Moderate Sound Pressure Research Articles

Simple reaction time for broadband sounds compared to pure tones

Although many studies have explored the relation between reaction time (RT) and loudness, including effects of intensity, frequency, and binaural summation, comparable work on spectral summation is rare. However, most real-world sounds are not pure tones and typically have bandwidths covering several critical bands. Since comparing to a 1-kHz pure tone, the reference tone, is important for loudness measurement and standardization, the present work focuses on comparing RTs for broadband noise to those for 1-kHz pure tones in three experiments using different spectral and binaural configurations. The results of Experiments 1 and 2 yield good quantitative agreement with spectral loudness summation models for moderate and high sound pressure levels, measured using both pink noise covering almost the entire hearing range and bandpass-filtered pink noise with different center frequencies. However, at lower levels, the RT measurements yield an interaction of level and bandwidth, which is not in line with loudness scaling data. In Experiment 3, which investigated the binaural summation of broadband sounds, the binaural gain for white noise was determined to be 9 dB, which is somewhat larger than what had been found in previous RT measurements using 1-kHz pure tones.

Distributed representation of tone frequency in highly decodable spatio-temporal activity in the auditory cortex

Although the place code of tone frequency, or tonotopic map, has been widely accepted in the auditory cortex, tone-evoked activation becomes less frequency-specific at moderate or high sound pressure levels. This implies that sound frequency is not represented by a simple place code but that the information is distributed spatio-temporally irrespective of the focal activation. In this study, using a decoding-based analysis, we investigated multi-unit activities in the auditory cortices of anesthetized rats to elucidate how a tone frequency is represented in the spatio-temporal neural pattern. We attempted sequential dimensionality reduction (SDR), a specific implementation of recursive feature elimination (RFE) with support vector machine (SVM), to identify the optimal spatio-temporal window patterns for decoding test frequency. SDR selected approximately a quarter of the windows, and SDR-identified window patterns led to significantly better decoding than spatial patterns, in which temporal structures were eliminated, or high-spike-rate patterns, in which windows with high spike rates were selectively extracted. Thus, the test frequency is also encoded in temporal as well as spatial structures of neural activities and low-spike-rate windows. Yet, SDR recruited more high-spike-rate windows than low-spike-rate windows, resulting in a highly dispersive pattern that probably offers an advantage of discrimination ability. Further investigation of SVM weights suggested that low-spike-rate windows play significant roles in fine frequency differentiation. These findings support the hypothesis that the auditory cortex adopts a distributed code in tone frequency representation, in which high- and low-spike-rate activities play mutually complementary roles.

The response of hair cells in the basal turn of the guinea-pig cochlea to tones.

1. Intracellular recordings were made from inner and outer hair cells in the basal turn of the guinea-pig cochlea. The resting membrane potentials of the inner hair cells are more positive than -50 mV while those of outer hair cells are usually more negative than -70 mV. 2. At low frequencies the receptor potentials of inner hair cells are predominantly depolarizing while those from outer hair cells are hyperpolarizing at low and moderate sound pressure (e.g. less than 90 dB re 2 X 10(-5) Pa at 600 Hz). The potentials then become predominantly depolarizing at high sound pressure. 3. The asymmetry of the inner and outer hair cell receptor potentials are manifested instantaneously except at high stimulus levels when the depolarizing responses of outer hair cells take several cycles to develop. 4. At the offset of intense tones outer hair cell membrane potentials remain depolarized by 1-2 mV above their resting value and return to normal over a period depending on the level and duration of the tone. 5. In response to tones above about 2 kHz and at levels below about 90 dB the wave forms of outer hair cell receptor potentials are virtually symmetrical without measurable d.c. components. In response to tones close to their best frequencies (16-21 kHz), inner hair cells in the basal turn generate large depolarizing (d.c.) receptor potentials while outer hair cells from this region of the cochlea do not generate significant voltage responses. 6. Frequency tuning curves were derived for inner and outer hair cells from the amplitude-intensity relationships of their d.c. and phasic (a.c.) receptor potentials respectively. When the latter were compensated for the low-pass characteristics of the recording system and the hair cell time constant, the frequency selectivity of inner and outer hair cells are similar. 7. The response properties of inner and outer hair cells in the basal turn of the guinea-pig cochlea are discussed in relation to their proposed roles in mechano-electric transduction.