The mathematician William Jones obtained a number of Isaac Newton’s manuscripts and letters through the acquisition of papers owned by John Collins. Jones published them in 1711 in a book entitled Analysis per quantitatum series, fluxiones, ac differentias. It was one of the small events in the priority controversy between Newton and Leibniz over the calculus. Inserted in the book, as well as on the title page, are a number of allegorical engravings, almost certainly commissioned by Jones. This article discusses some interpretations of the engravings. As with Halley’s dedicatory poem to Newton in Principia mathematica, the engravings endow Newton with a god-like status. At the same time, the engravings also show some of Newton’s activities as a mortal and place him in a superior position to Leibniz with respect to the discovery of the calculus and as a mathematician.