In Gratitude Abigail Carroll (bio) for and, for also: songbirds perched between the larger facts— a pole, an oak, a lonely neon sign—the round bulb-shaped notes of their forms stringing together the morning, the on-and-on of the sky’s self-declaring; cousins of more, of furthermore, companion to as well, invisible as persistence— the pointless screech and stall of the neighbor’s rusting Jeep, the gawk and cry of the garbage truck gulls—grammar of the second chance: the sun’s unasked for shining, the river’s interminable flowing, the way day after day, wires and cardinals and the neighbor’s lantern gnome hold fast, dare to inhabit their shapes, turn time into an endless amplification [End Page 121] of time, an infinite again, a sentence so lovely, so perfect that it never halts, never closes, never turns in on itself like a star imploding or a deer looking for a place to die; instead, sings, becomes a song: word after word, note after note the cardinals, the Jeep, the oak, the lantern gnome sound out what they know: yes— also, again, furthermore, forever, world without end [End Page 122] Abigail Carroll Abigail Carroll is the author of Three Squares: The Invention of the American Meal (Basic Books, 2013). Her prose has appeared in the Wall Street Journal, Huffington Post, and New York Times as well as a number of academic journals, and her poetry has appeared in a variety of literary magazines, including The Midwest Quarterly, River Oak Review, Crab Orchard Review, and Dappled Things. carroll.abigail@gmail.com Copyright © 2015 The Johns Hopkins University Press