ABSTRACT The Baring family was one of the most influential families in nineteenth-century Britain. They held great financial power through the merchant bank Baring Brothers, political influence as members of parliament, and cultural pre-eminence through their longstanding involvement with institutions such as the National Gallery. The Barings were also esteemed art collectors. Members of the family gained wealth from both the British East and West Indies, as well as owning plantations and enslaved people in the Danish West Indies. Simultaneously, they gained profits from imperial commerce, made public statements both for and against abolition, while being praised for their picture collection, thus complicating the relationships between their commercial, political, and cultural identities. In light of the Gallery’s bicentenary in 2024, this article, engaging with previously underutilised archival sources, argues that we can write back into the National Gallery’s history the previously absent histories of the British Empire, including the lived experiences of colonised people by using as a case study an intergenerational investigation of a single family.
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