Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsLinda ConnorLinda Connor, professor at the San Francisco Art Institute and founder of PhotoAlliance, has had her photographs exhibited nationally and internationally. Her book Odyssey: The Photographs of Linda Connor was published in 2008. Among other honors, she received the Society of Photographic Education's Honored Educator Award in 2005 [San Francisco Art Institute, 800 Chestnut Street, San Francisco, Calif. 94133, Lindaconnor@earthlink.net].Giovanna BorradoriGiovanna Borradori is professor of philosophy at Vassar College. She is a specialist of Continental philosophy, the aesthetics of architecture, and the philosophy of terrorism. Her last book, Philosophy in a Time of Terror: Dialogues with Jürgen Habermas and Jacques Derrida, was a “philosophy best-seller,” which appeared in eighteen languages [Department of Philosophy, Vassar College, Poughkeepsie, N.Y. 12604].Marcia BrennanMarcia Brennan, associate professor of art history and religious studies at Rice University, teaches courses on modern art, mysticism, and the medical humanities. She is the author of several books, including Curating Consciousness: Mysticism and the Modern Museum, and a forthcoming study on the visual culture of the end of life [Department of Religious Studies, MS 15, Rice University, PO Box 1892, Houston, Tex. 77251–1892, mbrennan@rice.edu].Mary Ann DoaneMary Ann Doane is Class of 1937 Professor at the University of California, Berkeley. She is the author of The Emergence of Cinematic Time, Femmes Fatales, and The Desire to Desire. In 2007, she edited a special issue of Differences: A Journal of Feminist Cultural Studies, “Indexicality: Trace and Sign” [Department of Film & Media, University of California, Berkeley, 6216 Dwinelle Hall, no. 2670, Berkeley, Calif. 94720–2670].Angus FletcherAngus Fletcher is Distinguished Professor Emeritus of English and Comparative Literature at the Graduate Center, CUNY (City University of New York). His books include A New Theory for American Poetry; Time, Space, and Motion in the Age of Shakespeare; and a newly expanded edition of his Allegory (Princeton University Press) [The Graduate Center, CUNY, 365 Fifth Avenue, New York, N.Y. 10016].Peter GeimerPeter Geimer is professor of art history at the Freie Universität Berlin. His publications in English include “Picturing the Black Box: On Blanks in 19th Century Paintings and Photographs,” Science in Context (2004) and “Image as Trace: Speculations about an Undead Paradigm,” Differences: A Journal of Feminist Cultural Studies (2007) [Freie Universität Berlin, Kunsthistorisches Institut, Koserstrasse 20, 14195 Berlin, Germany, peter.geimer@fu-berlin.de].Gloria KuryGloria Kury, PhD, is director of Gutenberg Periscope Publishing. Before serving as executive editor of arts and humanities at Penn State University Press from 1999 to 2006, she taught art history at Vassar College, New York University, and Yale University [Periscope Publishing, Ltd, 150 West Hutchinson Avenue Cottage, Pittsburgh, Pa. 15218, gjkury@gmail.com].Mark LedburyMark Ledbury is Power Professor of Art History and Visual Culture and director of the Power Institute at the University of Sydney. The author of books and articles on eighteenth- and early nineteenth-century French art, he is currently completing his latest project, “An Eccentric History of History Painting” [Department of Art History and Film Studies, University of Sydney, Sydney NSW 2006, Australia, mark.ledbury@sydney.edu.au].C. Brian RoseC. Brian Rose is James B. Pritchard Professor of Mediterranean Archaeology in the Department of Classical Studies, University of Pennsylvania, and curator-in-charge of the Mediterranean Section of the Penn Museum. He was an academic trustee (1994–2000), first vice-president (2002–6), and president (2007–11) of the Archaeological Institute of America [Mediterranean Section, Penn Museum, 3260 South Street, Philadelphia, Pa. 19104, roseb@sas.upenn.edu].Frances SpaldingFrances Spalding is an art historian, critic, and biographer. Her books include British Art since 1900, a centenary history of the Tate, and lives of Roger Fry, Vanessa Bell, and Stevie Smith. She is Fellow of the Royal Society of Literature and Honorary Fellow of the Royal College of Art [Department of History of Art, Newcastle University, Newcastle upon Tyne, NE1 7RU, U.K., Frances.spalding@ncl.ac.uk].Chris SpringChris Spring is an artist and a curator of the African Galleries, the British Museum. Among his publications are Angaza Afrika: African Art Now (2008), African Art in Detail (2009), and African Textiles Today (2012). His work in Africa included support for Triangle artists' workshops in Mozambique, Ghana, and Nigeria [Department of Africa, Oceania and the Americas, the British Museum, London WC1B 3DG, U.K., cspring@thebritishmuseum.ac.uk].