Lugovaya Nika Vyacheslavovna The article deals with the metaphor as an integral component of the ornamental prose. It is assumed that the paths based on the similarity of the compared concepts mean in a literary text the presence of not only common knowledge, but also the copyright implications of that destination singled out and decrypted. It takes into account the cognitive theory, according to which the metaphor is one of the fundamental ways of modeling reality. It creates a picture of the object, and promotes the formation of a certain style of thinking about it. Analysis of the novel by B. Poplavsky «To Home from heaven» with regard to these theoretical premises (regulations) allows to see that the basis of the artistic world lies in the basic linguistic metaphor man - animal, which includes a number of sub-fields: the name of animal species; the habits and actions of the animals; body parts of animals, as well as words with seme ‘beast’, ‘animal’, ‘cattle’. Implementation metaphor generates numerous «animal» metamorphosis of female images and transformation taking place with the main character. Metaphorical transformation corresponds to the complex relationships of the characters with Tanya and Katya on the background of his spiritual quest. The basic metaphor and its implementation are updated by the author’s intent, helping to reveal the philosophical idea of the novel. Key words : basic language metaphor, to home from heaven, lexico-semantic field