John O'Meara. The Way of Novalis. An Exposition on Process of His Achievement. Ottawa: Heart's Core Publications, 2014. Pp. x+194. $14.95 paper. Since 1980s, literary achievement of Novalis (Friedrich von Hardenberg) has drawn increased attention in English-speaking world. This has unfolded to great extent 111 relation to reception of German Romanticism understood as decisive influence on postmodern aesthetics and literary theory. Within this context, Novalis gives considerable food for thought. In materialist perspective, he is read as a revolutionary poet and forerunner of globalism as theorized by Michael Hardt and Antonio Negri. In perspective of Christian universalism, he is seen as prophet of a multicultural religion of humanity. These two perspectives are in fact covertly allied. Novalis's genius lies in seeking root of seemingly most obdurate oppositions--matter and spirit, life and death, sickness and health--and synthesizing them in a higher unity. His focus on question of creative selfhood, which he took up from Fichte, becomes for Novalis hearth-fire of his life's work. The model of John O'Meara's book is that of a spiritual biography. Since this genre depends upon insight of author in evoking unity of life and thought of Novalis, O'Meara's success or lack of success in achieving this objective should be primary criterion of evaluation of The Way of Novalis. On these grounds book is to be appreciated as a welcome contribution to Novalis studies. O'Meara makes his argument forcefully and elegantly. The key stages of Novalis's life and work are vividly presented and amply supported by primary sources. The book follows chronology of Novalis's life, but this chronological presentation is pierced by insights into originary temporality and creativity of Novalis's spiritual development. The concept of development presupposes movement toward an inherent end, or purpose, and an autonomous origin of motion, as opposed to one imposed from without. O'Meara follows this model consistently. The book is divided into three parts: Part One essentially introduces Sophie von Kuhn and her significance for Novalis's life, along with his studies in Fichte's philosophy. Perhaps central idea to which O'Meara gives repeated reference is concept of freedom. The death of Sophie constitutes a great philosophical and spiritual test for Novalis because in suffering this loss he comes to confront finitude of freedom that is revealed by death. The point is not that death is end of freedom because it is end of life (which is not contended by anyone), but that in anticipation of death, thus to integrate it into one's life, uniqueness of one's death as one's own liberates one to be a self. In context of Fichte's idealism this calls for integration of death as absolute into finite self, and this is what death of Sophie demands of Novalis (38). In Part Two, O'Meara concentrates on Novalis's reunion and collaboration with Schlegel, especially in development of Fragment form. The significance of Logological Fragments, O'Meara writes, is that they articulate philosophical insight into the whole that unites self and (65). This Part also includes an important discussion of language, its symbolic and mystical power in opening-up (not just re-presenting) an original relation to world (66-69). The last section of Part Two offers an introduction to Novalis's understanding of universal, a concept that is perhaps key, not just to German Idealism, but to philosophy since Plato. On one hand, as author notes, concept of universal is a matter of knowledge of nature, and its literary form is encyclopedia. This is objective, scientific pole. On other hand, universal is a matter of introspective penetration of one's own self as uniquely one and whole with its world and as such Self becomes mirror of nature and all that is. …
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