ABSTRACT This article explores the artistic and scientific practices of Lander Gyselinck, focusing on the hybridisation of jazz and beat-based electronic dance genres. The research investigates how cross-fertilisation can stretch boundaries and break conventions in rhythm, harmony, and texture. Through an integrated approach of art and research, Gyselinck examines the symbiosis between man and machine to inspire new creative processes. Employing a cyclical methodology of discovery, listening, transcribing, studying, creating, and composing, Gyselinck reveals a dynamic interplay between inspiration and systematic practice. This process has enriched his artistic-creative practice, resulting in a new musical language and techniques. The composition Sun Salutations from the album Disleksikon exemplifies these innovative rhythmic and textural elements, illustrating how the Footwork genre has influenced Gyselinck's drumming. This article reflects on Gyselinck's artistic journey, offering insights into the genesis of his music and methodologies. By documenting these processes, the work contributes to the on-going hybridisation and evolution of music, providing valuable perspectives for other musicians to enrich their own practices.