BOOK REVIEWS 2 8 3 form of numerous interviews with the family and friends that knew Navajo Oshley best. Ultimately, along with his research in A History of San Juan County (1995) and Navajo Land, Navajo Culture (2002), McPherson’s editing of Navajo Oshley’s life demonstrates a well-rounded approach to regional and cultural history that is quite impressive. Grounded in simplicity, TheJourney of Navajo Oshley provides a unique and narrow look at a life enjoyed, reminding readers that throughout history, “[a]1 1 of these things that a Navajo does and prays for are . . . part of one’s journey through life,” and the exchanges within contested spaces, though frequently ending in conflict, may end in harmony, humor, and a soft handshake as well (58). Breaking Clean. By Judy Blunt. New York: Alfred A. Knopf, 2002. 303 pages, $24-00. Reviewed by D oug Werden West Texas A & M University, Canyon, Texas Breaking Clean’s title and the first chapter are hooks, leading the reader to believe that this will be a memoir of Judy Blunt’s break from an unsatisfactory marriage, but it’s not. BreakingClean is a “reaching back” as she delves into her attachment to the rural Montana ranch life, despite having left it because of her frustration with male dominance, primogeniture, isolation, and silences. In her story, she celebrates rural life, rural people, and the plains, while staring their shortcomings in the eye. The fourteen topically arranged chapters move freely across time to give depth to the raw, riveting stories. Blunt includes many traditional ranching tropes, but she always makes them original. She talks about prairie fires the children set so that they could play firemen and about the one that flared out of her brother’s control and blackened a wall of the barn before being extin guished. Her description of the blizzard of 1964 focuses on keeping frost-bitten cows alive long enough so that they can deliver their calves. Hooves fall off, flesh rots, and every day cows that can’t stand have to be rolled out of their own muck. “Saving them was the only way left of beating the storm,” yet many of the cows had stillborn calves (58). Blunt delivers powerful images with unblinking stoicism, including slipping and sliding a four-wheel-drive truck fifty miles over rain-soaked gumbo roads to take her daughter, whose temperature had spiked to 106 degrees, to a hospital. She tells of her father lancing the abscessed jaws of cattle, so she decides to lance her growing breast to avoid becoming a woman. She accidentally hangs her kit ten when it attempts to crawl off the hayrack she has tied it to. These stories are tempered with humor and delivered with a straight face. The most incredible story is of her little sister, Gail, who at the age of three 2 8 4 WAL 3 7 . 2 SUMM ER 2 0 0 2 goes into the pasture, gets on all fours, paws the dirt, snorts, and charges the Angus bull who lies quietly chewing his cud. He calmly flips her with a push of his nose. She summersaults away but comes back for more. After her mother has rescued Gail, she grills her, but Gail responds that “she knows better than to go outside the fence. Yes, she knows better than to wander off. But on the last and most important issue, she refuses to budge. No one ever told her not to fight with bulls. She’s sure of it” (132). Blunt’s silences and unspoken stories say volumes. When she goes to high school, she boards in the same house as her brother, yet they agree to stay out ofeach other’s business both in and out ofschool. After her marriage, she breaks the glass of the front door and spreads her blood all over the house; she claims that she fell over the dog and accidentally put her hand through the window: “The story I told was one of the most transparent lies I’ve ever passed. Yet it stands today, unchallenged, never mentioned” (215). Her father-in-law forbids her to smoke cigarettes. She doesn’t quit, and he catches...
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