Reviewed by: Gary Bruce, University of WaterlooAs most travellers to Europe quickly realize, it is hard to sort out one's feelings about the continent. One can, for example, attend Berlin's Philharmonie, home to one of the world's greatest symphony orchestras. Before listening to the music inside, an interested tourist might be drawn to the small exhibition on the grounds of this German cultural icon. Here, she would learn that during the Nazi era, the euthanasia program, which killed more than 200,000 individuals with disabilities (including 5000 children), was housed at the same location: Tiergartenstrasse-4, or T-4 as the program came to be called. To be clear, the Berlin symphony today performs not down the street from the former T-4 headquarters, nor around the corner; it occupies the very same physical space.It is to this frustrating dual legacy that Konrad Jarausch turns in his sweeping synthesis of Europe in the twentieth century. How was it possible that Europe's worst traits materialized in an era when the health, education, and prosperity of most Europeans had improved dramatically? Jarausch frames his answer within the concept of modernity. Although there are many different understandings of the term modernism, most scholars would agree with Jarausch that the European modern age is characterized by large bureaucracies, factory production, nation-states, an almost slavish devotion to science and technology, and an urbanized population. For Jarausch, the challenge that Europe faced in the twentieth century, and continues to face, is how to harness the benign aspects of modernity while keeping its destructive forces in check.Although Out of Ashes is a history of Europe in its entirety, the emphasis is on the main powers of northern Europe. Countries such as Spain, Italy, Poland, and Yugoslavia appear in the narrative on occasion, but England, France, Germany, and Russia/Soviet Union receive sustained attention. The latter merit a place of prominence by virtue of their substantial economic and military power, but incorporating some of the most interesting aspects of recent transnational history, including the ability of smaller powers to influence larger ones, would have added more current texture to the traditional approach.Jarausch moves quickly from the opening section on European thirst for colonies in the late nineteenth and early twentieth centuries to discuss the path to the First World War. Eager to break free from the tired school question on the origins of World War I, Jarausch focuses on the reasons for the breakdown of peace instead of the causes of war. After all, given the long periods of peace and increasing international ties that had characterized the previous century, there was every reason to believe that Europeans would avoid war. Jarausch pins responsibility for the first of Europe's deadly wars in the twentieth century on the leaders of Europe's major powers who, in their narrow-minded self-interest, made catastrophic decisions that unravelled the European diplomatic order. Spreading the blame equally, with perhaps a touch more finger pointing at Russia for escalating a local crisis to a continental war, Jarausch echoes the view of most European historians that no single country was to blame. …