As two countries with characteristics, China and the Philippines both carry rich cultural heritage and historical background, especially in the field of music education have formed a unique tradition. In China, as an ancient civilization with a long history, its music education is deeply influenced by traditional culture. The inherited classical music, national Musical Instruments and music education concepts all highlight the extensive and profound Chinese culture. In the Philippines, as a country with diverse cultures, its music education integrates a variety of foreign cultures and local characteristics, showing a diversified, inclusive and innovative educational style. With the wave of building a community with a shared future for mankind sweeping the world, and culture as the spiritual embodiment of a community with a shared future for mankind, China and the Philippines have also begun to break regional boundaries and conduct frequent exchanges and cooperation. In the aspect of music education, this exchange and integration is not only reflected in the mutual reference of music education concepts, but also includes the sharing and innovation of teaching methods and teaching materials, as well as the exchange of visits and exchanges between teachers and students. In this process, the music education of the two countries is constantly absorbing each other's advantages and making up for their own shortcomings, so as to explore a music education model more in line with the development needs of The Times. This paper traces the origin of music education in the two countries from a historical perspective, deeply analyzes the uniqueness of their respective education systems, and compares the similarities and differences of teaching methods in detail. At the same time, this paper also focuses on the integration phenomenon of Sino-Philippine music education in the background of globalization, which is not only the exchange of technology and methods, but also the deep collision and integration at the cultural level.
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