Reviewed by: The origin legends of early medieval Britain and Ireland by Lindy Brady Donato Sitaro (bio) Lindy Brady, The origin legends of early medieval Britain and Ireland. Cambridge: Cambridge University Press, 2022. ISBN 9781009225618 (hardback), 9781009225670 (ebook). x + 272 pages. $99.00. Origin myths and legends are prominent features of early medieval writings and mentalities. They became a popular genre, an ever-growing corpus of traditions and pseudo-histories, and eventually a late-antique/early medieval 'scholarly preoccupation', as underlined by Brady & Wadden in the foreword to their edited volume Origin legends in early medieval Western Europe (2022: 4). Despite not being the first recorded origines gentium, the Insular origin myths stand out as precious hermeneutic objects for scholars of early medieval culture, as part of a genre 'that has shaped national identity and collective history from the early medieval period to the present day', as we read in the synopsis. The variety of their approach and their richness in contents and traditions make the British, Irish, Pictish, and Anglo-Saxon origin narratives a perfect subject for a dedicated volume. Discussing these apparently divergent narratives in comparative terms was not an easy task, but Brady bravely attempts it in a relatively compact and easily readable book. Divided into five main chapters, the book is prefaced by a 27-page introductory section, eloquently titled 'The anachronism of nationalism', where modern scholarly debate around the contested concepts of ethnicity, post-Roman identities, and early medieval writers' agendas is summarized and discussed. Brady's approach consciously differs from the two major historiographical standpoints on ethnic identities, as it neither gives excessive weight to the influence of Classical ethnography (as Goffart did), [End Page 156] nor does it look too far forward by extending the effects of enduring ethnic identities from the Migration Period deep into the Middle Ages (as in certain readings by Wolfram and Pohl). Brady decides to look 'sideways' (21) to explore the textual and conceptual interrelations between the origin legends of the British Isles without attempting to construct from the texts a straightforward idea of the development of ethnic identities. She looks at the development of origin stories within and among the texts surveyed, more than outside and beyond them. For this reason, the interpretative keywords for Brady's analysis of the sources are 'discourse' and 'development' (3). Her assessment that the concepts enshrined in early medieval origin narratives were communicating and were part of a shared intellectual milieu is repeated throughout the introduction and beyond (1, 4, 16, 21, 63, 227, 229). This assumption finds support in the first chapter through a survey of the textual history of the Insular works containing origin stories: Gildas's De excidio, Bede's Historia ecclesiastica, the ninth-century Historia Brittonum, and the later Irish Lebor Bretnach and Lebor gabála Érenn. While the first two works are referred to in cursory fashion as embryonic nuclei of traditions that would develop later, the latter three pseudo-histories are discussed in depth throughout the book. The Historia Brittonum is given a justified pre-eminence as 'a valuable microcosm of the intellectual connections which form the focus of the study' (16). After the presentation of the sources, the proper narratological analysis begins: chapters 2, 3, and 4 focus on exile, kin-slaying, and intermarriage and incest, respectively. Having established the interrelated nature of the Insular writings in chapter 1, Brady is able to conduct a comparative survey of shared concepts and their development within three concentric levels of investigation corresponding to the three-part structure of these chapters: (i) first she explores the wider conceptual resonance of the motif in literature, usually through comparison with biblical and classical archetypes; (ii) then she outlines the recurrence of historical episodes involving the motif (cases of exiles or kin-slayers in the early medieval Insular context); and finally (iii) she considers the meaning of the motif within the Insular origin narratives. The second part of these themed chapters, the attempt to show 'resonances of these topics in [historical] early insular society' (138), could have been the trickiest. However, Brady addresses the eventual collision between literary motifs and the 'hard facts' drawn from legal and historical records through...
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