Love Poet Research Articles

فنون لطیفہ اور فکرِ اقبال : ایک مطالعہ

Allama Iqbal is a poet of life, creation, evolution, passion and love. Life is a creative process for them. According to Iqbal, the value of this art is that it is life-giving and an interpreter of life. However, according to them, skill and art should be such that it is possible to achieve the highest values ​​of life, to lead the society from low to high. According to Iqbal, art is that which gives life and is the interpreter of life, which moves the dead and depressed emotions, which teaches to live and die for a higher purpose. The true art is the one who makes his art a means of curing national diseases, the purpose of art is to enhance the beauty of life and to lead the society from low to high, to familiarize with the pleasure of revolution and to usher in a new era, a new era. In the search for revolution, one has to keep a hot head. Iqbal Jalali attaches great importance to trend. It is an expression of glory and self-power, creative values, creative meanings and the existence of the universe depends on it.

Interpretation of the Motherland in Abdulla Oripov's Lyrics

In this article, the use of the image of the Motherland in the work of Abdulla Oripov, the poet's love for his Motherland is expressed and comments are made about it.

Rumi, A Poet of Love and Divinity: Critical Analysis

Rumi, A Poet of Love and Divinity: Critical Analysis

Uzrit motifs of love and love longing in Bosniak and Serbian romanticists

Created in the 7th century, Uzrit love poetry or desert love poetry is inspired by love. It is named after the tribe to which poet Džemil (Ğamīl), one of the most famous love poets, belonged. In these poems, a lover spends his whole life in longing and absence, yearning for his beloved one. At the end of the 19th and the beginning of the 20th century, European romanticists sang and composed songs following, among others, Uzrit poets. Thus, Heinrich Heine sang the song Der Azra, writing down the Arab tradition of the Banu ʻUzra (Banū ʻUḏra) tribe that "for love lose their heads and die when they kiss". Hajne also influenced romanticists, such as Bašagić and Kostić. We can assume that Bašagić was directly influenced by the Arab love poetry of the desert because he knew the Arabic language, studied at university, and translated numerous poems from the Arabic language. However, when it comes to Kostić, the influence was indirect. A factor that should not be excluded from the research on the influence of Uzrit love, as a phenomenon, on romanticism, but also on the entire literature of the Balkan peoples, is folk poetry, which is filled with motifs from the East, and especially the Uzrit understanding of love. We witness the unavoidable influence of numerous folk songs, which later grew into songs sung with musical instruments, sevdalinkas, which the poets of the Balkans, regardless of national-confessional affiliation were exposed to. That folk lyric sang about exactly what Uzrit poetry sang about and it often drew its motifs from the Uzrit understanding of love. Keywords: comparative literature, Uzrit poetry, romanticism, Safvet-beg Bašagić, Laza Kostić

Reading the poem (I’m capable of doing it) by (Abdulla Pashew) According to reader reception and response theory

Abdullah Pashew's poem (I’m capable of doing it) is one of the different poems of the poet, in which the story of four years of the poet's love relationship with the opposite sex is told. The poet's upheaval in the poem has led to different views and their reflection in various critical articles and research. From this point of view, according to the method of receiving and responding to the reader, we have tried to analyze some of the articles written about this text Some of these views and opinions expressed their opposition to the text and did not meet their expectations because they believed that it could not be disturbed within the framework of the message It is fiery and threatening to stand up to the love of women. On the other hand, another discourse and message emerges among some critics and readers of the text, which is coordinated with their intellectual acceptance and adaptation to the idea of ​​the text and becomes satisfactory and welcome it They reject the charges against the poet.

Mechanism of Resistance to British Imperialism in the Literature of Kazi Nazrul Islam

Literature has always been an effective medium of presentation. Whenever the groaning sound of people with the increasing tyranny of colonial rule raised high, literature played a pivotal role to draw it in a pragmatically artistic touch. The Bidrohi Kabi Kazi Nazrul Islam, National Poet of Bangladesh, made a unique place in the journey of Bengali literature resistance of the early twentieth century. He inextricably applied diverse literary genres and thematic mechanisms of resistance in his literature which undoubtedly bore the motive-inciting words of love and fire against any form of injustice whether of British Empire or societal customs and continued the thread of awakening in the Bengal Renaissance. The Rebel Poet was the figurehead of the allied Hindu-Muslim struggle of undivided India against the imperialistic British rule. However, miserably the discourse on Nazrul Resistance Literature is limited only in Bengali corridors with mere poetic contributions. With this viewpoint, the research delves into exploring the dimensional works of the poet and tries to establish him as a versatile writer of prose and poetry. In addition, the work makes a sincere effort to elucidate various thematic decorations of his literary outcomes and their universal acceptability. Ultimately, Nazrul Studies are yet to be expounded further ahead to bring out more research works on this Bengali poet of love and resistance overlooking the cross-country borders.

برصغیر پاک و ہند کی مثنویات میں نسائی معاشرت کی عکاسی : مومن خان مومن کا خصوصی مطالعہ

This article studies the reflections of feminine society in Masnavis of Momin Khan Momin. It finds that Momin khan Momin was the important Manavi writer of his time. He was poet of love & beauty. Momin refreshed/revolutionized/recreated feminine culture of India with his Masnavies. Momin wrote total 12 Masnavies, 6 of them was about love. In these 6 Masnavies we observe the awareness, the feeling of feminine culture. In his Masnavies, Momin used feminine character to create attractive & interesting dialogues. In his every Masnavi, we see rival adversary competitor woman in her society.

Kerinduan pada Tanah Air dalam Antologi Puisi ‘Āsyiq Min Falisṭīn Karya Mahmoud Darwish (Analisis Semiotika Riffaterre)

Anthology of poetry Mahmoud Darwish's work Āsyiq min Falisṭīn is a poem about longing, which shows the poet's love for his homeland. On the other hand, the poetry in the anthology also describes the condition of the poet who is in prison, isolated and without a family. To discuss the poetry anthology above, this thesis utilizes the semiotic theory developed by Michael Riffaterre. There are three problems studied in this thesis, they are: 1) What is the form of indirect expression in the poetry anthology of Āsyiq min Falisṭīn by Mahmoud Darwish, 2) What is the meaning contained in the anthology of poetry Āsyiq min Falisṭīn Mahmoud Darwish's work with heuristic and hermeneutic readings, 3) How are the matrices, models, and variants in the poetry anthology of Āsyiq min Falisṭīn by Mahmoud Darwish. The method used in this study is a qualitative descriptive that describes the results of research using Riffaterre's semiotics method. This research concludes the following. First, the indirect form of expression in the poetry anthology Mahmoud Darwish's work Āsyiq min Falisṭīn is in the form of changing meaning, distorting meaning, and creating meaning. Second, through heuristic and hermeneutic reading, it can be concluded that the poems in the anthology above describe the poet's longing for his land of Palestine. Third, the matrix, model, and variant in the poetry anthology Mahmoud Darwish's work Āsyiq min Falisṭīn shows the relationship between the themes of each stanza of his poetry.

Cinta: Objek dan Puisi (Konsep Cinta Erich Fromm dalam Puisi-puisi Karya W.S Rendra)

Love can be used as an answer to the question of human existence. So many philosophers from the west and east offer concepts about love, Erich Fromm is one of them who considers that love is an art. The purpose of this study is to classify five objects of love from Erich Fromm's thoughts in poems by W.S Rendra. Poetry was chosen as the object of research because poetry can be used as a means for someone to express love. This research method is a literature study as well as a literature review. The results of this study are five titles of poems that represent the five objects of love. First, object of brotherly love entitled "Aku Mendengar Suara" because this poem contains Rendra who loves his oppressed brothers. The object of maternal love titled "Ibunda" contains a mother's love that is like the earth that provides its fertility for her children to grow and sacrifices everything a mother has for her children, truly loving even though she does not get anything from the child. The object of erotic love with the title "Barangkali Karena Bulan" is about exclusive love to one person, namely the poet's love for a woman. Self-love with the poem titled "Orang Biasa" contains Rendra's love for himself. Last, the object of God's love titled "Tuhan, Aku Cinta Padamu" is about Rendra's desire to return to Him and achieve unification between the servant and his God.

Ovid: A Very Short Introduction

Ovid: A Very Short Introduction

Poetics of Love in Henry James’s “The Beast in the Jungle”

May and Marcher in Henry James’s “The Beast in the Jungle” pursues an odd relationship interpreted by James’s critics as fraudulent, self-victimizing, or queer. While May is reduced to a witness to Marcher’s psychosomatic complexities, an evidence reliable to justify Marcher’s troubled heterosexuality, Marcher is deprived of any romantic yearnings for her. This article, departing from simplistic psychosexual interpretations having ended up demoting May to an inferior position and Marcher to a homosexual character, suggests the main problem of their relationship is the contrast between their love styles. In this relationship, the communication is prevented not so much by May’s subordinate silence/assent as by Marcher’s narcissism. John Allan Lee’s typology of love helps individually explicate each character’s psychological traits and romantic advances under Lee’s comparing terms of eros/ludus and storge/mania. The result of this case-by-case analysis is to prove their relationship is nothing but the obsession Dorothy Tennov redefines in her limerence theory based on such terms as idealization, crystallization, and intrusive thinking. After proving May and Marcher as limerent lovers, each pursuing a love style fundamentally at odds with the love style of the other, this article finally, based on Sigmund Freud’s notion of cathexis, concludes it is Marcher’s narcissism or self-cathexis that bars the doors of proper communication and mutual recognition.

The Minnesang riddle: A multi-analytical approach to an undated colour woodcut

In this work, a multi-colour woodcut on paper, representing a Minnesanger (love poet) who declares his love to a young lady, was studied from both historical and archaeometric points of view. In the absence of historical or documentary information, non-invasive imaging, EDXRF, and µ-Raman spectroscopies were employed, in order to date this artefact. The woodcut Minnesang is known in a single and so-far undescribed copy and shows the influence of German Renaissance colour woodcuts as well as Arras 15th century tapestries. Nevertheless, according to our investigations, it does not date back to that period. In fact, the presence of Prussian blue and chrome yellow and, most of all, the finding of two organic pigments, namely PR53:1 and PR81, suggest to date the artwork at the beginning of the 20th century, in the context of a neo-Gothic Arts and Crafts revival.

Usages for a Conceit: A Comparative Study of Donne's "A Valediction: Forbidding Mourning" and Hāfez's Sonnet 193

Hāfez and John Donne are both outstanding love poets. The multilayered implications of the universal theme of love and its relation to the two poets' historical, cultural as well as political contexts have encouraged the present comparative study of Donne's "A Valediction: Forbidding Mourning" and Hāfez's "Sonnet 193". The study is based on the hypothesis that the most dominant features of Donne's love poems are the unity of sense and sensibility as well as congruity of reason and passion, whereas in the poems of Hāfez one can witness disjunction and incongruity between love and reason. In addition to explaining the concept of love, both poets have wittily reflected upon the political conflicts of their time, too. This research, therefore, aims at investigating how Hāfez and Donne have used the mathematical tool, the compass, as a conceit, not only to concretize their notion of love but also to express the symbolic significance of the circular movement of that instrument to comment on the meaning of love in opposition to reason and to criticize the political issues of their time.

George Barker: ‘The triumph of the incommunicable’

George Barker has always been a troubling poet. Lionized in the 1930s and 1940s along with fellow Apocalyptic Poets Dylan Thomas, David Gascoyne, Kathleen Raine, by the time of Margaret Drabble’s overview of his life’s work in the Oxford Companion to English Literature, Barker is summarily dismissed as ‘characteristically rhetorical, Dionysian, and surreal, though some critics have suggested that he achieves disorder more by accident than intent’. My purpose in the next few pages is to directly challenge these assertions of bombast, overexuberance and superficiality. Both W. B. Yeats and T. S. Eliot regarded him as a ‘genius’. Harold Pinter praised him as ‘a love poet of the highest order’. Yet Barker is forgotten now. I want to suggest that this is actually because of the troubling depth of what he has to say, and the clarity with which he says it, rather than the reverse.

“An American bitch”: Beckett’s Love’s Labor’s Lost

Samuel Beckett is not often thought of as a love poet, but much of his early poetry explores such personal relationships in intimate terms. In Shakespeare’s most poignant plays, love is almost always lost (except for his most formulaic comedies), as it is in Beckett’s poetry, despite one’s labors. This essay explores that thread of love in Beckett’s poetry, and, more importantly, its return in his late media experiments as a series of hauntings, a preoccupation that Derrida would call hauntology. The principal fi gures of Krapp’s Last Tape, “Ohio Impromptu”, “...but the clouds...”, “Ghost Trio”, and “Eh, Joe” remain haunted by failed love as they replay, time and again, the separation and its ghostly aftermath after one of the partners either dies or leaves to pursue what at the time was deemed a higher goal, art, of one form or another. This treatment of Beckett’s writings on love was originally delivered as a keynote address, “Beckett’s Love’s Labor’s Lost”, for the University of Gdańsk Samuel Beckett Seminar, “Beckett’s Faces”, and for the BETWEEN.POMIĘDZY 2018 Festival and Literary Conference as something of a backstory to the laboratory fi lm made during and sponsored by that conference and called Beckett on the Baltic: Love’s Labor’s Lost. Its world premiere was held at the BETWEEN.POMIĘDZY 2019 Festival and Literary Conference.

Karacaoğlan’ın Şiirlerinde Ahlak Anlayışı ve Dinî Motifler Üzerine İnceleme

The Turkish oral tradition has lived in the memory of the people for generations. This cultural memory has been brought up to day by means of bards and minstrels who convey the feelings and thoughts of the people with their own way of expression. One of the important names in this oral tradition is Karacaoğlan. In his poems, love, longing, depictions of nature have taken place in the heart of the people with the impressiveness of his poetry and voice. Their poems were sung by the people and some of their poems were sung. Karacaoğlan, known as a love poet, has influential poems which show both mysticism and religious features behind these poems. Looking at these poems, we can see that spiritual sentimental poems are loved by the people as well as the strength of the language. In this work, we will examine how Karacaoğlan reflects his understanding of morality and religious motifs in his poems and the function and role of oral culture in terms of the period in which these reflections lived.

Ahmad Nadeem Qasmi - Poet of love and Peace

Ahmad Nadeem Qasmi - Poet of love and Peace

Ethnicity in modern rewritings of Bashshār ibn Burd: “free thinker,” “libertine” or “love poet”?

ABSTRACT Modern scholarship on and translations of Bashshār ibn Burd (d. 784), especially into English, adopt his Persian origin as a method for, or at least as a key, to interpreting and understanding his work. Western rewritings of the poet try to use his Persian origin as a way of disassociating him from his Arabic context. While in the case of modern Arab intellectuals from the 19th century and onward, the search for a “pure Arab heritage” makes Bashshār ibn Burd, who showed “inappropriate” explicitness in his poetic handling of sexual desire, a perfect target for these intellectuals to defend themselves against the colonial and orientalist accusations against their “culture” or “lack of culture.” Thus, most Arab intellectuals argued that these practices, namely what they termed mujūn or al-adab al-mājin, are something foreign to Arab culture, and in the case of Bashshār, mainly related to the poet's Persian origin.

Beauty of Love in Rabindranath Tagore's Poems

Rabindranath Tagore was a great poet of love and affection. In most of his creations he has presented the beauty of love in it's different forms. Tagore’s poetry primarily deals with love –love for humanity, love for divinity and love for nature. His early poetry is concerned with man’s love for lady, but his later poetry is mainly concerned with man’s love and longing for God’s beauty and love. The treatment of physical love in his poetry is without exaggeration and is well within the bounds of Indian culture. In his later and mature forms of literature it is his love for God that described vigorously.

Love that Binds

لايختلف اثنان من كون الرومي ابرز شعراء الصوفية الذي يعد شاعرا للحب الشامل لكل الوجود. يتجسد ذلك من خلال ما يلمسه القارئ ويستشعره بكلماته وتناغمها ومدى الاواصر الحميمية التي يجمع بها الشاعر بين هذا الوجود وخالقه ، فالحب عنده الوسيلة لغاية سامية وهي تعلق الوجود بالواجد لهذا الوجود.. تهدف هذه الدراسة إلى تحليل قصائد مختارة من جلال الرومي لتوضيح وجهات نظره حول البيئة والطبيعة المحبوكة بشكل وثيق مع الحب والروحانية. تم استخدام روح البيئة ، وهي مقاربة جديدة إلى حد ما لتحليل علاقة البيئة والأعمال الأدبية من وجهة نظر روحية للتعليق على تعامل الرومي مع الخلق وحب الله في شعره.