Picture Of History Research Articles

‘A divine right to photograph’: E. Graeme Robertson’s (1903–1975) historical motion pictures of National Hospital staff in 1933

ABSTRACT In the course of researching and writing the first-ever book length biography of Edward Graeme Robertson’s (1903–1975) eventful life and career in Australasian neurology, a rare 1933 cinema film recording of National Hospital staff at Queen Square has recently been rediscovered. Graeme completed his residency in neurology at Queen Square in the early 1930s and maintained close connections with his colleagues in London, thoughtfully recording them at different times using early movie cameras. Two versions of Graeme’s 1933 film have been preserved, and there are also other color clips of his colleagues from later in life in the UCL Neurology archives and Robertson family collection. These remarkable films contain images of several historically significant neurologists, including Gordon Morgan Holmes (1876–1965), Samuel Alexander Kinnier Wilson (1878–1937), Derek Denny-Brown (1901–1981), Macdonald Critchley (1900–1997), and several others. We provide a contextual summary of the many clips recorded alongside an in-depth inventory of all the personalities represented in the 1933 film. Selected photographs are used to indicate the contents of these remarkable films.

Navigating the World of The Stranger (1979) After the Cultural Revolution: Unveiling Hong Kong Leftist Science Fiction Film by Bao Fang

Abstract After the Cultural Revolution, a period marked by a global retreat from radical politics and increased compromises, filmmakers in the Hong Kong leftist film industry faced financial challenges stemming from the studio’s struggles during the Cultural Revolution. Despite these difficulties, they ingeniously incorporated generic elements to captivate audiences, using popular genres as conduits for social commentary. The Stranger by Feng Huang Motion Picture company stands out, as director Bao Fang adeptly appropriated science fiction elements to adapt a real story of espionage in Hong Kong. The film signifies Bao’s transition from opera film and historical pictures to negotiating realist and science-fictional elements to convey social innuendo. Drawing inspiration from recent works by Mingwei Song and Seo-young Chu, my argument extends to explore how sci-fi serves as a mode of expression for geopolitical commentary. The film not only expresses concern over Soviet espionage and also reflects the fear over the collapse of grand narratives such as Enlightenment and Revolution.

Batyrs as a marker of the cultural landscape: a philosophical analysis

n the reviving process of history and culture of modern Kazakhstan, it is becoming increasingly common to install monuments to heroes who have become a symbol of statehood and patriotism. The establishment of monuments and memorials is one of the tools for the development of national identity. The research of mon-uments to heroes, understanding and interpretation of their essence and meaning allows to comprehend the contemporary Kazakh worldview and philosophy. The article provides a philosophical analysis of the practic-es of regional memorialization of local heroes (batyrs). The research includes case analyses of Kazakh batyrs as Zholan Toleu-uly, Ketbuqa batyr, Tolek batyr, Yerden Sansyzbay-uly, Yeset Koki-uly, Dauymshar batyr, Zhidebay batyr and Derbisaly Aidabol-uly. The results of field research conducted in the South Kazakhstan, Karaganda, Aktobe and Ulytau regions allowed to study the location of monuments and the features of their memorialization. The research methodology used visual analysis and interviews with local residents to collect information about memorable events. The article applied field research and interviews with local residents. The description of monuments in the cultural landscape of the regions presented in the article concludes that the local heroes of the pre-Soviet period contribute the development of national identity and patriotism in modern Kazakhstan. The authors compiled a register of local monuments to batyrs established by descendants and native authorities that complements the historical picture and allows for a more comprehensive under-standing of the processes of memorialization of batyrs in the regions of the country.

The Nexus between Corporate Governance Mechanisms and Sustainability Disclosure: A Review of Theoretical Frameworks and Empirical Findings

This bibliometric analysis aims to provide a thorough historical picture of Corporate Social Responsibility and Disclosure (CSRD) within the corporate world. For this purpose, we meticulously gathered and scrutinized a corpus of 496 articles that pertain to sustainability disclosures and corporate governance, spanning the period from 1995 to 2021. During this research endeavor, we made use of 'biblioshiny,' an interactive online interface made possible by R-Bibliometric studio's 3.0 toolset, to carry out a thorough Bibliometric analysis and conceptual exploration. Our investigation has discerned the Corporate Social Responsibility and Environmental Management journal as the foremost journal in terms of source impact. Notably, the centerpiece journal article emerges as 'Corporate Governance and Corporate Social Responsibility Disclosures,' which prominently features the burgeoning economies as a recurrently cited focal point. Examining the lexical landscape, our study spotlights the recurrent usage of specific terms across various elements, including abstracts, author-assigned keywords, additional keywords, and titles. The prevalent terms encompass 'corporate governance,' 'disclosures,' and 'sustainability.' meanwhile, Indonesia emerges as the most prolific contributor in terms of publications in this domain. In our pursuit of classifying the interconnected literature streams and ascertaining the evolving trends within corporate governance literature, we judiciously employed a conceptual framework. To this end, a co-occurrence network was meticulously constructed, elucidating four primary study streams: corporate governance, environmental reporting, sustainability, and corporate social responsibility disclosures. After thematic evaluation, we have developed a thematic map that is used for the understanding of the basic or transversal themes, emerging or declining themes, motor themes, and highly developed but isolated themes. These themes are used for future direction and highlighted the area that which have critical on the research areas. These thematic insights hold great potential for shaping future research directions and underscoring pivotal areas warranting profound investigation.

THE REPRESENTATION OF HISTORICAL TRAUMA IN THE EDUCATIONAL DISCOURSE OF HIGHER EDUCATION: A SOCIO-PHILOSOPHICAL ANALYSIS

The paper examines the problems of constructing and representing historical trauma in the educational discourse of the Belarusian higher school in the context of constructing a historical picture of national statehood. The theoretical and methodological basis of this study is the theory of historical trauma, which allows us to identify the specifics of the formation of historical consciousness and civil and political identity of students. The study revealed that the representation of trauma in educational discourse not only provides legitimization of modern Belarusian political institutions and the political system as a whole, but also sets a teleological focus for consideration and evaluation of political genesis.

PENGGUNAAN HISTORIOGRAFI TRADISIONAL JAWA UNTUK PENULISAN SEJARAH: Studi tentang Pengasingan Sunan Paku Buwana VI ke Ambon, 1830-1849

This article explains the use of Javanese traditional historiography proposed by Sartono Kartodirdjo. This article was prepared using the literature study method. The literature used is in the form of undergraduate theses, dissertations, and books prepared using and discussing Javanese traditional historiography. Overall, the chronicle about the exile of Sunan Paku Buwana VI in Ambon has a historical picture. The strength of this text as a historical source lies in its description of the mental turmoil and experiences of a king who was removed from his throne and had to live in exile. The existence of candra sengkala written following important events described in the chronicles further proves that these chronicles contain strong historical elements. In addition, as a historical source, the chronicle about Sunan Paku Buwana VI's exile contains important material not found in colonial archives.

Ускользающие поколения

Appeal to the idea of ​​generation is a fairly effective tool for interpreting changes occurring in various spheres of human activity, in particular in the field of philosophical knowledge. It links the historical picture of such changes to an important anthropological constant - human age - and allows us to reconstruct both the general natural dynamics of what is happening and the unique features of each stage of the dynamic process. However, the “generational” (discrete) dimension of history in some specific cases may lose its significance and go into the shadows, giving way to those dimensions that ensure continuity and continuity. In relation to philosophical knowledge, these are factors of the universal unity of the problematic and the philosophical school. The biography of the author of this essay shows that a certain part of Russian philosophers is characterized by precisely this correlation of features and driving forces of their academic career. Philosophers belonging to this group are characterized by two common features: 1) coming to philosophy from other humanities disciplines; 2) coming to philosophy against the backdrop of a more or less acute “personnel crisis” in this discipline at the turn of the 1990–2000s. They can also be called a kind of generation, at least a generation within a generation. However, their “generational” unity is purely structural, and the content of their activities is determined by their belonging to the schools through which they were introduced to philosophy. Thus, the author of the essay, who initially specialized in the history of social thought, became a graduate student in the Department of Philosophy and Cultural Studies at Tula State University named after L. N. Tolstoy, working closely with the ethics sector of the Institute of Philosophy of the Russian Academy of Sciences. This determined not only his long-term connection with the institute, but also his belonging to the Moscow ethical school with its methodological approaches and theoretical guidelines regarding the phenomenon of morality. Such a biographical scenario excluded priority communication with philosophical peers and contributed to the perception of one’s discipline (ethics) not as a space of generational change, which dramatically fight each other to define a “universally recognized reality” (J. Ortega y Gasset), but as a space for collective solutions to cross-cutting theoretical problems.

"Mercury and Argus" by P. I. Sokolov: aesthetics of the painting, search for an artistic image, perception by contemporaries

Purpose of this article is analysis of painting by P. I. Sokolov (1753-1791) «Mercury and Argus» (1776) in context preferences of era. Objectives of study: analyze preparatory drawings and picture; study archival sources, artist reports; reveal process of painting; represent aesthetic ideals of epoch and perception of personality. Our focus will be on artistic process of creation historical picture in second half of XVIII century on example of work by P. I. Sokolov «Mercury and Argus». Research subject is role of sketches from nature, sketch composition in work of P. I. Sokolov on picture «Mercury and Argus». Author considers of visual technique, graphic-plastic composition, preparatory graphic, identifying process of working on picture based on academic education system. Citing quotes from letters, reports and writings of second half of XVIII century author analyses what was typical for art of period under study, what tasks artist set for himself, what conditions were necessary for expressiveness of visual image and idea of picture as well as her positive evaluation by her contemporaries. During study were applied: formal, formal-stylistic, art criticism analysis. Author comes to conclusion that work on historical painting in second half of XVIII century included a large systematic creative process dictated by academic education system at Imperial Academy of Arts. Analysis showed that execution of sketches and drawings from nature became basis for subsequent search for better image. Historical painting of second half of XVIII century reflected aesthetic views and ideals of era, being an artistic embodiment of ideas of theoretical treatises aimed at improving visual image. Novelty of research lies in considering painting not only as part of artistic heritage, but also as a reflection of academic education system at Imperial Academy of Arts in second half of XVIII century and aesthetics of educational classicism.

Конструирование исторических образов в медиапространстве: социально-философские аспекты и когнитивное воздействие

The article discusses the socio-philosophical significance of historical images in media space and their impact on the cognitive and behavioral processes of individuals. The study aims to analyze the criteria that ensure the social relevance of historical reconstructions within intergroup communications. The main focus is on the pro-cesses of creating simplified but emotionally rich images of the past, which serve as an alternative to analytical research. The authors analyze the role of various sources of information, including art, scientific works, educa-tional materials, and mass media, in shaping these images. Particular attention is paid to analyzing the influ-ence of 20th-century mass media on the dissemination of historical knowledge and myths. The synergy of in-formation flows in creating a coordinated historical picture that influences public consciousness and perception of history is studied. The concept of “historical image” is of key importance in the study, determining the meth-odological approach and inclusion in the discourse of works devoted to the analysis of historical narratives and media representations. The results obtained contribute to the formation of an interdisciplinary basis for the study of historical images, allowing for a sociological interpretation of knowledge about the historical past, tak-ing into account the influence of culture, politics, and demographics, thus expanding the perspectives of analy-sis and the development of related scientific fields.

Synthesis and Application of Sustainable Tricalcium Phosphate Based Biomaterials From Agro-Based Materials: A Review.

Trends in health care delivery systems have shifted as a result of the modern uses of biomaterials in medicine. Contrary to traditional medicine, modern healthcare are now useful in solving problems that were considered impossible some years back. One of the most significant factors to the most recent advancements in implant development has been the use of calcium based materials in the creation of necessary implants in the form of soft and hard tissues. With the advent of naturally sourced materials in the manufacturing of biomaterials, lots of attention are now focused on the different sources of agro-based resources that can be used for the product developments. These agro-based materials are now been considered for sustainable and ecological purposes in several areas of applications globally in the recent times. Hence, the review was carried out with focus on the sources, relevance, processing techniques and applications of tricalcium phosphate based biomaterials in modern day healthcare delivery. This review provides a historical and prospective picture of the crucial functions that materials based on tricalcium phosphate will play in fulfilling human requirements for medication.

At the crossroads of race and gender during the Spanish Civil War

Salaria Kea, the only African American nurse to serve during the Spanish Civil War, fought against racism and fascism her entire life. Her contributions during the war in Spain, as well as her legacy, have become complicated matters, as the veracity of her testimony found in archival materials is routinely questioned and at times blatantly negated. Kea's experience as an African American woman positions her at the crossroads of racial and gender hierarchies that mark her identity in complex ways. Through the lens of various theories of intersectionality, this article will grapple with the precarious modes of historical discourse found in the archive, and vindicate Kea's testimony, recognising it as making a crucial contribution – from a unique perspective – to the understanding of a more nuanced historical picture.

Проблема движущих сил исторического процесса и ее значение для философии истории: методологический аспект

Introduction. The work one of the main problems of the philosophy of history — the problem of the driving forces of the historical process. The author identifies specific driving forces of history, put forward in historiosophy. The methodological aspects of the formation of the philosophy of history as a whole, determined by the problem of the driving forces of history, are shown. The purpose of the article is to show driving forces issue in forming the problem field of historiosophy. Methods. The author uses the following general scientific methods: modeling, structural-functional, systemic and comparative analysis; movement from abstract to concrete and from concrete to abstract. Scientific novelty of the research. The author identifies problems existing in the philosophy of history and gives an analysis of these problems. The author shows that the one of the most important problem that integrates other historiosophical issues is the problem of the driving forces of history. The specific driving forces of history are identified and analyzed in historiosophy. It is shown that, methodologically, the problem of driving forces in history plays a special role in the philosophy of history in a number of aspects: conceptual, integrative, test, and the aspect of complementarity. Results. The author shows that the problem of driving forces in history solves a number of problems in historiosophy. Firstly, each specific driving force makes it possible to create new theories in the philosophy of history. Secondly, it forms a special picture of historical dynamics. Thirdly, it allows us to consider various factors of history as the main ones in a system of other parameters, thereby finding their true place in analyzing the historical process. Fourth, it demonstrates the need to jointly analyze various driving forces to create a common historical picture. Conclusions. The work examines only a few specific driving forces of history, but they must continue to be identified. The author has identified four aspects that reveal the special methodological role of the driving forces problem of history in historiosophy. In fact, more of them can be identified.

Physical laboratory for students practical laboratory works of The Imperial Moscow University from the moment of foundation until 1917

The present survey, timed to a century and a half anniversary of practical laboratory works in Physics being introduced in the curriculum of The Imperial University of Moscow for the students of the Faculty of Physics, provides a broad coverage of its functioning in the period from 1873 to 1917. The author gives a brief overview of the history of its founding, includes the data concerning the development of its equipment infrastructure, stuffing and figures about the number of students who took physics labs in those years. The contents of practical laboratory works are being analysed. The author vividly shows that professor A. P. Sokolov’s “Guide to exercises in general physics labs of Physical Institute of The Imperial University of Moscow” relies heavily on “Guide to Practical Classes in Physics” by F. Kohlrausch. The author familiarizes the readers with some historical references, which enable to better enhance the readers’ understanding of the details of practical training of physics students in The Imperial University of Moscow at the end of the 19th and the beginning of the 20th century. The article also contains rare historical pictures, some of which are published for the first time.

Social factors in choosing personal names among Turkmens

This article is devoted to the analysis of social factors that indicate the choice of a certain personal name among the Turkmen people. The article examines personal names which contain extensive information about the features of the cultural, historical, social and everyday picture of the development of society. The relevance of this work is determined by the growing interest in the onomastics of Turkmenistan, namely personal names, which are the most important linguistic source of information about the culture and history of the Turkmen people. The article discusses the system of principles underlying the naming of a born child by a name among the Turkmen people. The Turkmen anthroponymic system indicates a wide range of criteria associated with family-tribal, religious, historical, natural, and physiological naming traditions. The purpose of this article is to analyze the motives for naming among the Turkmen people. In the article we have highlighted the main models of naming. In Turkmen linguistic culture, parents’ attitudes were manifested in intentional names. In conclusion, we can conclude that a personal name carries a deep semantic load. Moreover, it affects a person’s future. Along with the usual rules that Turkmens use when choosing names for their children, they have special customs that reflect the specifics and originality of naming a child and these customs are closely related to the character of the people themselves, the nature of their economy, sociocultural and religious and moral views. Our analysis of the motives for naming among the Turkmens showed that the Turkmen anthroponymic system reflects the unique features of the life understanding of the surrounding reality, which clarifies certain periods of the social life and spiritual culture of the Turkmen people.

Seismological study around the Enguri dam reservoir (Georgia) based on old catalogs and ongoing monitoring

AbstractIn the frame of the DAMAST (Dams and Seismicity) project, we deployed a dense high-fidelity seismological real-time network to investigate in detail the spatio-temporal seismicity distribution around the Enguri high dam, situated in the greater Caucasus in western Georgia. We aim at recording the weak seismicity in a 10 km distance around the dam structure. To lower the detection threshold by reducing the ambient background noise, we installed four seismic stations in shallow (ca. 20 m) and deep boreholes. From these stations, KIT1 with a depth of ca. 250 m is the deepest seismological station in Georgia. In this paper, we characterize the seismicity recorded by the local seismic network from October 2020 to July 2022. To have a better historical picture of the seismic activity, especially since the dam construction and initial operations, re-processing of the old seismological catalogs was carried out. This required digitizing the paper-only catalog copies prior to relocation. We finally obtain a uniform catalog for the Enguri region to characterize the seismicity and start investigating its possible relationship with the exploitation of the dam reservoirs.

Український історичний роман: шляхи становлення та розвитку

The experience accumulated by the art of words never goes away. At a certain stage of literary development, it can be exhausted to a certain extent, only to be revived in a new context in a modified form. The relevance of the study of historical prose, in particular its ways of formation and development, specificity, themes, is quite natural, since works about the national past allow the reader to consciously or sporadically immerse himself in the meaning of life realities, in particular to understand the moral and ethical ideals of the Ukrainian people, the physical and spiritual endurance of the participants in the national liberation struggle, and the deep human values that are often much more expressive and accurate in historical prose than in sociological and historical research. The fiction model of the heroic past serves to shape historical thinking, to deepen an individual’s understanding of his or her own place in society, and to help individuals find ways to self-knowledge and self-affirmation. The article traces the genesis and main stages of formation of the Ukrainian historical novel, starting with the novel «Zynovii Bohdan Khmelnytskyi. Istorychna kartyna podii, kharakteriv, i zvychaiv XVII stolittia v Malorosii (Zynoviy Bohdan Khmelnytsky. A Historical Picture of Events, Characters, and Customs of the Seventeenth Century in Little Russia)» by Pavlo Biletsky-Nosenko — through the novel «Chorna rada. Khronika 1663 roku (Black Council. The Chronicle of 1663)» — to contemporary works about the past by Pavlo Zahrebelnyi, Roman Ivanychuk, Valerii Shevchuk, Yurii Mushketyk and others. The specifics of historical novel prose are elucidated, the essence of the concepts of «historical novel» and «artistic and historical truth» is revealed, the role of fictional conjecture and fiction is determined. The article summarises the views of domestic researchers of historical prose on its typology.

Or, The Whale by Jos Sances: Ark of the Anthropocene

Abstract: This essay offers the first critical consideration of Jos Sances's 14- by 51-foot scratchboard mural, Or, The Whale (2019–20), a work of panoramic cultural-historical reference and eco-political urgency inspired by Moby-Dick . I set the mural in the context of the series of Moby-Dick illustrations that Sances executed in 2016–2018, showing how they record his formative engagement with Rockwell Kent and document his search for a visual language capable of matching the imagistic density and encyclopedic range of Melville's novel. If Rockwell Kent mediates Sances's portrait-scale encounters with Moby-Dick , C. L. R. James's Mariners, Renegades, & Castaways provides the keynote for Sances's biopolitical sequel to Melville's epic in mural form, a pictorial history of American capitalism inscribed on the body of a life-size sperm whale. Or, The Whale is a summa of Anthropocene visual art, its sweeping narrative of virtuosic hand-drawn scenes presenting densely layered constellations of images that perform the work of cultural memory, unearthing the damage done to exploited peoples and natural resources.

Задостойник Рождеству Христову демественного многоголосия: варианты распева

The article is devoted to the study of one demestvenny polyphonic hymn: the "zadostoynik" for the Nativity of Christ (irmos of the 9th song of the festive canon, performed at the liturgy instead of the hymn to the Theotokos «It is truly meet to bless thee»); the history of its origin and existence is traced according to 11 singing manuscripts of the 17th - the first quarter of the 18th century, fragments of manuscripts and musical examples are given. In the light of the newly discovered aspects of the mutual influence of two styles of early Russian polyphony – troestrochy («triplets») and demestvo - the author wrote two articles in parallel in 2023: a more general “On the problem of interaction between the styles of early Russian polyphony in the 17th century (on the example of zadostoyniks)”, and the present one, dedicated to only one of the zadostoyniks - the Christmas one. The article describes all the cycles of demestvenny zadostoyniks in which there is a Christmas one, while building a historical picture of the change in forms and ways of recording demestvenny polyphony: in the form of a part of a separate voice in a separate book, in the form of a hook score of Kazansky (demestvenny) notation and in the form of musical notation scores. Analyzing demestvenny notation and transcripts, some of which were made by Evgeny Skurat, the author identifies 3 different chants of the Christmas zadostoynik: the main, parody variant, quoting the voice «put'» from a similar triplets chant, and a paraphrase variant using the initial motive "put' strochnoy" in solo “pochin demestvom”. The elite, court tradition of Russian polyphonic singing in its heyday mastered a new method of composing demestvenny scores using the technique of parody, counterfactual. In one of the variants of the chant, we see elements of an innovative polyphonic writing technique: imitation in augmentatio and in diminutio in all four voices of the score.

Spatial and temporal characteristics of past droughts in New Brunswick (1971–2020)

AbstractThis study aimed to provide a historical picture from 1971 to 2020 of the state of droughts in New Brunswick (NB). More specifically, we wished to determine whether there were statistically significant trends using two drought indices: the Standardized Precipitation Index (SPI) and the Standardized Precipitation‐Evapotranspiration Index (SPEI). Monthly precipitation (rain and snow) and average maximum and minimum temperatures were obtained from 10 stations located in New Brunswick. Then, we applied Mann–Kendall and Sen's Slope's nonparametric tests to these two indices at a 1‐, 3‐, 6‐ and 12‐month timescale. The results have shown that the average value for the SPI and SPEI evolution throughout the study period indicated a decrease in indices values (at 95% confidence level). The temporal evolution of the SPI and SPEI were similar at various timescales regarding severities and intensities. However, there were still slight differences in the fluctuation values, especially during the last 20 years of the study period. At a 12‐month timescale, both indices indicated the driest years as being 2020, 2001 and 2004. The SPEI Miramichi, Saint John and Moncton stations had maximum negative MK values (−0.259, −0.221 and −0.215), respectively. As for spatial distribution, four stations located in the south stood out with the highest increase in dry conditions and significantly negative trends (meaning increased drought in this case). Stations in the northern part of the province (Bathurst and Charlo) show non‐significant trends. This study suggests a slight drought increase trend exists in New Brunswick, while an increase in annual precipitation is expected between 42 and 324 mm by 2100 according to climate scenario RCP8.5 of CMIP6.

„Gyönyörű volt szál alakja”. Szent István király ikonográfiája a sokszorosított grafikában a 15. századtól a 19. század közepéig - Pótlások (új ábrázolások, adalékok és javítások)

More than twenty years ago, in the “millennial year” (1 January 2000–20 August 2001), a representative work of scholarship was released in honour of the millennial anniversary of the foundation of the state (budapest, boda Antikvárium, 2001) about the representations of the first king of Hungary, Saint Stephen, in the medium of graphic prints. The publication was reviewed by noted scholars and has been referred continuously in special literature ever since.It is common knowledge that the “image” of king Saint Stephen has been closely tied to Hungarian history, as a decisive personage at its turning points. After the publication of the book I have therefore kept tabs on and collected the data that enlarge, supplement and at a few times rectify its contents. for easier orientation, both the complementary material, the additions, and new representations are adjusted to the item numbers in the iconographic catalogue attached to the volume.From among the addenda, one picture is a complementation to item 71, because in 2001 no copy of its first publication (1692) could be had. Among the sixteen addenda (27, 37, 46, 49, 62, 70, 79, 95, 96, 104, 108, 126, 153, 188, 191, 219) item 46 also received a new picture which arose as the “b” variant of the copperplate engraving (first published in 1626) in a so-far unknown, unique function in 1632. Another six items of the addenda also contain corrections (69, 76, 94, 100, 139, 139, 208), of which two (76, 100) name the original publication (1609 and 1612, resp.) of the two prints in the Hungarian Historical portrait Gallery removed from their original function. Six items of the corrigenda (5, 61, 75, 179, 187) make the description more accurate, with a picture added to one (187), restoring a cut-out copy kept in the Hungarian Historical picture Gallery now to its original function.In the past two decades, the material of the volume has been enlarged by twenty five unpublished depictions, i.e. nearly by 10%. These pictures and descriptions collected on the basis of autopsy affect the period between 1493 and 1852, adjusted to the earlier chronology of the data. Their item number received the number of the preceding bibliographic description with the addition of an ‘a’ or two (5a, 35a, 55a, 70a, 79a, 81a, 90a, 90aa, 97a, 105a, 116a, 128a, 155a, 155aa, 187a, 188a, 192s, 193a, 215a, 216a, 216aa, 228a, 238a, 251a, 254a). The new representations are always attached pictures, and their description adopted the structure of the data in the 2001 volume.Order of new information after the number of the item:Title or iconographic type of the representationTitle of the print without the religious texts. Latter only given when there is no title.Form of appearanceDate of makingTechnique of productionPlace of making, signatureSize by the producing technique and by the state of the sheetBibliographic description of the source containing the representation, with the accurate place of the print in the work at issuePlace of preservation and mark of the copy about which the description is madeRemarksBibliography