Medium Of Human Communication Research Articles

Penggunaan Bahasa Gaul (Slang) dan Implikasi Terhadap Nilai Karakter Pada Mahasiswa

Language serves as a medium of human communication as well as a unifying tool for the nation. Language is needed by everyone to express themselves, interact with others, and adapt to the environment. The existence of Indonesian language is negatively affected by the rise of slang. The purpose of this research is to 1) find out the types of slang use, 2) find out the implications of slang on student character values. The method used in this research is descriptive qualitative method. The results showed that students use slang, abbreviations in their daily communication which is a form of error in the use of Indonesian language properly and correctly. This can hinder the growth and development of Indonesian language which will have an impact on the loss of Indonesian language which is displaced due to slang in the future.

Metateātris un tā izpausmes kultūras krīzes laikā

The aim of this study is to analyse productions that have theatre as the object of their examination and reflection and which thus fit into the metatheatre paradigm. The research focuses on the theatre practices in Latvia and Lithuania during the last two years, when the socio-political situation has been affected by the global pandemic and, since February 2022, by the war in Ukraine. The geopolitical situation has had a devastating impact on the cultural and creative sectors, according to both research and surveys of theatre practitioners. One of the most pronounced trends during this period is the self-reflection of the theatre. The article includes both works whose literary source material reflects on theatre as a kind of microcosm (“More about life. Theatre”, “A performance that meets butter”, “Dubliners on Miera Street”, “Smiļģis”), as well as productions where the manifestations of metatheatre can be observed not in the verbal text, but in the details of staging or acting, also in the genre, and the way of staging (“for a better world”, “Othello”). A semiotic approach is used for the analysis of performances, which allows studying both the formal structure and content of the performance. There are various theories about metateatrality. The most radical is a view included in Richard Hornby’s research “Drama, Metadrama, and Perception” (1986) that drama always has metatheatrality because any drama is a part of a broader culture that cannot be seen in isolation because theatre uses the codes of that culture. Respecting Hornby’s opinion, the study analyses the current productions of theatres in a narrower sense – the central object of viewing and reflection of the production is the theatre itself, or the production includes allusions to life that resemble a theatre. In order to determine whether the current events of the time are reflected in the message of the production to the audience, attention is also paid to the socio-political situation, which showed signs of a cultural crisis during the period under research. The research concludes that different postulates of metatheatre theory can be identified in Latvian and Lithuanian theatre practice. However, the self-reflection of theatre does not exclude the influence of real life on the concept of directing and the perception of the production. Consequently, the intended message can take on a more contradictory tone or even become an allegory for the existing reality. Metatheatrality as a dramaturgical or directorial tool also makes sense in relation to the genre of the production. Metatheatre is a way of presenting art as a medium for human communication.

Peran Bahasa dalam Penerapan Ilmu Pengetahuan

Education and Science is a unit that is needed by everyone to broaden their thinking. Language is a sound or speech symbolization system in human daily communication. For humans, there are two roles that language has, namely as a medium of thought and as a medium of communication. The thinking process cannot be separated from language mastery because humans think through language symbols. Human thoughts and ideas are very important to convey to others. Good communication must use good media as well. Language plays an important role in the development of knowledge, especially as a medium of thought and a medium of communication. Language should be able to explain and represent the symbolism of a concept in science itself. Vocabulary is the treasure of a language, especially those that are closely related to messages that connote thoughts. The preparation of this analysis uses a term known as a literature review study or literature review from various scientific journals and Google Scholar to obtain relevant journal articles. The aim of this type of research is to incorporate relevant theory and ongoing or previously unknown issues as building blocks for the analysis of research results. Seeing the interconnectedness of the sources for this theoretical study, it can be concluded that language has a very important role in the application of knowledge, because language itself has a very close attachment/relationship with the mind. Language is a medium of thinking and a medium of human communication.

Слушание голосов: Пауль Целан с Бернардом Вальденфельсом

The paper discusses voice as a medium of human communication through the indirect approach of listening. After designating the multifaceted nature of the voice, the author dedicates attention to Bernhard Waldenfels' theory of the voice as developed on the basis of the phenomenology of the alien. According to Waldenfels, the polyphony of the vocal, in which the own and the alien re-sound in mutual permeation, calls for the possibility of responsive listening. In the concluding portion of the article, the author takes into consideration one of the poems from the cycle "Stimmen" ("Voices") that Paul Celan published in the collection Sprachgitter. With regard also to Celan's auto-poetological writings, the ensuing interpretation attempts to briefly sketch the contours of the anti-politics of voice.

Ri'e Hikun Liman Wanan Communication Media with Rera Wulan Tana Ekan

The traditional people's belief in God as the Supreme Cause of the universe can be expressed in various ways. The methods used are the inner representation of traditional society of the existence of a God who created the heavens and the earth. The Lamaholot people refer to God as Rera Wulan Tana Ekan 'Creator of Heaven and Earth' in a cultural perspective. Rera Wulan Tana Ekan in the perspective of Lamaholot culture is the Highest Being who is believed to have perfect abilities such as creating, maintaining, maintaining, even destroying. These particularities of Rera Wulan Tana Ekan are the basis for the importance of intense communication between humans and Rera Wulan Tana Ekan God’. Ri'e Hikun Liman Wanan ‘right hand corner of the house’ is a medium of human communication with Rera Wulan Tana Ekan ‘God’.

Lafadz Musytarak Dinamisasi Dalam Rumah Makna

As a medium of human communication, the role of language is very important for human life. Language helps him express what is in his mind that is applied in the language system, even though it is intrinsically arbitrary is like but in order to establish good communication it must be agreed by the user community. In its journey, the development of language faces the dynamics of meaning possessed by lafadz which is a container of meaning. Does it mean one meaning or allows another meaning to represent the lafadz? Arabic linguistic discourse known as musytarak Study of lafadz musytarak becomes important and - for a interpreter - he becomes a parameter of his competence in understanding the content of the Qur'an and - for ushuliyyin - is a condition that must be fulfilled considering they will perform istinbath al-ahkam-urgen for language learning and the development of Arabic linguistic studies. This short article attempts to explore the basicly of the study of musytarak.

Hearing voices: Paul Celan with Bernhard Waldenfels

The paper discusses voice as a medium of human communication through the indirect approach of listening. After designating the multifaceted nature of the voice, the author dedicates attention to Bernhard Waldenfels? theory of the voice as developed on the basis of the phenomenology of the alien. According to Waldenfels, the polyphony of the vocal, in which the own and the alien re-sound in mutual permeation, calls for the possibility of responsive listening. In the concluding portion of the article, the author takes into consideration one of the poems from the cycle ?Stimmen? (?Voices?) that Paul Celan published in the collection Sprachgitter. With regard also to Celan?s auto-poetological writings, the ensuing interpretation attempts to briefly sketch the contours of the anti-politics of voice.

FPGA multi-filter system for speech enhancement via multi-criteria optimization

Speech is the main medium for human communication and interaction. Apart from the traditional telephones, more and more applications come with speech interfaces, which use speech signal as an input for various purposes. However, many of these applications might fail to perform in noisy environments as the signal-to-noise ratio (SNR) degrades. Two important measures for any speech enhancement algorithm are noise suppression and speech distortion. Naturally, different speech enhancement algorithms will have different trade-offs. Moreover, depending on the environment, it is possible that one algorithm will outperform the others in some respects. This paper proposes a multi-filter system, which has the capability of continually adjusting the noise suppression level and the speech distortion level in a Pareto fashion. Moreover, we show that the system works under a variety of noisy environments and we obtain the efficient frontier of the combined filters for each background noise. Because the multi-filters are adapting in parallel, the final system can be implemented on FPGA efficiently.

Beyond mediation: thinking the computer otherwise

Whatever Media Studies 2.0 involves, one thing is certain, there is a need to confront and deal with new technologies, most notably computers and computer networks. Despite the fact that the discipline has largely marginalized these innovations, there has been some effort to incorporate the computer into both the theories and practices of media studies. This has been accomplished, at least in the United States, through the development of what is now called computer-mediated communication (CMC). CMC, which effectively understands the computer as a medium of human communication, does not necessarily institute a significant paradigm shift in media studies but accommodates the new technologies to existing structures, methodologies, and models. This essay contests and critiques this approach. It reviews the development of CMC, identifies its structural limitations, and provides an alternative understanding of the computer that has the potential to reorient the discipline in a much more radical fashion.

Kwamra: A Season of Harvest, and: Captain Cook in the Underworld (review)

Reviewed by: Kwamra: A Season of Harvest, and: Captain Cook in the Underworld Briar Wood Kwamra: A Season of Harvest, by Russell Soaba. Boroko, NCD: Anuki Country Press, 2000. E-mail <rsoaba @upng.ac.pg>. ISBN 9980-85-370-0; ix + 59 pages, glossary. US$12.00. Captain Cook in the Underworld, by Robert Sullivan. Auckland: Auckland University Press, 2003. ISBN 1-86940-81-2; iii (unnumbered) + 52 pages, works consulted. NZ$19.50. These two notable collections share an engagement with issues that concern the relevance of poetry to Pacific histories, cultures, memories, and traditions. Careful reading suggests a close-focused approach to specific cultural and personal concerns, in addition to the fanfare of occasional themes. The appearance of Russell Soaba's collection is a significant event; it takes as its title theme Kwamra, the dry summer season in savannah regions, "a season of harvest," as the subtitle states. Robert Sullivan's poem, written as the libretto for the fiftieth anniversary of Wellington's Orpheus choir, was performed by the choir and the New Zealand Symphony Orchestra in composer John Psathas's oratorio Orpheus in Rarohenga, in November 2002 at Wellington Town Hall. Formally and stylistically these are very different works. Soaba's free verse foregrounds Anuki modes of aesthetic representation, such as akoa ("new" knowledge; wisdom, truth) and maiba (the common form of Anuki communication that expresses truths through parables and riddles). In its confident combination of English, Pidgin, and Anuki references, the collection is a model of what readers can increasingly look forward to in Pacific poetry. The introduction is a clear and considered declaration of artistic independence: "What we are really doing for the first time is attempting to best express ourselves in our own language through a certain medium of human communication known as the English language. We are no longer merely borrowing the language. Rather, we are transcending both in order to find ourselves actually living the pulse and beat of our languages within the flesh of the English language itself" (ix). Each poem carries the cultural harvest of the poet's social experience, exploring existentially and experimentally form, language, and point of view. The opening poem, "Return of St Nativeson," refers to Soaba's influential novel Wanpis (1977)—the title word translated here as "(i) one piece: one who professes self-hood, commitment and social responsibility in his style of living; (ii) an existentialist in Soaba's writings"(59)—which traces the development of artistic identity through a number of characters. Tension, too, is developed in this poetry collection around the conflict between lusman (a loser [58]; also an existentialist) and wanpis, in which artistic production requires a coherence and focus the lusman fails to achieve. Facing the possible meaninglessness of life as a writer entails risks and challenges. St James Nativeson (a name chosen by the character Jimmy Damebo in Wanpis to reflect the influence of James Baldwin) was a character who signified the difficulty of reconciling individual and communal [End Page 260] concerns.This poem reflects succinctly on the relationship between poet and people; the poet's presence of mind is merged into time and place, "the afternoon bare with native anguish" (1). Responsibility to past and future is indicated through the awareness of followers or "disciples" who are the beneficiaries of the labors of the poets, who in turn must depend on those who come before andafter to carry on poetic traditions. The statement "The poet will come today" (1) becomes the site for a meditation on the irony that the role of the poet is often signified through doubt, absence, and cultural insecurity; the "nativeson" returns (or can he?) as one who must still juggle an outsider identity with the need to communicate with the multicultured working people of the nation, who each have their own relationship to feelings of inclusion and exclusion. Like Sufi sayings or Buddhist koans (problems for meditation) in the many-layered possibilities of their interpretation, the poems exemplify the poet's understanding and practice of maiba. & he came in smiling like a nervous poet the result of all that he had thought & explained that he had left his passport somewhere "Prelude to the Third...

Real-time video for informal workgroup communication: a survey of recent advances

Computer-based video is entering a new phase of development, in which, finally, it is being taken seriously as a new medium for human communication. Understanding of what a medium is useful for develops with experience, and typically after years of experimentation. This period of exploration can be viewed in terms of basic types of human communication, providing a framework for comparing the role of different media. This approach provides a useful context for surveying recent innovations in systems for remote collaboration based on video-mediated communication (VMC). Visual communication can be effectively used in a wide range of situations where users need to work closely, even when located at remote sites. In particular, support for unplanned, informal collaborations among distributed users is desirable in many contexts, using visual information to help users make contact more effectively. A case study of a system is presented which enables users interact over VMC using the same informal protocols as are used in face-to-face.

Psycholinguistics: Competence and Performance

There has been a tendency, natural perhaps in such ‘verbal’ disciplines as philosophy and linguistics, to assume that language and communication are the same thing. But while no one would deny that language is one powerful medium of human communication, is it the only one? Is there any real distinction between communicating one's desire to leave a dinner party by making verbal remarks like, ‘I must go’ or ‘We could only get Jane as a babysitter’, as opposed to fidgeting, standing up and looking longingly towards the door? As Michael Argyle argues, a great deal of information is conveyed by non-verbal cues. To take the argument a step further, are even verbal statements examples of purely linguistic communication ? Whereas the manifest linguistic content of ‘I must go’ is obvious to anyone who speaks English, the meaning of the remark about the babysitter can only be understood by those who know the particular neighbourhood social context in which it was uttered. Does it make sense, then, to try and analyse the linguistic structure and content of an utterance without taking into account the use to which it is being put in a particular extra-linguistic context?

In Defense of Song: The Contribution of Roger Sessions

Those familiar with the critical writings of Sessions will recognize the origin of the above title: it is derived from that of an essay of 1935, Heinrich Schenker's Contribution.' I could, to be sure, have parodied a number of others used by the composer, all with some degree of appropriateness: The Musical Experience of Sessions, Roger Sessions and His Message, Observations on the Music Life of Sessions, and even, though in the friendliest spirit, Questions about the Music of Sessions. Of all these, the closest runner-up to the winner would have been Roger Sessions and His Message. But to some that phrase might imply a specifically verbal type of communication; and although Sessions has never hesitated to use words in explanation and support of his artistic positions, he has always correctly insisted on the nonverbal character of musical expression. Indeed, it is the chief burden of the essay just alluded to, The Composer and His Message, that music is concerned with the ineffable realm of psychic energy: with all, in fact, of the fine shades of variation of our inner life. It reproduces these far more directly and more specifically than is possible through any other medium of human communication.2 Music not only can do this, it must; for, as Sessions writes in another context, this is the nature of the medium itself, not the consciously formulated purpose of the composer... 3