This paper critically examines Julian Barnes's The Sense of an Ending (2011) by focusing on the postmodernist concepts of the plurality of truth, the unreliability of memory, and the unattainability of historical facts that help to construct post-truth narratives. Post-truth is a term denoting a political culture where disputes are intentionally framed, and post-truthers are the individuals who reside in an eco-chamber or ethically twilight zone to serve their political motives. The study investigates how post-truth, as a discourse, challenges the credibility of the narrator of The Sense of an Ending, who manipulates truth, memory, and history to distort facts without feeling guilty. The narrator's unreliability adds complexity to the narrative, blurring the lines between truth and fiction. This manipulation of memory underscores the subjective nature of storytelling, illustrating how individuals can craft narratives to align with their personal truths. The study raises questions about the power relationships in creating and spreading post-truth narratives, emphasising the risks of prioritising political agendas over objective reality. Using a qualitative content analysis method, the research aims to identify the rhetorical traits of post-truth discourse in the novel. The research explores the deceptive nature of memory, illustrating how its evolution over time empowers the narrator to fabricate post-truth statements, affecting narrative reliability. The narrator emerges as a practitioner of post-truth, casting a shadow on the readers' moral sensibilities as they are drawn into his narrative. This study is limited to offering a fresh theoretical perspective on interpreting Julian Barnes's this particular work, shedding light on the complex interplay of memory, narrative reliability, and dissemination of post-truth discourse.
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