National Worldview Research Articles

The image of the “iron city” in the Yakut prose of the twentieth century

The article interprets the image of the “iron city” in Yakut prose in the context of the geopoetic discourse of the city/village, the degree and nature of perception of which can contribute to the reflection of the peculiarities of the national worldview and the dynamics of the mental landscape in literature. In the context of the stated theme, the consideration of the image of the prose hero, whose consciousness is extremely responsive to the modifications of time and the surrounding landscape (the new space of the city as noisy, interesting, frightening) is of special importance. The identification of the boundaries and borders of space in the context of the chronotopic system accentuates interest in the liminal (intermediate) chronotope of the road as a special chronotopic complex, also iron images, white motor ship, airplane, train, and so on. The process of evolution of the hero of the road, which is fully revealed in the space of the road, most clearly reflects the problem of human self-identification in a huge urban space. Such a perspective of research contributes to the disclosure of genre and style evolution of Yakut literature as a developing dynamic system, and, importantly, to the identification of unique artistic markers of the author's style, as well as the image of the writer as an original carrier of national identity

Neural Network Algorithms in Current Processes of Transformation of Traditional Worldview and Ideological Systems.

This study is devoted to identifying potential risks, challenges, and threats of intensive development and active implementation of artificial intelligence technologies and in particular self-learning neural network algorithms in the current practice of socio-political communications associated with active information impact on mass consciousness. This study proves that contemporary digital technological transformations and the active spread of digital technologies most directly influence the transformation of traditional worldview systems and ideologies. Based on the results of the study, it is concluded that with the help of digital tools, there is a significant information and communication impact on mass consciousness in terms of influencing traditional worldview and ideological systems. In this regard, the author puts forward the thesis about the need to form and maintain the digital sovereignty of contemporary states as a key conclusion. It is viewed as a critical condition for preserving and protecting national worldview and ideological spaces in the conditions of current global technological transformations

LITERARY AND CONCEPTUAL FOUNDATIONS OF SHAKARIM KUDAIBERDIULY’S WORKS

The article is devoted to the consideration of the conceptual foundations of Shakarim Kudaiberdiuly’s works. The purpose of the study is to identify the literary and conceptual foundations of Shakarim’s work. The article analyzes the reflection of the concepts of conscience, morality, religion in the poet’s poems and poems, which form the conceptual basis of Shakarim Kudaiberdiuly’s work. Examples and analyzes were made from the works of the poet. The article uses methods of compilation, systematization, comparison, conceptual analysis, formulation. It will also focus on the work of Sh.Kudaiberdiuly «Chronicle of Turkish, Kyrgyz, Kazakh and Khans». In the Kazakh chronicle, the wisdom qualities of the people, their worldview, beliefs, their fate, courage, work, and morals of individual people on this path are distinguished. In the article, the author focuses on the value of the Chronicle and considers Sh.Kudaiberdiuly’s «Chronicle of Turkish, Kyrgyz, Kazakh and Khans» as a work that tells the history of the Kazakh and Turkic people, their various historical processes in the literary language, in connection with the National worldview. In the final part, the author comes to the conclusion that the works of Shakarim Kudaiberdiuly, created as a result of his spiritual searches, deeply concerned with universal human problems. The results of the study can be used in research in the fields of «modern Kazakh literature», «history of Kazakh literature», «theory of literature». Keywords: literature, poetry, chronicle, poem, poet, concept, conceptual analysis.

NAHJ AL-FARADIS” AND KAZAKH WRITTEN LITERATURE BEGAN 20 TH CENTURY: SPIRITUAL HARMONY AND CONTINUITY OF TRADITION

The influence of certain historical processes and historical events on the history of the formation of any state is a natural phenomenon. One of the most important historical periods in the formation of independent Kazakhstan is the period of the Golden Horde. Today, propaganda of this era at the state level shows that this period is a truly important phenomenon. Of particular importance is the study of the political-social, historical-cultural, spiritual-literary heritage of this state, which marked almost three hundred years of history and left the ancient territory as a legacy to the Kazakh people. In particular, it can be said that the main task of literary scholars is to study the influence of the literary heritage recorded during this period on the formation of the Kazakh national worldview in later eras and its propaganda among the public today. Here is the work of Mahmut bin Ghali al-Bulgari al-Sarai al-Kerderi, written in a religious-didactic column entitled “Nahj al-Faradis” (“The Open Path of Paradise”), one of such literary relics. Here is the work of Mahmut bin Ghali al-Bulgari al-Sarai al-Kerderi, written in a religious-didactic column entitled “Nahj al-Faradis” (“The Open Path of Paradise”), one of such literary relics. The article comparatively studies the place of the medieval literary relic in the literature of the Turkic-Muslim peoples and its influence on the Kazakh written literature of the early 20th century, spiritual harmony and continuity of tradition between the works of poets.

Symbolic Signs of the Eye Concept in English Language View of the World

The article deals with the symbolic meanings and cultural meanings associated with the concept “eye” in the English linguistic picture of the world. On the basis of a comprehensive analysis of lexicographic sources, phraseology, paremi, artistic discourse and corpus data a wide range of symbolic features of this concept is revealed. To achieve the purpose of the article a number of methods were used: linguocultural, paremiological, linguistic and linguistic-stylistic analysis, as well as the analysis of artistic discourse. It is established that the concept "eye" in English linguoculture symbolizes a “window” for comprehending the inner world of a person and reflects ideas about soul, emotions, personal qualities. At the same time, eyes are metaphorically associated with perception, aesthetic pleasure, inspiration, insight, but also greed, sinfulness, threat and cruel retribution. The revealed richness and ambivalence of symbolic meanings are explained by the cultural significance of the concept “eye” in the English tradition, its deep roots in Christianity, paganism, folklore, literature and art. The symbolism of eyes represents the national values of the English — the search for truth, love of beauty, thirst for knowledge, but also negative features that require attention. It is concluded that the concept “eye” is one of the main codes of English linguoculture, embodying the originality of the national worldview through metaphorical conceptualization of the most important “window” for cognition of reality.

Специфика трансляции концепта «Город» средствами креолизованного текста для иностранных обучающихся

<p>This article examines the features of educational creolized texts for foreign students, with the help of which the specifics of the functioning of the concept “CITY” are revealed. The scientific works of famous scientists devoted to the nature of the concept have been studied. Based on the analysis of dictionary entries, the core of the concept “CITY” was described, as well as its features within the framework of the Russian national worldview were considered. The verbal and non-verbal components of creolization, representing the concept of “CITY” in educational publications on Russian as a foreign language, have been systematically studied. An independent classification of thematic groups has been developed and characterized, the elements of which translate the concept of “CITY” in the analyzed didactic material. Based on the counting method, the most frequent lexemes representing this concept were identified. The specifics of the disclosure of the concept of “CITY” in various texts are investigated.</p>

ОТРАЖЕНИЕ ОБРАЗОВ НАЦИОНАЛЬНОЙ КАРТИНЫ МИРА В ПОЭЗИИ ОЛЖАСА СУЛЕЙМЕНОВА

The article is devoted to the study of such topical issue as ethnic distinctness of works written by translingual authors in the context of the value paradigm of the national view of the world. The notion of “national view of the world” is characterized from the point of view of traditionalism and dynamism of its content. The article considers peculiarities of transculturalism and translingualism and pays special attention to the problem of bilingual and multilingual creative personality’s ethnic self-identification. The author also analyzes the notion “image of linguoculture” and studies the significance of Kazakh linguocultural images in the process of transferring the national content of life and its axiological meanings. The study is based on the material of the poetic discourse of Olzhas Suleymenov. As a result of contextual analysis of the poetic texts of the Kazakh poet, linguistic and cultural images reflecting fragments of the Kazakh national picture of the world were revealed. The article presents objectified images of the Kazakh linguistic culture in lyrical texts, which reflect national customs and traditions, images of the historical past of the Kazakh steppes, traditional images of Kazakh folklore and literature, proper names, objects of national life, cuisine, clothing, crafts of the Kazakhs. As the analysis showed, the translingual poetic creativity of the classic of modern Kazakh literature contributes to the formation of the paradigm of cultural values of the Kazakh national worldview

Cultural codes in epic works of Belarusian literature at the turn of the XX-XXI centuries

The article is devoted to the consideration of cultural codes in Belarusian prose at the turn of the 20th-21st centuries. Research objectives: to justify the use of the term cultural code as a literary concept; using the example of different types of codes to show the features of interpretation of a literary work. The subject of the research is spatial, character, action, animalistic, floristic, color codes in the epic works of Vladimar Gnilomedov, Kastus Tsvirka, Vikror Kazko, Ales Navarich, Andreji Fedorenko. It is noted that the cultural code as a semiotic unit, which is the bearer of deep historical and cultural meanings through which social, economic, geopolitical, cultural features, the specifics of the national worldview, behavior patterns of representatives of a certain nation or the population of the country as a whole are manifested, is considered in literary studies within the framework of semiotic approach. Methods (historical-literary, structural, semantic) and methodological basis of the study are the works of M. Epstein, Y. Kristeva, V. Khalipov, I. Shved and others. The scientific novelty of the work lies in the fact that for the first time the features of the use of cultural codes in the epic works of modern writers are analyzed. Conclusions are drawn that among the cultural codes found in Belarusian prose, emphasizing national markings, are “partisan forest”, “kuzhal”, “cornflower”, “Belarusian partisan”, “volkolak”, “tolokak”, etc. Practical area application of the results of the work is seen in the possibility of using this material for a deep understanding and study of such academic disciplines as “History of Literature of the CIS Countries”, “History of Belarusian Literature”, university historical and literary courses, during independent research work of students, when writing coursework and theses.

Adjectival phraseological units in representing national worldview

The national identity of the language is reflected in its phraseological fund. The identification of the actual national features of the semantics of phraseological units is possible only on the basis of a comparison ofstable turns ofdifferent languages. To cany out a comparative analysis of phraseological units containing components denoting a value, it is necessary to establish the national features of the language worldview and trace the process of linguistic conceptualization of the value. Each language has its own method of conceptualizing reality, which has its own specific and universal features. A comparative cultural linguistics study of the fund of the English and Karakalpak languages makes it possible to determine the common and national in matters of perception of magnitude by representatives of the two peoples.

Comparison of character nominations as a reflection of the national worldview (based on the texts of heroic epics “Jangar” and “Beowulf”)

Language nomination is a complex and multifaceted phenomenon closely related to human worldview, which plays an important role in language. It reflects the national worldview. Based on two epic works - the Kalmyk heroic epic “Jangar” and the Old English epic “Beowulf”, this study concerns the naming of characters who reflect the national worldview. The main goal of the study is to identify similarities and differences between the national worldviews of these two peoples through the comparison and analysis of the characters’ names in these two epics, belonging to different cultures, taking into account their common features and differences, as well as the cultural values underlying them. To this end, the research required the use of various methodologies, such as the comparative, interpretative, word-formation, descriptive and etymological approaches. The results of the study showed that both cultures have similar and different nominations of characters, which reflect their cultural values. The characters in the epic “Jangar” can be named using colors, body parts, animals and the names of their ancestors; more-over, in Kalmyk culture horses hold an important place and have their own names. In “Beowulf”, unique naming styles are also used, including weapon names, animal names and names of paternal ancestors. The Old English language employs a special naming technique known as kenning. Additionally, the sword holds a high status in Anglo-Saxon culture and has its own name.

On the issue of worldview and values in the context of teaching the course "Fundamentals of Russian Statehood"

The purpose of the study is to consider the ideological principles and value orientations of Russian civilization in the framework of the course "Fundamentals of Russian Statehood" (ORG). The novelty lies in the fact that the third section ("Russian worldview and values of Russian civilization") is considered as the ideological core of the new discipline. In addition, the special role of teachers in the protection of common cultural identity is emphasized. The tasks are to reveal in ORG classes the originality of the Russian worldview, which harmoniously combines a practical orientation with a spiritual and moral basis; to form the idea that the learning process cannot take place completely without discussions of philosophical and socio-historical topics, since teachers influence the course of the history of the people and are responsible for the fate of his Fatherland. According to the author, it is important to give a philosophical understanding of values in lectures so that students perceive them not as an installation, but as a manifestation of our historically developed holistic worldview. The article compares the Russian and Western worldview models. It is shown that the accusation of our Fatherland of aggression was used as information propaganda: the plans of world domination are alien to the Russian idea. It is noted that the question of Russia's survival lies in putting forward its own Russian-centric ideology, which should be determined by the "soil". The methods used in the course of the research are historical, comparative, hermeneutical, and analytical. The author of the article concludes that the Russian worldview is creative, it is original and includes religious, scientific, philosophical and artistic components in its unity. Spiritual and moral constants are manifested in the integrity of thinking and semantic imagery of the Russian language, which has played an important role in the formation of Russia as a state-civilization, being a tool for expressing the identity of different peoples, contributing to the preservation and development of the cultural diversity of the country. Russian philosophy's key center is the idea of the "contemplative heart". Our national worldview is tinged with life-affirming pathos, permeated with faith in the salvation of the world, and has a Messianic basis. The author is convinced that pedagogical activity should restore and strengthen the socio-cultural and spiritual foundations of Russian civilization, the strength and viability of which has been proven historically: only on this foundation can the sovereignty of the country be ensured.

National Worldview as the Factor of National Security in the Classical and Domestic Philosophical Thought

Introduction. The opportunity of the multinational people of Russia to fulfil independently its vital needs becomes extremely important in the context of today’s civilizational confrontation. The demand for independence also refers to the philosophical doctrines aimed at forming the national worldview in terms of setting the goals, objectives, methods and strategies of ensuring the national self-preservation, self-sustaining and self-reproduction. As a rule, the borrowed foreign theories do not correspond to the national values and objective conditions required for existence of our people and plant the “seeds of manipulation” into the domestic systems of ensuring the national security. Thus, studying the domestic background of philosophical, religious and theoretical concepts underlying the national worldview becomes relevant, because although the institutions of undeclared struggle against the internal entropy have the universal importance, their institutional study throughout the history of mankind requires revealing the mental features of the society where they exist, since each society and state has its own path to sustainable development. The present research aims at elucidating and updating the classical philosophical and domestic religious doctrines for forming the national worldview on ensuring the national security of contemporary Russia. Materials and Methods. The research was based on the results of the analysis and index definition of more than 1 000 monographs and dissertations on the issue of national security. The multifacetedness of the philosophical foundations of the institution of national security induced application of the cross-scientific and cross-sectoral approaches, the use of the works on anthropology, philosophy, theology and history. The main method used in the research was reviewing the history of philosophical and religious doctrines through the prism of the theory of legal order of society and the theory of national security. The authors have also used a number of general scientific and specific scientific research methods — logical, system-structuring, as well as comparative legal methods. Results. In the present work, the authors refer to the domestic religious and classical philosophical doctrines as a benchmark of the unified worldview that had ensured the survival of the people in a series of historical challenges. It is stated that the Orthodox Christianity, as a religious doctrine multiplying the altruism of the people, managed to create the conciliarity as the unified ecclesiastic and secular worldview, which became a part of the efficient system of ensuring the security of a human, society and the state, thus predetermined turning to the Orthodoxy of the majority of the population of Russia and other nations. Discussion and Conclusion. In the modern world dissemination of the philosophy of egoism as a mainstream behavioural strategy among the masses of people has resulted in elimination of the collective form of their existence in time and space. The beingness of a modern human outside the people’s framework, whereas he is a form of the people’s existence, has led to his “nongenuine existence”. Neither the past or future of being within the multinational people of the Russian Federation have become the objects of security for a human and his communities, but his everyday life — “being there”(Da-sein), “being here”. Due to his egoism, a human does not recognise himself a form of existence of something bigger, thus cuts himself off the immortality of his people’s being. The attempt to present himself as a human without the Motherland, a citizen of the world, leads him to the breakaway from the environment and society where he lives. Such a human does not need to preserve the past and think about the future. At the current stage, the multinational people of the Russian Federation needs the unified national worldview for its efficient self-preservation, self-sustaining and self-reproduction. Taking into account the domestic experience of the radical egoism of the capitalism and the wasteful altruism of the socialism, the national worldview should be based not on the economic theories, but on the traditional religions, universal human values and the common history of existence of the peoples on the territory of Russia.

Макроконцепт СВЕТ в романе С. В. Лукьяненко «Мальчик и Тьма»

The purpose of the study is to identify the content and methods of explication of the macro-concept LIGHT in the novel “The Boy and the Darkness” by S. V. Lukyanenko, interpreted as one of three macro-concepts (LIGHT :: DUSK :: DARKNESS), the opposition of which organizes the conceptual sphere of the novel, modifying the opposition of the basic concepts HOME WORLD :: ALIEN WORLD. The scientific novelty of the research consists in identifying the essence of the author’s modification of the symbolic macro-concept LIGHT recurrent in his creative heritage, the macro-concept significant for the Russian national worldview, by means of cognitive-discursive analysis. It has been determined that the macro-concept LIGHT, conceptualized as an object and subject of action, container and content, is explicated discursively at the levels of the plot, images of characters, self-reflection of the protagonist, supplemented by new cognitive features. As a result of the study, it has been established that the content of the conceptual core of the macro-concept LIGHT, formulated by the author, contradicts its perceptual-sensory and symbolic content. Such a contradiction, forming the axiological layer of the concept, serves as the driving force for the maturation of the protagonist, who proceeds from instinctive acceptance to the conscious choice of Light.

THE CONCEPT “WOMAN” IN KAZAKH FOLK LYRICS

Our article deals with the concept of “woman” in Kazakh folk lyrics. A woman has a special place in Kazakh society. The lives of women who are the mentors of men and educators of children in life are different. A woman is a living being, the catalyst of the house. She is a dear mother, an honorable sister, a noble grandmother. Therefore, we think that the topic of women is one of the eternal topics. It is clear that the linguistic units that define the concept of “woman” are given in the national worldview in the work Babalar selo, which is taken as the object of our research. In addition, when the lexeme of a woman is a word, it is quite natural that it is connected with the equivalents of a woman as a role model, a woman who is loyal to love, and a woman as a mother. The main goal of our article is to define the expression of the concept of woman in the language of Kazakh folk lyrics. Explanations of the concept of woman were given from explanatory dictionaries of the Kazakh language, and its meaning was revealed. Frames showing the existence and life of the Kazakh people were analyzed. By making a conceptual analysis of the language Word of Ancestors, the theoretical significance of the study is to form an understanding of the concepts of woman-mother, woman-owner of life, wife-husband, woman-child founder in the Kazakh worldview. The theoretical results of the work can be used in courses such as Cognitive Linguistics, Ethnolinguistics, Linguistics, Text Linguistics. Also, it can be used as an auxiliary material in practical lessons on the subjects of Stylistics and language culture, literary text linguistic analysis.

Reality Framing in Russian, English, and Chinese Phraseological Units with Flowers

Floriography is part of many cultures and provides an effective characterization means for a particular linguistic culture. The frame analysis method is a popular tool in phraseology, but it has never been applied to phraseological units with the flowers component. The study examined phraseological units with the flowers component in Russian, English, and Chinese in order to define their role in the corresponding linguistic worldviews. The frame organization analysis made it possible to identify the way these languages categorize reality. Phraseological units with flowers are more typical of Chinese and English; they are less typical of the Russian linguistic culture as a result of the harsh climatic conditions and the farming traditions. In this research, the frame analysis hinted at similar cognitive processes in all the three linguistic cultures, which was manifested as common subframes at all levels. The main subframes included characteristics of the subject, action aimed at the subject, qualitative assessment of reality, and evaluative characteristics of the action. In addition, flower names described different human qualities, characterized an ongoing event, and evaluated actions performed by the subject. Differences were registered at the slot level as a partially overlapping list of qualities, assessments, characteristics, and actions, which reflected the specifics of each national worldview. The results can facilitate intercultural communication for Russian, English, and Chinese speakers.

КОНЦЕПТУАЛЬНЫЕ ХАРАКТЕРИСТИКИ РУССКОГО ПРАВОСОЗНАНИЯ И ЮРИДИЧЕСКИЙ МИФ «ПРАВОВОЙ НИГИЛИЗМ»

In the article legal awareness is considered as part of national culture. Legal awareness which is developed to the full extent is one of the key elements of state national security. The authors examine the complex structure of the legal awareness which comprises conceptual, axiological, regulative elements. The interconnection between the national world view with its main concepts and the legal awareness is also highlighted in the article. The authors study the main characteristics of the concept «Law» which were established previously and still have impact on the legal reality. Legal nihilism is considered in the article as one of the deformations of the legal awareness which may turn into a legal myth in the current discourse due to the moral and legal unity in the conceptual framework of Russian legal awareness.

Fundamental jurisprudence as a strategic basis for national legal leadership

The current stage of historical development is characterized by the tendency of an increasing value and ideological crisis, directly related to the crisis of legal understanding, spiritual, moral, civilizational and cultural disorientation of jurisprudence. The unifying humanity and the legal values it has suffered have been shaken by the policy of single-vector globalization, which has called into question national identity and the primordial possibility of peoples to self-determination. The methods of dictate, unilateral sanctions, and hybrid forms of aggression that have entered into current international use, based on ideas about the exclusivity and dominance of a certain form of legal culture and civilization, destroy the sovereign equality of states, and have nothing to do with the laws of natural history development. The need to form a new global legal paradigm and substantiate the intrinsic value of domestic law as the normative embodiment of Russian civilization require the mobilization of domestic fundamental jurisprudence, which is currently experiencing a number of difficulties and is characterized by negative development trends. This concerns, in particular, the disclosure in our jurisprudence of the historical, civilizational and cultural factors of the Russian legal system, the development of the ideological and philosophical potential of the national legal heritage, the establishment of systematic work to update the methodology of legal cognition, taking into account fundamental changes in the world and in the national worldview, thematic and substantive consistency of research work with the priorities of state development. Increasing the role of fundamental disciplines in legal education and its constitutionalization, revealing the unity of the Russian state and law, the original foundations of our legal system, focusing on a predictive approach that allows us to form advanced models of legal regulation, coordinating the topics of scientific and legal research in accordance with national priorities — key areas in the field of fundamental jurisprudence.

Фразеологічний портрет оповідача в романі Ольги Слоньовської «Інстинкт саранчі»

The article describes the system of phraseological units used by the narrator of O. Slonovska’s novel «Instinct of the Locust» (Kyiv: Ukrainian Priority Publishing House, 2019), who is a journalist. A set of these phraseological means is called a phraseological portrait. We understand it as a stable combinations of words inherent to a certain person, which are used in the personal speech to communicate, analyse the behaviour of interlocutors or characterize their character traits. In the analysed novel, the narrator uses phrasemes, which primarily perform a textual, stylistic, and plot-creating function. Book idioms play a leading role in the system of language means of the journalist’s artistic understanding of reality. They define this style as a person of high intelligence, an elite linguistic personality, capable of creating texts that are perfect in terms of content and form. The narrator achieves the localisation of the presentation, evidentiality, argumentativeness of the statement thanks to the skilful combination of book and colloquial phrases in the same context. The expressiveness of the statement is enhanced in connection with the use of imagery and emotionality natural for phraseological units, the creation of contextual conditions for synonymy, antonymy, oxymoron, synecdoche, as well as the use of stable combinations of words with figurative concretizers that have archaic symbolism. The most phraseologically loaded nouns in the text are the nouns leg, eye, hand, world, word, tongue, which perform the function of figurative concretizers of several phrasemes. Often, stable combinations of words in the narrator’s speech can play the role of standards, stereotypes of the cultural and national worldview or indicate their symbolic nature.

ОҚУ ҮДІРІСІНДЕ ФОЛЬКЛОРЛЫҚ ШЫҒАРМАЛАРДЫ ОҚЫТУДАҒЫ ХАЛЫҚ ПЕДАГОГИКАСЫНЫҢ АСПЕКТІСІ

The scientific article examines the formation of folklore heritage using ethnographic data, analyzes the cultural heritage of the Kazakh people, characterizing the national worldview and national code. Such issues as the influence of folklore creative works on the spheres of «traditional education», «folk pedagogy», «ethnopedagogy» and their features, as well as the role of folklore heritage in preserving the spiritual wealth and national values of the Kazakh people are considered. A comprehensive review of scientific research in the field of folklore studies was conducted, works were considered in which lexical, linguistic, lexico-grammatical, stylistic analysis of texts of family ritual folklore was carried out. Based on the conducted research, the importance of enhancing the historical and spiritual values of our people through folklore creative works as an instrument of our traditional culture and national education were determined. Tracing the traditions and customs of the ancestors, characterizing the past and the national worldview, we came to the conclusion that the genre of folklore is a branch of knowledge that has been developed and studied for centuries and is widely used in folk pedagogy. The article analyzes the results of an association experiment conducted at the university within the framework of the discipline "Folk Verbal Literature" in order to describe the linguistic units characterizing our folklore heritage. The main goal is to popularize the application of folklore creative works to national education, to study the need to teach folklore, to form the theoretical and methodological basis of folk pedagogy using the folklore heritage as an example.

The semantic expression of “a labor”, “an expanse” and “a will” key concepts of the Russian linguistic world view in the poetry of A.V. Koltsov

This article demonstrates methodological techniques and fundamentals of anthropological linguistics by means of examples from Russian belletristics. Special attention is paid to the “key” concepts of the Russian linguistic world view, which to the fullest degree accumulate the ethnocultural meanings. Namely, the basic concepts of the Russian linguistic world view “a labor”, “an expanse” and “a will” and their representation in the artistic space of Alexey Vasilyevich Koltsov’s work are analyzed. The authors identify the specifics of the manifestation of the national linguistic world view stable concepts semantics in relation to the individual artistic picture of the world, determine how the concept of “labor” is foregrounded and romanticized in the poetry of A. Koltsov and establish the lexical and semantic field of the concepts “an expanse” and “a will”.