Origin Of Creation Research Articles

Konsep Lera-Wulan Tana-Ekan Orang Lembata dalam Tinjauan Filsafat Agama Hegel: Suatu Upaya Berdialog

Faith and culture are often considered as interesting areas of topics for the academic discussions. They can become fruitful dialogue partners in the search of truth. Each area refers to the sources of truth at different levels compared to others outside of their areas. This article is an effort to reconcile the truth claims on the ontological and empirical levels by way of dialogue. The dialogue raised here brings together religion in Hegel’s philosophy and the cultural belief of the Lembata people called Lera-Wulan Tana-Ekan. Both are on different paths, one is a series of philosophical ideas while the other is a local wisdom from a certain part of Indonesia, particularly among the Lembata people in East Nusa Tenggara. This article aims to elevate the claims of truth that exist in a belief from a certain culture to the public domain of philosophy. The method used in this writing is dialectical by analyzing whether the ideas in Hegel’s philosophy of religion are in line with the beliefs held by the Lembata people. The belief in the universe, the highest morality, and the origin of creation are analyzed in relation to the movement of the Spirit discussed by Hegel in the natural religion, the religion of art, and the revealed religion.

A study discovered the coherent wave function of electrons and the stability when observed

The wave phase is the origin of creation and precedes the particulate (molecular) phase. The wave and particle are not two figures of the same thing, rather they are heterogeneous and different from each other due to the different sources of each of them. The particulate phase is just generated by impinging of the wave on its target of spatial forces (Higgs field), and the wave phase is considered the extra dimensions or the extended fuzzy end of the particle. Because electrons are forced to move in synchrony, they can produce heat and light. The light would be reflected from the electron forming many synchronized shadows for the same electron at different places that could be misinterpreted by both the instrumental detectors and the person analyzing the results of observations. Therefore, the electron cannot exist in different places, rather the shadows of the same electron give false observational results that produced the false analytic conclusion of “probability and randomness” and thus the term “superposition” is not scientifically consistent or coherent– The energy and momentum of electrons influence their motion through a material, which, in turn, determines its electrical and optical properties. – Using laser pulses, physicists have been able to generate hot electrons that travel faster than the speed of light. Regarding the electrons in the famous double-slit experiment, they are considered accelerated electrons, so their speed is faster than the speed of light. Because the light emitted from electrons and the light of the electron detector (ICCD camera) are electromagnetic waves, the speed of light emitted from electrons is faster than that of the detector. Consequently, the electron detector (ICCD camera) could detect the particle phase of electrons but couldn’t detect or capture the wave phase of electrons, because electromagnetic waves are harder to get a handle on. The result is the failure of observing and detecting the wave phase of electrons. Therefore, the wave function does not collapse.

A Short Synopsis of Srimad Bhagavad Gita in Selected Ten Verses

Srimad Bhagavad Gita (SBG) is a very popular spiritual classic of Indian philosophy comprised of 700 verses that form a part of 'Bhishma Parva’ in the Mahabharata, the world’s longest epic. No commentary and critique of the Mahabharata are considered complete without the emphasis on the SBG and its teachings. Hence, SBG is the ‘kernel’ that guides mankind by eradicating ignorance and imparting self-knowledge. It is a practical tool that guides one in profound crisis and imparts several self-help tools that are practical even in the contemporary era. The dialogue between Srikrishna and Arjuna explores the origin of creation, nature of the body, soul, mind, and re-incarnation. It recommends one to walk on the path of ‘Dharma’ (i.e. righteousness duty) performing three key things: i) Righteous Karma (Action); ii) Unswerving Bhakti (Devotion) and iii) Commitment to Jnana (wisdom). The 700 verses are organized into 18 chapters and as three hexads of 6 chapters that guide one to attain ‘Moksha’ (salvation). The supreme lord also summarizes the key teachings of the Upanishads at relevant places which is a marvel in itself. This short perspective attempts to convey the key message and essence of SBG through a selected ten verses chosen by Sri Swami Dayananda Saraswati (an Advaita Vedantic philosopher) of Arsha Vidya Gurukulam (Anaikatti and Rishikesh, India).

서세옥의 수묵추상 전환과정과 조형의식

Suh Se-ok (1929-2020) is the first-generation main actor of Korean Painting(韓國畵), generated at the forefront of the ‘establishment of national art’, which was a newly born fatherland liberated in 1945. His performances after being nominated for the greatest award by the oriental painting session, a unit of the very first National Art Exhibition established in 1949, possess significance of leading a new world of creation as a shift from modern ‘Oriental paintings(東洋畵)’ to contemporary ‘Korean paintings’. Especially, he remonopolized abstract image, spread as a ‘global language’ in Western regions under cold war after the end of World War II, to Seohwa(書畫), XieYi(寫意) of literary painting, and the idea of ink painting. Furthermore, Suh utilized original paper, brush, and ink to pursue modernization and globalization, leading a pathway from ‘Korean painting’ to a nonfigurative generation. Under the context of radical change to ink abstract painting in fellow artist groups, Suh Se-ok sought for a more phased process of shift. Suh, in the initial stage of the new painting style in East Asia, amongst the period of 1954, possessed an attempt of reformation by pursuing a contemporary formation of XieYi. By the time of 1957, he sought for the transition to ink abstract painting and proposed it since early 1960 at ‘Mukrimhoe’ which he led to organize on his own. By the end of 1961, under the pathway of ‘muksang(墨像)’, it was developed into abstractive expression. Then, around the end of the 1960s, Suh created calligraphic abstraction by producing an image of mankind, passing through pictographic abstraction originating in rediscovered dots and lines of brushes and ink as an origin of creation. Thereby, he accomplished a distinctive method.

HADIST PENCIPTAAN PEREMPUAN DARI TULANG RUSUK (Analisis-Kritis Terhadap Pandangan Feminis)

Abstrac This paper will further reveal the hadith about the creation of women from ribs by displaying various related hadith texts, capturing their sanad, analyzing their death through the comments of authoritative scholars. This study is a response to the feminist assumption that the hadith is gender biased or "mysoginist". From this it was found that sanad the hadith was authentic, because all the blessings were thsiqat. Although the hadith contains Israiliyat, it does not reduce its validity because it does not conflict with Aqeedah and Islamic teachings. This hadith is not in conflict with Qs. an-Nisa, verse: 1, is actually used as an explanation as contained in at-Tabari, Ibn Kathir, ar-Razi, and Thantawi. There are two views in interpreting the hadith, namely textual and metaphorical. The difference in how to interpret it is not tadhadd (contradictory) but only tanawwu '(diverse). In addition, the meaning does not necessarily make women inferior to men, because in the Islamic perspective, glory is not measured by the origin of creation. Therefore, the rejection and accusation of Muslim feminists related to the hadith is wrong.

HADIST PENCIPTAAN PEREMPUAN DARI TULANG RUSUK (Analisis-Kritis Terhadap Pandangan Feminis)

This paper examines further the hadith about the creation of women from the ribs by displaying various related hadith texts, the men-takhrij sanad, analyzing their matan through the comments of the authoritative scholars. This is based on the assumption of feminists that the hadith is a gender bias or "mysoginist" - from the aspect of the sanad dho'if and comes from israiliyat, while the matan is contrary to the verses of the Koran (Surat an-Nisa: 1). From here it is found that in the sanad the hadith is valid, because all the rites are tsiqat. Although the hadith contains Israiliyat, it does not reduce its validity because it does not conflict with Aqeedah and the teachings of Islam. This hadith is not contrary to Qs. Nisa, verse: 1, is actually used as an explanation as found in At-Tabari, Ibn Kathir, Ar-Razi, and Thantawi. There are two views in interpreting the hadith, namely textual and metaphorical. The different ways of interpreting it are not tadhadd (contradictory) but only tanawwu '(diverse). In addition, this meaning does not necessarily make women inferior to men, because in the Islamic perspective, glory is not measured from the origin of creation. Therefore, the rejection and accusation of Muslim feminists regarding the hadith is wrong.

A set‐theoretic investigation into the origins of creation and discovery opportunities

Research Summary: This study employs textual coding techniques to investigate 25 creation and discovery opportunities using entrepreneurs' start‐up interviews. Based on Austrian economics and social constructionism theoretical arguments, we identified four casual conditions: social bonds, social bridges, prior knowledge, and past start‐up experience. These causal conditions are analyzed using qualitative comparative analysis. Results indicate that creation opportunities are associated with social bonds, prior knowledge, and lack of prior entrepreneurial experience. Alternatively, discovery opportunities are associated with prior knowledge, social bonds, and social bridges. Our empirical findings demonstrate the differences in social and human capital configurations associated with forming creation and discovery opportunities.Managerial Summary: In an effort to better understand how creation and discovery opportunities arise, we investigated and compared likely factors including: close relationships, distant relationships, prior knowledge about related markets and industries, and past start‐up experience. Results show that creation opportunities are associated with close relationships, prior knowledge about related markets and industries, and lack of prior entrepreneurial experience. Discovery opportunities are associated with prior knowledge about related markets and industries, close relationships, and distant relationships. Our findings begin to describe how different types of opportunities are realized. Specifically, particular forms of human and social capital may be needed for generating differing types of opportunities.

Рационалистический проект Николая Кузанского: концепция ума в трактате «Простец об уме»

The paper analyses Idiota de Mente and formulates the concept of the mind. In Idiota de Mente Nicholas of Cusa outlined the rationalistic views of the world order, believing the eternal and infinite mind to be the origin of creation. The article shows Nicholas of Cusa’s realistic assessment of the role and place of a person in the creation and structure of the philosophical system; the priority of the Aristotelian tradition over the Platonic tradition in the essay; and the fact of referring to natural-science knowledge (to «physics») when explaining perceptions. The obtained results alternatively supplement the generally accepted notions of the philosopher's adherence to Neoplatonism and pantheism. The author makes a conclusion about the productiveness of the ideas presented in Idiota de Mente for modern philosophy and psychology, as well as for modeling of thought in the area of computer technologies.

The Creation of Women from the Perspective of Mufassirun and Muhaddithun Between Past and Present Scholars

The creation of women is under constant debate, not only among the Islamic scholars but outspreads to feminists both from the west as well muslims.This debate stems from the differing views of the preceding and contemporary scholars in interpreting the texts from the Quran and the Hadiths on the creation of human particularly Eve as the first woman created by Allah. The majority of the mufassirun and hadith scholars in the past pioneered the view that the origin of human; that Eve was created from the rib of Adam a.s. This view was regarded by the feminists as derogatory to women. The contemporary mufassirun and muhaddithun are however of the opposite opinion whereby Eve’s creation was equal to that of Adam’s a.s; thereby indicating that creation of Eve did not originate from Adam a.s. Hence this study was undertaken with the aim of reviewing the opinions of the tafsir and hadith figures by comparing the views between the past and present scholars in interpretation of Quranic texts as well as hadiths pertaining to the origin and creation of women. This study also extends to examining the arguments on which the opinions of each group were deduced.In order to achieve the above objectives, this qualitative form of study will employ data collection method, conducted through library research to obtain data relating to the origin of creation of women, in particular turath literatures in tafsir for example Tafsir Ibn Kathir and tafsir works by the leading tafsir scholars in the like of Syed Qutb; in addition to the past and present books on syarah hadith. The findings of this study show that the previous and present scholars of tafsir or hadith took different methodology in understanding both textual authorities.Unlike the previous scholars of tafsir and hadith, some of the contemporary scholars’ understanding is that the texts are not to be construed literally; instead the texts need to be understood as parables and allegories thereby indicating that the creation of women is not from the ribs of Adam a.s.

The Origins of Creation. A Breath of Life, by Clarice Lispector

The Origins of Creation. A Breath of Life, by Clarice Lispector

O Matemático amoroso

Este artigo argumenta em favor da ideia de que a criação artística e a criação matemática são da mesma natureza e possuem uma origem comum. A forma escolhida é um diálogo no qual os personagens fazem entrar em cena poetas, escritores, músicos, artistas plásticos, historiadores e críticos de arte que, no debate empreendido pelos personagens, contribuem para reforçar esse ponto de vista.

A Set-Theoretic Investigation into the Social Origins of Creation and Discovery Opportunities

This study uses qualitative textual coding techniques to investigate twenty- five creation and discovery opportunities using entrepreneurs’ startup interviews. Textual context cues are used to derive social network-based and complementary causal conditions associated with both creation and discovery entrepreneurial opportunities. These causal conditions are then analyzed using Fuzzy-Set Analysis. Results indicate that entrepreneurs who created opportunities did not need prior entrepreneurial experience. Instead, they relied on close social bonds, and attributed much of their pursuit of the opportunity (including venture founding) to external sources rather than to themselves. Additionally, there are three configurations associated with discovery opportunities indicating that there are multiple equifinal social network-based paths that may lead to opportunity discovery. Our results also indicate that entrepreneurs’ attributional style and prior startup experience are linked to their use of social capital i...

Affective Analysis of Professional and Amateur Abstract Paintings Using Statistical Analysis and Art Theory

When artists express their feelings through the artworks they create, it is believed that the resulting works transform into objects with “emotions” capable of conveying the artists' mood to the audience. There is little to no dispute about this belief: Regardless of the artwork, genre, time, and origin of creation, people from different backgrounds are able to read the emotional messages. This holds true even for the most abstract paintings. Could this idea be applied to machines as well? Can machines learn what makes a work of art “emotional”? In this work, we employ a state-of-the-art recognition system to learn which statistical patterns are associated with positive and negative emotions on two different datasets that comprise professional and amateur abstract artworks. Moreover, we analyze and compare two different annotation methods in order to establish the ground truth of positive and negative emotions in abstract art. Additionally, we use computer vision techniques to quantify which parts of a painting evoke positive and negative emotions. We also demonstrate how the quantification of evidence for positive and negative emotions can be used to predict which parts of a painting people prefer to focus on. This method opens new opportunities of research on why a specific painting is perceived as emotional at global and local scales.

Subatomic Particle Structures and Unified Field Theory Based on Yangton and Yington Hypothetical Theory

A hypothetical theory of a Yangton and Yington circulating pair with an inter-attractive “Force of Creation” is proposed as the “Origin of Creation”. When this circulating pair travels in the space it is known as “Photon”. Otherwise, at still, it is known as “Wu’s Particles” also as “Still Photon”, which makes the basic building block of all matters. The structures of Quarks, Neutrinos, Higgs Boson particles, Electron, Positron, Proton, Neutron, and Dark Matters are proposed based on “Wu’s Particles”. Also, it is assumed that “Force of Creation” is the only fundamental force in the universe that could create and unify the Four Basic Forces. Gravitation is formed by the attractive force between two Higgs Boson particles with String Structures that are made of “Wu’s Particles” of the same circulation direction. Electromagnetism is however generated between two atoms both with single outer layer Electron that are attractive to each other while spinning in the same direction and repulsive in the opposite directions. Both the Weak Force between Neutron and Positron as well as the Strong Force between two Neutrons also between Proton and Neutron are proposed and interpreted based on “Wu’s Particles” and “Force of Creation”.

La verdad de las cosas desde la expresión y la causalidad del Logos divino / The Truth of Things as Understood from the Expression and Causality of the Divine Logos

This paper addresses the relationship between the divine Word and the creatures uttered eternally with it, and attempts to unravel the consequences of this relationship particularly from the perspective of the verum, so that one can glimpse not only the origin of creation in the Word but also the truth of things considered in and from the Logos.

M. Quraish Shihab, Menggugat Bias Gender “Para Ulama”

Some of the ulama’s views related to women (the origin of creation, temptressness and lack of rationality), are considered to be biased and misogynistic by M. Quraish Shihab. These viewpoints, according to Shihab, rooted in long-standing old views that harrassed and marginalized women. These views cannot be justified either by reasons or religion, although some of them used religious texts. This article addresses Shihab’s criticism against the views of scholars that he considers to be biased. The data are obtained from the works of M. Quraish Shihab, particularly on Perempuan in addition to al-Misbah. The data are analyzed using content analysis and gender perspectives. The significance of this study is to show that the religious texts (both the Qur’an and Hadith) associated with women tend to be interpreted in accordance with mufassir’s perception.

La Scène originaire ou la représentation impossible dans « The Fall of the House of Usher »

Far from psychobiography and “textual psychoanalysis,” this article probes into the all-informing fantasy of the Primal Scene in Poe’s “Fall of the House of Usher.” It seeks to demonstrate, by relying on Marin, Ranciere and Rosolato, that a pre-Freudian work of art can resort to an intuition of repressed images and mechanisms at work in our symbolization of life and death, precisely to represent the impossibility of imitation, while paradoxically opening up to another form of mimesis. It thus touches upon the very question of the origin of creation and identifies a specifically literary knowledge of the unconscious, which may account for this tale’s inexhaustible power of fascination.

Women Empowerment for a Holistic Development in Nigeria

Women empowerment as a concept has been related to development, democracy and all kinds of social wellbeing. Nigeria like most African countries is a patriarchal society, where men holds sway and lays down the rules. This paper affirms the need for women empowerment for a holistic development in Nigeria. The paper took off identifying the duality and complementarity in nature .The paper reveals the origin of creation of both man and woman which by pronouncement of the creator, God, was essentially on the basis of complementing each other, which means that the man and woman supposed to be seen as equal. Apart from the theory and counter theory of gender as elaborated in the paper, the physical differences between the masculine and feminine gender, the paper highlights the activities of the famous feminist radical activists of the early 60’s and their ideologies. The various struggles for liberation of the feminine gender from the masculine domination are discussed. This paper compares the Nigerian woman of pre-colonial era and the present day Nigerian woman in franchise, financial responsibility etc. A figurative evaluation and analysis of the rights and privileges enjoyed by the Nigerian woman in the early post colonial era up to the present day situation is also mentioned. Finally, this paper emphasized the role of the media in women empowerment for a holistic development in Nigeria. In its role in empowerment the media has a hegemonic function and it is in addition seen as an agent of socialization.

Consideration on Sassanid architectural works and urban planning in ancient Persia

This paper intends to analyze architectural works of Sassanid age at Firooz Abad Plain. This is because of its position as the first headquarter of Sassanid dynasty that means Ardeshi Babakan. Sassanid dynasty born and grew in such a geographical space and reached to other geographical fields. It is possible to say that Firooz Abad plain is the origin of creation of this dynasty and the capital as well. Firooz Abad plain is located at Firooz Abad city and a dependency of Fars province with a distance of about 120 km from Shiraz between a longitudinal 52° and 28° latitude. There are a lot of works and ruined places belonging to Sassanid age most of which have been registered as the historical and ancient works by Cultural Heritage Organization. One of the mentioned works is Ardeshir Khore or the glory of Ardeshir. It was the first Sassanid city which was established according to a circular format. In spite of passing 1800 years, right now it is possible to be studied by scientific and academic persons and /or Ardeshir Babakan palace as a very interesting architectural work and comparable with all palaces of Hakhamanesh age including Tajar palace at Takht-e-Jamshid. It is also located at Firooz Abad plain.

Origin of Creation and Manufacture Viewed from KARAKURI Dolls

Origin of Creation and Manufacture Viewed from <i>KARAKURI</i> Dolls