaphors representing military events by analogy with labor actions related to the cultivation of the land and the harvest. The purpose of the study is to identify the literary genesis, semantic component and artistic potential of the images of the battle field and the battle in the battle text of the turn of the 18<sup>th</sup>-19<sup>th</sup> century. The material for the study was the works from the «Collection of Poems relating to the unforgettable year 1812», the poetic imagery of which is studied in comparison with biblical metaphors, the tradition of the Old Russian military narrative, classical batalistics. It is determined that, like the Old Russian military story, landscape details are included in the course of military events in the works from the «Collection...», that is why natural images form a significant layer of metaphorics of battle works, endow the poetic text with additional meanings through visual symbolism. It is proved that the visual metaphor with the core «field» and the images associated with it function in the «Collection...» as symbols and emblems associated with the expression of the opposition of war and peace, a visible representation of the victory won. The most frequent plant images in the battle text are fields symbolically associated with life, and gardens allegorically representing the world as paradise. The novelty of the research is seen in the expansion of ideas about the poetics of the visual in Russian literature by considering the mechanisms of visualization of the artistic image in the battle text of the early 19<sup>th</sup> century.</p>

Citraan Puisi di Negeri Amplop pada MK Kajian Puisi Mahasiswa Bahasa Indonesia FKIP UNKHAIR

Imagery is a form of language use that can give a concrete impressions of an object, scene, action, or statement that distinguishes it from abstract expository statements and usually has something to do with symbolism. This is illustrated in the poem "Di Negeri Amplop" by KH. A. Mustofa Bisri which involves 7 elements of poetic imagery. The purpose of this study is (1) to find out how students analyze the image of poetry in the land of KH's envelope. A Mustofa Bisri. (2). To find out the application of poetry learning materials by lecturers. Researchers use descriptive qualitative methods. Data collection techniques include: Observation, Interview, and Documentation. In connection with this, data analysis techniques can be obtained from various sources of books related to poetry. The data analysis techniques data reduction, data display, and verification. The results of this study show that students' ability to analyze poetry imagery is still very low. This is related to the method of application in learning is still conventional. Furthermore, it can be argued that imagery is a style of narration that is widely used in literary writing. The image gives an interesting impression to the poem "Di Negeri Envelope" by KH. A. Mustofa Bisri which involves the 7 elements of imagery. In connection with this, the application of literature learning methods must be varied so that students' analytical skills can be improved.

The Complexity of "Tree" Imagery in Robert Frost's Poetry

Robert Frost is often regarded as a highly esteemed poet within the realm of modern and current American literature. Frosts poem appears straightforward but is actually quite intricate. Furthermore, Frosts poetic works are characterised by a rich tapestry of imagery that adds to their overall intricacy. Moreover, Frosts poetry exhibits a substantial presence of tree imagery. A variety of trees exhibit distinct behaviours, like falling to the ground, emitting sounds, or remaining in a state of quiet. Furthermore, these trees manifest diverse forms and dimensions. This study focuses on three selected poems by Frost, namely The Sound of the Trees, On a Tree Fallen Across the Road, and Tree at My Window. The objective is to examine the intricate employment of tree imagery in Frosts poetry through the lens of analysing poetic imagery. Upon careful examination, it has been shown that the intricacy of the tree imagery in Frosts poems can be attributed to two distinct factors. Initially, Frost undertakes a division of the tree, a whole entity, into two distinct components, each symbolising distinct concepts of liberation and restriction. This deliberate act enhances the depth of the underlying symbolism. Another factor to consider is that the depiction of tree is not fixed, but rather undergoes transformations as time progresses.

Analysis of Robert Frosts View of Nature -Taking the Imagery of Woods in The Road Not Taken and Stopping by Woods on A Snowy Evening as an Example

Robert Frost was a renowned poet from America during the 20th century. Nature imagery is a prominent feature of Robert Frosts poetry. Numerous academics have investigated the themes and writing techniques of Frosts poetry since its inception. However, Frosts perspective on nature is also vital for people to acquire since it will not only help people study Frosts poetry better but will also help them appreciate the philosophy of life contained in nature. Therefore, this paper will take the imagery of woods in The Road Not Taken and Stopping by Woods on A Snowy Evening as the research object, analyze the dualistic characteristics of the imagery, argue Frosts view that nature is dialectical and nature is wise, and explore the subjective and objective reasons for the formation of Frosts view of nature. It aims to enhance peoples understanding of Frosts poetic imagery and Frosts view of nature, encouraging them to care for the natural world better.

RESEARCH OF FOLKLORIST S.RUZIMBAEV IN PARTICULAR OF KHORAZM'S EPIC AND ITS PERFORMERS

In the article, the role of folklore in expressing the aesthetic ideals of a particular nation in world literature is of particular importance, folk epics are an oral creative-artistic complex that reflects the historical and cultural development of mankind, and the arrival of this information over centuries. Necessary information about the contribution of folklorists to the study of its laws is presented. Therefore, it is emphasized that it is appropriate to consider folklore samples as an impartial source that brought the early artistic thinking of humanity to today's development. The gradual improvement of folklore genres, their specific characteristics, and the study of the principles of poetic imagery are among the current scientific problems in the focus of experts' attention. It is their skill that folklore samples created by our people over the centuries and polished due to the positive changes added by the potential of creative performers of each generation, their creative innovations, become the representatives of our national spirituality and traditions performers - thanks to the creativity of the Bakhshis. The achievements of the science of folklore are extremely important in educating the young generation in the spirit of respect and reverence for our traditions and values, instilling our national identity in their hearts. In this article, the author presents analytical thoughts about the singers of Khorezm epics – bakhshis, their genealogy and traditions of bakhshis, based on the researches of folklorist S. Rozimboyev. which epics are most skilfully sung in each school of bakshichik is shown in historical evidence and in practice. In today's era of globalization, understanding the patterns of human artistic thinking is extremely important for the development of world culture.
 Keywords: world artistic thought, first folklorist, museologist, Khorezm epics, bakhshis, traditions of Bakhshis, schools of Bakhshis, genealogy of Bakhshis.

Stylistic Feature of Aref Chahabi’s Lyric Poetry

The current study aims to investigate the linguistic, rhetorical, and ideological aspects of Aref Chahabi's lyric poetry in order to determine its stylistic features. The goal is to pinpoint the most important tactics used to mould the style inside these levels. Aref has creatively used English sounds in the phonetic layer to create musical proportions that are relevant to poetry themes. Aref has also thoughtfully created a unified environment and area to effectively communicate the material through the repetition of vowels and consonants. The person has used a linguistic vocabulary in the lexicon layer, which is primarily made up of identical, frequently occurring terms that are objective in character. With the help of this lexicon's useful correlations with certain meanings and senses, a variety of events and places can be vividly portrayed. Aref's lyric poems hemistiches and verses exhibit a variety of syntactic forms. Generally speaking, the verb comes before other elements of the phrase. This feature of his lyric poetry can be recognized as an important grammatical feature. The poet uses a lot of verbs in the informative mode, which suggests that he is examining his ideas with determination and assertiveness. Sentences with a high percentage of active grammatical voice convey energy, vigour, and a proactive attitude towards being creative and productive in society.
 The writer has utilized rhetorical devices such as figures of speech and metaphors to create striking poetic imagery, bolster the persuasiveness of their arguments, and elicit dramatic situations within their discourse. The author's lyric poems display a wealth of creative and metaphorical phrases that work to communicate the author's higher concepts and ideas, the visual attractiveness of their perspective, and the sophisticated quality of their imagination as they explore the world of meanings and experiences.

Possibilities of regular word-formation in the poetry of Joseph Brodsky (based on the poems of the 1960s–1970s)

The article is devoted to regular word-formation in the fictional practice. The purpose of the work is to reveal the possibilities of the regular word-formation system based on the poetry of Joseph Brodsky. Within the framework of this study, we consider the concept of “productivity” and the approaches to differentiation between word-formation type and word-formation model definitions. We have formulated the meaning of the term “a word-formation category”. The article studies the structural and semantic aspects of regular derivatives: using the method of word-formation analysis, we have identified productive word-formation types for different parts of speech, actual categorical meanings and frequency morphemes. The article identifies stylistic features of specific morphemes and analyses the combination of different-style derivatives when the image and function of lexemes that implement different word-building types are created. In the corpus of regular derivatives, we reveal the productivity of “color” paradigms, which emphasizes their semantic importance for the poetic imagery of Joseph Brodsky. In the course of our study, we noted derivational lexemes of a different order – potential and occasional. Their basis is the usual system of language, which confirms the high potential of regular word formation for a poetic text. The article concludes that regular derivatives play an important role in constructing poetic imagery.