One-piece Dress Research Articles

원피스 원형 브래지어컵 사이즈를 반영한 원피스 원형 개발

The purpose of this study is to develop a one-piece dress prototype which has a less impact on breast size. First, I implemented a 3D model with the average of women data done by the 6th Size Korea (2010), and produces avatar A, C, and E with different brassiere cup sizes (A, C, and E). Second, I drafted four types of one-piece dress prototype by measurement avatar A, C, and E. Then I simulated those types of one-piece dress with the application of the 3D Virtual Garment System known as Opti-tex. As a result of virtual garments, all four types of one-piece dress prototype were appropriate on avatar A, but as the breast size increased avatar E, all four types of one-piece dress prototype were inappropriate. Making real garments for three subjects based on one-piece dress prototype I, prototype III and another new prototype and making those subjects wear them, I measured the appearance sensuality evaluation on Likert 5-point scale. The new prototype scored better than the other two protypes I and III. The result does not only increases a sense of satisfaction for women fit for C cup or bigger, but is also available for women fit for A cup or B cup. In addition, it is useful in selecting the brassiere size fit for daily wear.

A Proposal for Clothing Size Recommendation System Using Chinese Online Shopping Malls: The New Era of Data

Research was conducted in this study to design data-based size recommendation and size coding systems specifically for online shopping malls, expecting to lighten the burden of holding excessive inventories often caused by the high return rate in these online malls. The recommendation system has been implemented focusing mainly on size extraction and recommendation functions along with a UI (user interface). For the former function, data are necessary to extract customers’ sizes and, for instance, the system to be used in China adopts their Chinese standard body size GB/T (Chinese national standard) considering that there are a variety of body types in their substantial population. The system shows the most similar size dataset among the body size GB/T dataset to the customer once he/she inputs his/her height and weight. Each GB/T data was entered after categorizing it according to the proportion between height and weight. For the latter function, size recommendation, size coding was performed first for all the clothes by the shop owner by entering individual size data. The clothes providing the most suitable fit for the customer are recommended by the selection of that which has the smallest deviation between coded clothes size and the customer body data after performing a series of comparative calculations. To validate the effectiveness of the extraction, a method that checks whether the difference between extracted size and the body size that has been measured remains within the error range of 4cm was used. The result showed there to be an approximate 88% matching rate for women and a slightly lower accuracy of 80% for men. Moreover, the error rate was relatively smaller for the upper half clothing such as shirts, jackets, and blouses or one-piece dresses. Such a result may have been generated since the GB/T data were actually the average data entered 10 years prior without categorizing nationalities, ages, and body types in detail. This research emphasized the necessity of a database containing a more segmented human body size data, which can be effective for extracting and recommending sizes more accurately as the latest ones continue to accumulate.

전자파 차폐직물을 활용한 임부복 개발 및 평가 : 고령 산모를 대상으로

The purpose of this study was to develop and evaluate the maternity wear that shields electro-magnetic waves, thereby protecting aged pregnant women and babies. Electro-magnetic waves shielding textile used in this study has antibacterial and deodorizing effects, and reduced 87% of the electro-magnetic waves of a notebook computer. In addition, it remained effective even after being washed, or interlining sticked. We suggested three different types of one-piece dresses depending on how the textile was attached to the dress, namely the separated type, all-in-one type and detachable type. The separated type was designed in a way the electro-magnetic waves shielding textile was attached to the slip so that it can be used with other dresses. In all-in-one type, the textile was attached to inside of the dress. The detachable type was designed in a manner the textile can be either attached or detached from the inside of the dress by using buttons. The size of the electro-magnetic waves shielding textile was roughly from beneath the bust to the middle of the thigh. The maternity dresses were evaluated by the aged pregnant women. All-in-one type was rated the highest score in both appearance and wear evaluation. In case of the detachable type, the slip was more positively evaluated than the outerwear. There were slight differences in evaluations depending on the dress design, as far as the electro-magnetic shielding textile was concerned, it was satisfactory both in appearance and wear evaluation.

Development of Female Torso Classification and Method of Patterns Shaping

Abstract Our study presents a new pattern-making approach that is composed of three major steps: to establish the new torso classification; to improve the pattern shaping method; to solve the problem of misfit of female dresses. New additional measurements were obtained from full bust, waist and hip circumferences and divided between front and back parts separately from 3D body scanning data. By creating 8 new torso subtypes Y1, Y2, A1, A2, B1, B2, C1, and C2, which reflect the body characteristics and torso morphology through distribution of bust girth between the front and the back, we have developed the Chinese female torso classification. On the basis of the new classification and the Japanese method of pattern block drafting, we improved the method of calculation of waist darts and the shaping of two kinds of female dresses: first kind doesn’t have the horizontal waist seam (one-piece dress) and second kind has the waist horizontal seam (two-pieces dress containing from the top and the skirt). The new torso subtypes and new pattern block shaping approach are taken into attention as the body characteristics will significantly improve the quality of clothes. New method of pattern pieces shaping in according with the characteristic features of a 3D virtual avatar allows to integrate this virtual pattern-generating approach into the pattern-making systems.

라틴 아메리칸 댄스 스포츠 의상의 디자인 특성

The purpose of this study is to collect and analyze costumes presented in international dance sports competitions, and summarize the features of Latin American dance costumes’ design. As for research methods, standards of Latin American dance costume design were analyzed via a literature review on dance sports. The scope of the study extended for six years from 2010 to 2015 to include the, top three UK Latin American dance competitions. The results are as follows. First, the silhouette analysis determined that the X silhouette to the lead with, -145 costumes (78%), followed by the H silhouette at 25 (13%), and other at 16 (9%). Amongst those there were 174 one-piece dresses (94%). Furthermore, the analysis on colors of Latin American dance sports costumes revealed that, amongst the 186 costumes, 115 were without color (62%), Bl(black) is the most frequent with 37%, then Wh(white) with 21% and Gr(gray) with 4%. Costumes with colors, based on the six basic colors in the Munsell color system, are comprised most often of red with 12%, the followed by Y(yellow) at 10%, B(blue) at 8%, YR(yellow-red) at 4%, P(purple) at 2%, and G(green) at 2%. Thirdly, the cloth materials of Latin American dance costumes are recognized through image inspection. Among visually recognizable materials, beading materials are the most common with 104 costumes (60%). Shiny materials like mesh, chiffon, organza, lace and burn-out are in 36 costumes in total (19%). Other cloth materials included Luster materials and; non-sheen materials, which were in 46 costumes (25%).

A Study on the Upward Flow of the Majo and Maja Costumes in 18th Century Spain, Observed in the Paintings of Francisco de Goya

This thesis investigated majo and maja costumes of depicted in Francisco de Goya's paintings from the middle of 18th to the early 19th century, and presented the costumes defined as the upward flow from the lower classes to the upper classes. The study methodology selected those describing the maja and majo among the figure paintings, portraits and genre paintings by Goya that identify unique characteristics with the qualitative analysis of the cases of the upward flow with that affect the costume of the upper classes. The influence of the majo and maja costumes were outstanding in the shape of the outfits while the French style gown of the upper class women were one-piece dresses in shape, those of the maja were two-piece dresses that consisted of the upper and gather skirts. The costume was perfected by use of the mantilla or head kerchief, instead of the headdresses prevalent at those times. The majo's costume affected the men's costume of the upper classes in the shape of the outfits. Short coat and tight breeches were preferred to the loose ones as well as instead of a long coat. Rather than the wigs or tri-corn hat, the head kerchief and sash belt applied, which could be evidence of the upward flow as well as shows proof of the influence of majo and maja costumes.

임산부의 임부복 구매 실태

The purpose of this study is to most appropriately develop maternity wear according to the preferences of specific age groups of pregnant women. The specific age groups were women in their twenties, early thirties, and late thirties. This survey was conducted in the metropolitan area around Seoul, South Korea through a questionnaire given to 150 pregnant women. The study found that pregnant women purchased significantly cheaper clothes after their pregnancy than before. The participants responded that they mostly bought clothes using the Internet, but they also reported many instances of returning the clothes due to fit and sizing. It was shown that women in their twenties tended to consider the price, design, and activity more than women in their thirties when purchasing maternity wear. The study showed that pregnant women tended to wear maternity wear from early in the pregnancy-preferring leggings, one-piece dresses, pants, shirts, briefs, and bras with the girdle on the outside. More women in their late thirties purchased maternity support belts than younger age groups. In any case, in purchasing maternity wear, clothing features that the respondents focused on were comfort, functionality, fit, the covering of their body changes, and fashion. Still, many respondents 35 years and older reported more interest in safety rather than fashion in comparison to the responses of respondents under the age of 35.

현대패션에 나타난 파워 숄더의 형태 변화 연구

The purpose of this thesis was to investigate the transitional aspects of the power shoulders with a comparative analysis of the patterns observed from the late 20th century to the present. The method of study was through review of papers as well as phenomenological approaches. Books, domestic and international journals, and dissertations were studied as part of the paper review. Phenomenological study was performed by analyzing the pictures from late 20th to present; and categorized by 10 year time span i. e., 1980-1990, and 2002-2012. Hundred representative fashion photos were selected, respectively. As a result, the power shoulder found in late 20 centuries was largely limited to horizontal and diagonal shape, addressed mainly to the jackets; while they were straight, and wide shouldered, with emphasis on masculine style. On the other hand, in early 21 century, the power shoulder was applied in various forms of straight, diagonal, circular and ornamental with objects, not only to the jackets, but also to feminine styles such as one-piece dress, vest, and blouse. This finding may be attributed to the fact that the modern people desire newer trends and women tend to show off their ability in transcending those of men. The findings of analysis of the transitional aspects of power shoulder in this thesis might contribute as basic resources for anticipating the trends that might be revived in the future.

자기 이미지 일치성과 의복 선호 및 준거 가격이 지불의도 가격에 미치는 영향

Abstract In this study, the notion of payment intention price was introduced and examined in relation with self-image congruence, clothing preference and two types of reference price: expected price and fair price. Onehundred samples of female collegiate students participated in the group survey and responded to the ins-trument including variables of clothing image evaluation, clothing preference, reference price, payment in-tention price toward a one-piece dress as the stimulus, and ideal self-image perception. Descriptive statistics,correlations, and regressions were applied on data analysis. The results were as follow. Payment intentionprice was determined by clothing preference and fair price, and the explaining power of fair price wasgreater than clothing preference. One confirmatory path was observed that self-image congruence effectsclothing preference, and then clothing preference effects payment intention price. The other confirmatorypath was from expected price to fair price and fair price to payment intention price.Key words: Self-image congruence, Clothing preference, Expected price, Fair price, Payment intentionprice; 자기 이미지 일치성, 의복 선호, 예상 가격, 공정 가격, 지불의도 가격

임신시기 및 산후에 착용가능한 원피스드레스 디자인 연구

This study suggests designs of maternity clothes wearable after childbirth and aims at confirming that maternity wear is continuously wearable during a post-natal period. As for research methods, theoretical and empirical studies with research on a production of work were conducted, focusing on the design development of the maternity dress which may be worn even after childbirth. The results of theoretical and empirical studies possibly presented various designs which require fashionability going with the trend of time. The maternity wear also requires the adaptability for a changing body shape to enable a woman to wear it during a pregnancy period and after childbirth. Besides, the convenience of dressing and undressing with wearing comfort is considered. 6 sets of one-piece dress were made as the result of the study and three factors of fashionability, adaptability and convenience were considered. The conclusions are as follows : Firstly, it verified that the maternity wear is fashionable clothes not to cover protruded abdomen but to satisfy women's desire of self expression. Secondly, it overcame the limit of dress design through fitting it to completely different body sizes and shapes with design factors and patterns. Lastly, it suggested a research model of maternity wear corresponding to economical, environmental and ethical principles as giving an effect of two dresses with one. This study presented a new direction of design study with meaningful actions of fashion designing in the aspects of economical, environmental and ethical consumption unlike artificial disposal on SPA brands.

A study on the one-piece dress design wearable during pregnancy and post-natal period

A study on the one-piece dress design wearable during pregnancy and post-natal period

체크 패션에 나타난 미적 특성에 관한 연구

The purpose of this study is to investigate the aesthetic characteristics of check fashion of the 20th century and to analyze the formativeness for them shown in recent collections. The results of this study are as follows; 1) Before the First World War, check patterns were used for S silhouette dresses and hobble dresses. During the two wars, they were used for garçonne style dresses and military suits. Check patterns were used for mini style in the 1960s, uni-sex style in the 1970s, and power suits in the 1980s. Especially after the 1980s, check patterns have followed the fashion trend of each season and appeared in retro styles. Consequently, the aesthetic characteristics of check dresses of the 20th century are traditionality, ornamentation and eclecticism. 2) Traditionality of check fashion shown in recent collections was implied in the classic styles like suits with its grey glen check, avant-garde styles like boxy coat with its dark blue tartan check, and so forth. Ornamentation was shown in the modern styles like jackets decorated with block check colored white and black, casual styles like bomber jackets with hound tooth check colored white and black, and so forth. Eclecticism was reflected in the romantic styles like one-piece dresses with hound tooth check colored white and light blue, elegant styles like low-cut dress with its dark blue window pane check, ethnic styles like long cape with gingham check colored white and black, and so forth.

중국 스트리트 패션의 지역적 특성에 따른 선호 원피스 디자인 분석 - 2012년 S/S 중국 베이징, 심천 중심으로 -

중국 스트리트 패션의 지역적 특성에 따른 선호 원피스 디자인 분석 - 2012년 S/S 중국 베이징, 심천 중심으로 -

영왕비의 진주낭자 도안을 응용한 니트웨어 디자인 연구

This study developed a practical knitwear design with applying the pattern of Queen Yeong's pearl pouch. The ume flower pattern of pearl pouch was simplified to be one repeat pattern, and four simulated knit pattern samples of G-A, G-B, R-A, and R-Bwere made with cable, cross, and two background colors of gray and red using Texpro V.11.0. The items of design application were selected after an interview with a panel of university students in their twenties and knit samples were produced by hand knitting. The small sized G-A for the partial ornament of hat, sweater, skirt, kitchenware case and accessories; the long sized G-B for the tuck of sleeves, hem of skirt and one-piece dress, partial ornament of sweater, scarf, and curtain decoration: the small sized R-A was preferred for point ornament of pouch, boots, hat, partial ornament of children's fashion products and accessories: the long sized R-B for table runner, leg warmer, tuck of sleeves, skirt hem, necktie, and scarf. The knit samples were formulated with partial ornaments attached on dress and props or connected each other. Colors of pastel and navy were also presented to meet the demands of panels. The study placed a limit on the slight difference between the simulation samples and knit samples due to the characteristics of threads and hand tension. The color variation for multiple coordination and activation to reduce the piece rate for young customers remains to be discussed in the near future.

현대 패션에 나타난 큐비즘스타일패션 연구: 2010 S/S - 2013 S/S 파리컬렉션을 중심으로

This study analyzed the group of experts who were related to cubism, selected among the works of 2010~2013 Paris Collection based on F.G.R.(Focus Group Research). According to the results of this study, there were appeared first, 'a one-piece dress' second, 'H silhouette' third, 'cotton', in case of item distribution and frequency. The analysis was done by using the manner of expression, cubical expression, exaggeration, distortion, dismantlement, geometrical division of face, mix-match look, wraparound repetition, asymmetric structure, etc. Based on the outcomes of the analysis on figurative design elements, this study adjusted three manners appearing on cubism fashion style. First, it was 'avant garde manner' of constitution or 'dismantlement' which was compiled into multi-view representations of overlaps and viewpoints by repetitive use of color tone trimming detail. Second, it was 'geomagnetic block placement' which expresses cubism with geometric partitioning of surface and separation of panel by cutting disintegration. Finally, it was 'distortion and simplification of silhouette' which is a distortion created by constitution-line pressed thin with silhouette. It maximizes the beauty of human body outline, which was distorted by three-dimensional-manipulation, and simplified by ellipsis for another shape for the extension or expansion of detail trimming.

감즙염색 날염 소재 원피스 개발과 인체착용실험에 의한 생리반응 및 착용감 평가

Persimmon juice dye-printed fabrics with printing were used for a Galot one-piece dress. The Galot dress was assessed in comparison to a white undyed one-piece dress of the same design through a wearing test conducted in a climatic chamber with an air temperature of <TEX>$30{\pm}1^{\circ}C$</TEX>, <TEX>$50{\pm}5%$</TEX> R.H, and 0.2m/sec air movement on 4 healthy female subjects in their 20s. The subjects went through a 30-min stable period, a 30-min exercise of walking on a <TEX>$5^{\circ}$</TEX> slope treadmill at 70m/min period, and a 20-min recovery period. In addition, a physiological reaction and subjective sensation were estimated. The results showed that significant differences were mostly observed from a sweating period that occurred during the latter half of the exercise. More specific results are as follows. First, skin temperature on the chest and mean skin temperature were significantly higher (p<.01) in rayon dyed sample dresses. Second, micro-humidity on the back showed a significant difference (p<.01). Both cotton and rayon persimmon juice dyed sample dresses produced lower microhumidity than their counterparts and as for cotton the difference occurred over the entire experimental period; however, it occurred after the middle of the exercise period for rayon. Third, the sweating rate on the back decreased in both cotton and rayon with persimmon juice dye but no significant difference was observed. Fourth, subjective three sensations revealed significant differences between cotton and rayon (p<.01), indicating that the subjects felt more cool, dryer and more comfortable in a cotton Galot. As described above, the analysis of physiological responses and the subjective sensation of undyed and dyed clothing shows the effect of persimmon juice dyeing. Persimmon juice dyeing also seemly increased air permeability, moisture regain and permeability facilitating body heat ventilation, as micro-humidity and sweat rate were lowered. However, this was not shown consistently in subjective responses on comfort especially when wearing rayon dresses.

스팀펑크(steampunk) 패션의 표현 특성 연구

Steampunk is a term generally used for one of the S. F. subgenre in literature, arts, fashion styles, and lifestyles. This study clarifies formative characteristics as well as the meanings of steampunk fashion style based on its attributes in movies and animations. Attributes of the steampunk are blending time, blending technology, and introspection against science development. In order to have an objective research, this study researched frequency of the fashion item, color, accessory of the collected fashion image, and after interpreted that consequence. Men's steampunk fashion was composed of men's basic outfit such as shirts, vest, jacket, pants, and coats of the 19th century. Black color took up the largest proportion for color. In accessory, top hat, goggle, and steam-powered weapons, in order, were most commonly used. Women's steampunk fashion was composed of shirts and long one-piece dresses, long skirt simply applied 19th victorian style fashion. Yellow, brown, and black color took up the largest proportion of fashion color. In accessory, top hat, belt trimming, corset, and boots, in order, were most commonly used. It is the characteristics of the steampunk fashion that represents retro-future fashion, as it features steam-powered mechanic esthetics, a kind of DIY subculture and transcending division of nationality, class, and gender.

철릭을 응용한 원피스 디자인에 관한 연구

The study is intended to produce a modern Cheollik style one-piece dress that stays within the traditional concept of beauty. Specially, the study focuses on Cheollik of the Joseon Dynasty among various traditional costumes as its motif. As the Joseon Dynasty changed, the forms of Cheollik changed with it. People of all classes from the commoners to king wore it. Cheolik was different from other traditional costumes because the top and bottom were connected and so it was an easy to wear one-piece clothing. Initially, the ratio of upper and lower parts was one to one, but later on, the ratio changed to 1:2 as the topcoat became wider and length of the skirt was lengthened. Diverse types of pleat emerged such as fine pleat, opposite pleat and long pleat. Collar and string were also diversified and studied by applying the components. To study it, the author considered the previous studies about Cheollik first. Then, the Cheollik of the Joseon Dynasty was reproduced. Thirdly, with the motif of Cheollik components, the materials suitable to a one-piece dress design were selected, dyed naturally. Finally, One piece dress design was utilized by using the components and features of Cheollik. 8 pieces of one-piece dresses were made as an ordinary dress and the materials such as ramie, Oksa, hemp, silk, Yeon-hwamun dan and artificial silk were used. Hopefully, other traditional costumes can develop as a practical and ordinary dress.

천연염색을 이용한 제품디자인 개발

Abstract At a time when the demand for environmentally friendly products is soaring, the fashion industry is following suit. The industry is showing particular interest in natural-dyed products. Against this backdrop, this study conducted a literature review on the history of natural dyeing for textiles and on the types of natural dyes. In addition, this study identified recent trends in the fashion industry and applied the findings from the literature review to those trends. Through this process, possibilities for new designs were suggested. This study proposed designs for various itemst shirts, one-piece dresses, blouses, skirts, and knitwearby using threads and textiles dyed from mugwort, Polygonum indigo, safflowers, Lithospermum erythrorhizon, and Sophora japonica flowers. This study is also meaningful in that it broadens the boundaries of design for natural-dyed fashion products. To that end, various designs were attempted by combining natural-dyed textiles or knits with leather, denim, and fur.Keywords: environmentally friendly products(친환경 제품) natural dyeing(천연염색)

소비자 독특성 욕구에 따른 알파누메릭 브랜드 네임 및 패션제품 유형의 선호도 연구

The purpose of this study is to analyze the effects of consumer's need for uniqueness, whether or not using ALPHA-NUMERIC Brand Name and types of fashion goods upon the consumer's attitude. The experimental design of this study is three-ways complex factors design of 2 (Consumer's Need for Uniqueness : High vs Law) <TEX>${\times}$</TEX> 2 (Whether or not to use ALPHA-NUMERIC Brand Name : Used brand vs Non-used brand) <TEX>${\times}$</TEX> 2 (Types of fashion goods: Rational fashion goods vs Emotional fashion goods) The conclusions are as follows. 1. The interaction effect upon a favorite level according to consumer's need for uniqueness, whether or not using ALPHA-NUMERIC brand name and types of fashion goods upon the consumer's attitude is proven significant. For the group where customer's need for uniqueness is low, when ALPHA-NUMERIC brand name is not used, the favorableness of rational fashion good, a parka is lower than that of emotional fashion good, one-piece dress. However, there is no significant difference in favorableness by types of fashion goods when ALPHA-NUMERIC brand name is used. At the group with high need for uniqueness, while there is no significant difference in favorableness when ALPHA-NUMERIC brand name is not used, the favorableness of parka is higher than that of one-piece dress when ALPHA-NUMERIC brand name is used. 2. The interaction effects upon purchase intention according to consumer's need for uniqueness, whether or not using ALPHA-NUMERIC brand name and types of fashion goods are proven significant. For the group where customer's need for uniqueness is low, there is no significant different in the favorableness whether or not ALPHA-NUMERIC brand name is used. On the other hand, the group with high need for uniqueness, if ALPHA-NUMERIC brand name is used, the intention to purchase parka is higher than the intention to purchase one-piece dress.