ABSTRACT Hormones are molecular messengers in the body’s metabolism. They regulate, for instance, reproduction, digestion, organ systems and gene expression. The past century brought with it a proliferation of synthetic substances and other industrial chemical compounds, generally referred to as endocrine-disrupting chemicals (EDCs). These chemicals interfere with the hormonal systems of human and animal bodies alike and are able to, among other things, fundamentally disrupt, mimic or block the functioning of the hormonal system. In this article I investigate the forces of chemical toxicity and its impact on all living bodies on this planet from a queer and trans perspective. EDCs and specifically EDC discourses have a particular effect on queer- and transness. Applying queer reading and autoethnography, I want to think here with two performances by Finnish artist Teo Ala-Ruona about the impact of EDCs on our human bodies, our planet and the relations and imaginaries that emerge in Ala-Ruona’s work, blending transness and endocrine disruptors in ways different to those currently being suggested by life science and populist discourses. In my engagement with Ala-Ruona’s work I consider that his work not only materializes a new imaginary of embodiment but also demonstrates a multi-molecular, rebellious becoming with and through toxins that intervenes in the risk narratives commonly flanking EDC discourses.
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