Three electric guitars of different body geometries are investigated in an attempt to characterize their tonal differences. One guitar has a solid body, one is fully hollow, and one is semi-hollow which represents a midway point between the first two. The transfer functions of the electromagnetic pickups are determined by inducing a known signal through the pickup and measuring the output. Input admittance measurements are taken at the bridge and nut of each guitar to show the vibrational modes of the bodies. Wire break measurements are taken for different notes on each guitar, which are analyzed in conjunction with the admittance measurements. The results demonstrate significant admittance peaks in the hollow and semi-hollow guitars that are not present in solid body electric guitars. As well, “dead” notes with shorter decay times are found to be correlated with these admittance peaks, thus indicating that the bodies of hollow and semi-hollow electric guitars play a role in their tonal characteristics.
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