The notion of the desirability of authentic assessment has become widespread across many areas of the curriculum and at various levels of education, including higher education (Torrance, 1995). Within mathematics education, there has been considerable international interest in discussing the characteristics of more authentic means of assessment and attempting to design and implement them (see, for example, Niss, 1993a, 1993b; Romberg, 1995). The term authentic, when used in the context of curriculum and assessment, has rich and multiple connotations that are not always distinguished from one another or clearly analysed. Cumming & Maxwell (1999) provide a useful categorisation, identifying and distinguishing four major interpretations of authenticity, each based on different underlying theories of learning: performance and performance assessment; situated learning and situated assessment; complexity of expertise and problem-based assessment; competence and competence-based assessment. Within the mathematics education literature, however, the underlying theory of learning is usually left implicit and the term authentic is used as if it were unambiguous. In this paper I intend to explore the meaning of authenticity in relation to recent changes in mathematics curriculum and assessment. In particular, I shall consider the forms that assessment criteria may take and the implications for both individuals and groups of students. The examples I employ relate specifically to the use of ‘open-ended tasks’, introduced in many curriculum reform movements internationally (Pehkonen, 1997). The principles for interrogating the nature of assessment criteria and their implications are, I believe, more generally applicable. At the level of the assessment task itself, authenticity tends to refer to the nature of the mathematical activity involved — but this may be judged according to some idealised version of the nature of mathematics (for example, ‘Mathematics is a creative activity, so authentic tasks should allow space for students to be creative rather than to repeat memorised procedures’), relative to a view of what students will find meaningful, often involving some ‘realistic’ aspect or, according to Cumming & Maxwell (1999), reflecting adult activity. Authenticity is also often considered at the level of the entire assessment system. In this case, it is usually taken to mean that assessment procedures match the aims, content and breadth of the curriculum; the assessment system is thus an authentic representation of the curriculum it is assessing. This aspect of authenticity is often asso