Discussion Of Literature Research Articles

Literary discourse at the crossroads of digital references: A socio-discursive approach

The proliferation of digital literary discourse has led to a competitive, and often times antagonistic, relationship between this new form and its traditional paper-based counterpart. The success of this new critical literary media has come as a result of major global changes to social consciousness and societal pressures to utilize communication systems that can keep pace with the speed of social action. Discussions on the legitimacy of digital literary discourse are often limited by the use of conciliatory debates that merely present moderate viewpoints. This research addresses the issue using a socio-discursive lens, focusing on a critical exploration of the underlying reasoning for the technological wariness of paper-based literary practitioners. Contrary to the views of many traditionalists, digital literature does not derive its discursive identity, nor its legitimacy, from a combative relationship with paper-based criticism. Instead, this analysis indicates that the use of digital media marks a significant turning point in the institution of literary discourse, formed as a response to shifting individual and collective needs of an accelerating pace of life. Therefore, digital literary discourse is not simply a form or idea that can be accepted or rejected. Rather, it is a forced formation of a new and constantly evolving expressive and inferential space, created by the combination of existing and innovative media, producing new meanings that were impossible to generate under the dominance of old media.

Exploring the Metaphorical Use of TEMPERATURE Domain in Character Descriptions in Susan Cooper’s The Dark Is Rising Sequence: A Cognitive Linguistic Approach

This study investigates the metaphorical use of the TEMPERATURE domain in character descriptions within Susan Cooper's The Dark is Rising series, adopting the framework of Conceptual Metaphor Theory. Despite extensive scholarly attention to the series from literary and cultural studies perspectives, there is a notable gap in cognitive linguistic analysis. Concerning the TEMPERATURE domain, though it is essential to human experience and metaphorically rich in daily thought and language, there has been limited research on the role of this domain in literary discourse. To fill these research gaps, this study adopted the mixed-methods approach, combining (1) content analysis to examine the relationship between the TEMPERATURE domain, specifically WARMTH and COLDNESS domains, and character types and (2) thematic analysis to explore how these domains describe good and evil characters throughout the series. The findings reveal that both WARMTH and COLDNESS domains are used to describe good and evil characters, with no distinctive domain exclusive to each character type. This challenges the conventional association of warmth with goodness and coldness with evil. Such complexity can be attributed to the deceitful nature of evil characters and the emotional detachment of virtuous characters for the greater good, as demonstrated in the novel series. This study contributes to a deeper understanding of the creative use of temperature-related metaphors in literature, offering insights into their role in character construction and thematic development.

Der Weg zum Erwachsenwerden und die Suche nach Identität in Warten bis der Frieden kommt von Judith Kerr

Warten bis der Frieden kommt is the second part of an autobiographical trilogy in which the author Judith Kerr presents both her own experiences and the historical context of the 1930s and 1940s of the past century in a literary manner. The main character Anna has to flee from Germany together with her family in the year 1933. They first arrive in Switzerland, then in France and finally in England. While in the first book we encounter a very young and partly naive nine-year-old protagonist who tries to understand and interpret the world surrounding her, in the second part we are being presented with Anna as a teenager who spent the last seven years of her life as a refugee in foreign countries. As a consequence we can observe a change of perspective from the point of view of individual and collective memory. In the following article I aim to analyse to what extent the age of the main character influences the literary discourse in regard of the historical narrative.

Comparative analysis of English and American humor in literary discourse

The article studies humor as a type of comic in the literary discourse. The composition of the traditional comic variety paradigm is determined, including humor, irony, satire, and sarcasm. The leading techniques and linguistic/speech means of representing and enhancing the comic effect in the literary discourse are described. The essentials of their complex description are considered. The concept of humor is analyzed as a linguistic and sociocultural phenomenon in the literary discourse. Attention is focused on investigating the peculiarities of British and American humor. The authors trace the differences between English and American humor in domestic and foreign linguistic and literary sources. The peculiarities of the linguistic criterion itself are revealed, which is essential in linguists' identification and study of humor as a kind of comic. The leading classifications of verbal means, forms, and techniques of humorous wit in the literary discourse are highlighted. Humor among the English tends to manifest itself mainly in times of personal hardship and to be largely self-directed. The most crucial feature of American humor is slang, which is peculiar only to Americans.

“The Sweetness of the Persian Tongue”: the Limits of Poetry in Medieval and Early Modern Georgia

Abstract The history of medieval Georgian poetry is long and complicated. Placed between Persian and Byzantine commonwealths, the unification of the Georgian kingdom under the Bagratids in the eleventh century brought about a dramatic cultural revival. The formation and development of what is known as secular poetry was a reaction to the simultaneous adoption and adaptation of Persian and Byzantine elements by Georgian culture. As a result, over time, a distinct literary genre was shaped, with its own linguistic, graphic, and poetic registers – emerged, which was often contrasted with ecclesiastic writing alongside a a rigid differentiation between secular and religious writing generally and poetry specifically. The present paper identifies the origins and reasons for such a differentiation in early modern and modern political and literary discourses. While it mentions many poems from the twelfth to the seventeenth century, two relatively early theories of poetry are discussed in detail: Ephrem Mc‘ire’s (twelfth-century) reference to the “form and substance” dichotomy in poetry and Shota Rust‘aveli’s (twelfth- or thirteenth-century) vision of what does and what does not constitute proper poetry. In subsequent centuries, these discussion about the limits of poetry were integrated into identity discourses, as illustrated by the numerous sequels to and emulations of Rust‘aveli, and fed into a certain anxiety over Georgian culture within the context of total Persian dominance

Discourse Dynamics and Literary Essence in Text Analysis

The paper approaches the topic of discourse by performing a dual analysis of a literary excerpt from The Handmaid’s Tale by Margaret Atwood. After suggesting a theoretical framework based on theories on discourse, discourse typology and analysis, and features of literary discourses, the study continues with a dual-layer analysis of the literary excerpt. In the first layer, the study identifies general discourse features, such as cohesion, coherence, and context. The second part of the analysis evaluates the excerpt’s literariness based on concepts derived from literary theory, including fictionality, poeticity, inquisitoriality, licence, and contemplation.

The Power of Literary Discourse in Creating Ecological Awareness: First Light by Robert Russell Sassor

While the need to move studies on climate change beyond scientific research and to raise awareness about the issue in society is increasing, there is a need for mechanisms that bring discourses about climate change to the public’s knowledge. In recent days, when nature is gradually disappearing into the hands of man, it has become necessary to develop a new way of communicating with nature and natural resources. As Sassor expressed, art is more than a one-way communication tool and it is one of the most effective ways for people to shape their environmental awareness. Getting people to experience this through short stories is possible. Since short stories are literary discourses that can be read in one sitting, they are a more suitable genre for people in the hustle and bustle of the postmodern world. In this study, Robert Russel Sassor’s short story First Light has been analyzed through a discourse-centered approach. Based on the collocated words around the motifs of ‘death/suicide, regret, longing for the past, nature, sexual identity distortion, and loneliness’ it is observed that Sassor’s concerns about the deterioration of the ecological balance as well as the distortion of sexual identity in the individual come to the fore.

Market Nation: Forging Economic Citizenship in Nineteenth-Century African America

Abstract This essay engages with the civic possibilities African Americans perceived in the social, economic, and political transformations associated with the antebellum market revolution. Against the emerging nineteenth-century hegemony of political and economic liberalism, African Americans formulated an ideal of economic citizenship that translated Black material successes and social mobility into an extra-legal symbolic citizenship; in particular, class stratification among African Americans was mobilized to counter the presumption of immutable, ontological Black abjection that justified ascriptive Jacksonian civic exclusions. The essay engages with two proto-sociological texts designed to challenge these exclusions by depicting stratified African American communities that testified to African Americans’ market participation in and contributions to the nation. As insiders of their respective groups, authors Joseph Willson—Sketches of the Higher Classes of Colored Society in Philadelphia (1841)—and Cyprian Clamorgan—The Colored Aristocracy of St. Louis (1858)—innovate a vernacular sociology that cobbles together political economy, proto-social science, reform and literary discourses to fashion empirical, reparative accounts of their better-off African American communities. Engaging with these texts allows us to understand the role that regional specificity played in formulating race, class, and status across an expanding nation, but more importantly, it makes us aware of the perils and ambiguities involved in making African Americans’ participation in the liberal marketplace, or economic citizenship, the basis of African American civic legitimacy.

The Evolution of Modern Literary Criticism From Structuralism to Postmodernism: A Case Study of Edward Said and His Critique of Orientalism in Literature

The study aimed to examine the development of literary criticism throughout its history from structuralism to postmodernism, using Edward Said's criticism of Orientalism as a case study. A discourse-grounded analysis approach was used to analyze critical texts and articles related to this development. The results showed, according to Said, that the traditional Western depiction of the East is biased and based on power relations, which influenced postcolonial philosophy and the literary canon (Smith, 2018). Said sought to expose biases in Western literature’s depiction of the East (Jones, 2016). His writings have sparked debate about the role of the critic in shaping literary discourse, shifting critical focus toward questions of power, representation, and identity, and increasing opportunities for underrepresented groups to have their voices heard (Brown & Johnson, 2019). Said's critique of Orientalism has influenced contemporary literary criticism, opening the door to a more diverse and comprehensive literary study (Garcia & Lee, 2020).

Dialogues as an Involvement Strategy in Kadare’s novel "The Fall of the Stone City"

Discourse is not just a form of language use, but also a cognitive and social accomplishment within a communicative context. This article aims to interpret dialogues in Kadare’s novel The Fall of the Stone City through a combination of methods of discourse analysis and conversation analysis. The object of this analysis are the direct dialogues, in which characters are represented through their own voice, and where the narrator evades his/her own intervention during the transmission of the character’s sensory experience and does not give to the reader an indication of any sort of privileged information regarding the condition of the character. The central focus of this analysis is involvement strategies, as the basic principle in both conversational and literary discourse. The spoken genre is characterized by fragmentation and involvement, whereas the written genre is characterized by integration and detachment. The comparison of spoken and written narratives suggests that normal conversation and literary discourse have many similarities between them. The examination of the dialogues in Kadare’s novel The Fall of the Stone City clearly shows that the author combines involvement with integration in building scenes and triggering emotions. He uses familiar strategies, like repair and repetition in creating coherence and involvement, which are intentional in creating meaning.

Science, Fiction, and Contemporary Media: Blurred Borders in Knowledge Dissemination in Michael Crichton’s The Andromeda Strain

This study examines the technical methods used by Michael Crichton to blur the lines between factual information and fictional elements in his novel The Andromeda Strain. The creative use of scientific terminology and artistic documentation that supports a sense of reality plays a role in creating a certain blurring that works to enhance the blurring of the boundaries between reality and imagination. The study aims to explore the novel within the framework of postmodern literary theory, questioning the concept of absolute truth, and emphasizing the role of language and literary discourse in constructing reality. Through a critical analysis of the novel, this study seeks to clarify the methods followed by Crichton to employ language and discourse to create an atmosphere of authenticity that contributes greatly to blurring the line between reality and imagination. In addition, the study comprehensively analyses modern media platform technologies that are used to erode the boundaries between objective reality and fictional narratives, and their consequent effects on the dissemination of information. The study concluded that Crichton's novel The Andromeda Strain embodies the successful integration of scientific concepts with fantasy elements, which resulted in a captivating and intellectually stimulating narrative.

The Impact of Literary Discourse on the Evolution of English Lexicon

This study explores the significant role of literary discourse in the evolution of the English lexicon, analyzing how works by authors such as Chaucer, Shakespeare, Dickens, and Joyce contributed to the development of new words and meanings. By combining qualitative and corpus-based methods, the research highlights the creative and innovative use of language in literary texts, tracing how words originating in literature entered mainstream usage. The study examines the influence of different genres, particularly drama and prose, on lexical expansion and discusses how literary creativity extends beyond word invention to reshaping existing terms. Findings suggest that literary texts serve as crucial drivers of linguistic change, shaping the dynamic evolution of English vocabulary across centuries. Future research may explore the impact of digital literature and other modern forms of media on lexical growth.

Gottlieb Siegfried Bayer and Classical Latin Poetry in Scholarly Debate on Early History of Ancient Rus

This article is dedicated to a stylistic feature of 17th-century scholarly texts, namely the incorporation of poetic quotations into polemical scientific discourse, which enhances the expressiveness of evaluations concerning opponents and their concepts. An analysis of Gottlieb Bayer's texts is conducted. A number of works by the academician of the Imperial Academy of Sciences, Gottlieb Siegfried Bayer (1694–1738), focus on the early history of Ancient Rus. In preparing these works, Bayer extensively relied on ancient historical sources, and his articles were written in Latin, which naturally involved the traditions of classical literature in discussions pertaining to the historical issues of early Rus. This publication examines quotations and reminiscences from classical Latin poetry introduced by G. S. Bayer in his article “Origines russicae” (“The Origins of the Russians,” posthumously published in 1741). The poetic interpolations within the scholarly text serve as elements of the author’s style and fulfill two purposes. Firstly, they are utilized by the author to illustrate his assertions, lending emotional depth to academic reasoning and subtly indicating the breadth of his intellectual horizon, which enhances the perception of the scholarly reliability of his work. Secondly, they sustain Bayer’s polemical stance towards certain established historical concepts of his time, allowing for a sharp critical tone that accentuates the polemical fervor without resorting to personal attacks.

ARTISTIC AXIOLOGY OF THE IMAGE OF THE «NEW KAZAKH WOMAN» IN ABAY’S POETRY

The main leitmotif of this study is the artistic existence of the "new kazakh woman” in the creative context of Abai, their features and axiological character, which have their own gender consciousness. In addition, the content and semantic meaning of the category “value” is analyzed in revealing the axiological facets of Kazakh women, embodied by the poet. The author draws attention to the spiritual world of the kazakh woman and the ontological aspect of female consciousness, which first appears in Abai’s discourse, beyond the stereotypes and cultural clichés of women that once existed in kazakh literature. For centuries, beauty, grace, and external portraiture have been glorified as a way of conveying individuality, personal facets of a kazakh woman and mental phenomena in her spiritual world. Also in the national literature, the emancipatory point of view of Abai, who was the first to sing of women's liberation and women's happiness, is considered. In the literary, cultural, historical context, the asocial realities of kazakh women and their “changed” behavioral strategies are considered, which violate the generally accepted standards of traditional society in Abai’s poetry and introduce new views, new values. It also formulates the artistic world of female characters who openly express love passions and intimate desires in Abai’s works, and a poetic position illustrating feminist traits in accordance with the female worldview. The “new kazakh woman” created by Abai boldly challenges the established conventions of patriarchal society, protesting against the stereotypical views imposed on him (everyday, family, life). Realizing the meaning of her life, her “I,” she manifests herself in the image of the desire to act, to live as she wants for herself. The purpose of the study was also to determine the women's problem in Abai's work, which was previously considered in various aspects, the evolution of their social, psychological, aesthetic and artistic image and the novelty of the poet in interpreting the female theme. Therefore, the article consistently differentiates a new image of the Kazakh woman, who in the previous literary discourse has transformed from a spiritually weak, passive personality into a versatile, mature, active personality.

The Application of Zwart’s Shift Model to the English-Arabic Translation of Technology News

The present research paper discusses the applicability of Zwart’s “Comparative–Descriptive Model of Translation Shifts” (1984) to translating Sci-Tech news from English into Arabic. This comprehensive model primarily investigates the translation shifts occurring in literary discourse. To the best of the reCsearcher’s knowledge, very few attempts have been made to apply this shift analysis-based model to the translation of other types of discourse. The paper applies this model to translating scientific discourse, particularly technology news, on several reliable news websites, such as BBC and CNBC. English news on the English websites (ST) and the Arabic translation (TT) on these websites are used as data for the comparative and descriptive analysis. Zwart’s comparative model describes the translation shifts on the microstructural level by comparing the architranseme and the SL and TL transoms. The descriptive model provides insights into the shifts on the macrostructural level. The paper concludes that shifts occurring in the translation of Sci-Tech news can be best described, analysed, and categorised within Zwart’s comparative model. It also concludes that shifts on the microstructural level do not necessarily lead to a noticeable macrostructural change in the primary language metafunctions (interpersonal, ideational, and textual) as in the translation of literary works. Syntactic shifts may, however, result in a macrostructural change of the textual metafunction, which alters the propositional content in some instances.

ПУНКТУАЦИОННАЯ СИСТЕМА ЯЗЫКА И ЕЕ СОСТАВЛЯЮЩИЕ: АНГЛИЙСКАЯ И КЫРГЫЗСКАЯ ПУНКТУАЦИЯ В ПОСТРОЕНИИ ХУДОЖЕСТВЕННОГО ДИСКУРСА

This article describes the role of the punctuation system of language and its components, the formation of punctuation as the development of written communication, English and Kyrgyz punctuation in developing the literary discourse, as well as examples of literary and artistic discourse. Ten basic and generally accepted punctuation marks are considered using the example of literary discourses in the English and Kyrgyz languages. Discourse is defined as a coherent text that has ontological and epistemological properties. Here, an analysis of literary and artistic discourse is carried out; in general, the influence of English and Kyrgyz punctuation on the formation of literary artistic discourse is studied. For linguistic comparison, artistic discourses of a similar extra-linguistic event with a similar social and everyday theme in both compared languages are involved. In general, the ontological and epistemological functions of punctuation marks are applicable. The syntactic, semantic and intonation functions act as the main function and in the updated additional function. As a result, the dual functioning contributes to the establishment of discursive artistic meaning and its theme.

America as a Metaphor for Suffering Consciousness in Dostoevsky's Fiction and Non-Fiction Works

Dostoevskii’s journalistic writings exhibit America as a dangerous place of deception and seduction, a response to the role of America in the political consciousness of his day. At the same time, America appears in nearly all his major novels, including characters who threaten to “flee to America” and, in the case of Shatov and Kirillov from Demons, actually do. For Dostoevskii, the idea of “running off to America” elicits a dual symbolism: America was far enough away from Russia to enact a complete severing of roots (and, by extension, to serve as a metaphor for suicide), while also being profoundly dangerous in the closeness of the kinds of comparisons that could be drawn between Russian and American realities. In his fiction, America is more than a geographical concept; it serves as a reliable testing ground for suffering consciousness – for the intense self-reflection and repeated process of cognitively collecting the self for which Dostoevskii’s novels are so widely appreciated. In this article we trace the role of America across Dostoevsii’s body of work and across levels of literary discourse, with a focus on America as an occasion for philosophical reflection in the Kirillov-Shatov plotline in Demons. We highlight how the theme of America can bring one of the most complex and enduring questions of Dostoevskii’s work – the relationship between his journalistic and literary voices – into fuller relief, while also elucidating the narrative significance of America for the suffering consciousness and self-reflection so vital to his literary worlds.

Diversity of dialects of the novel characters according to the descriptive stylistics, the novel (Alye di ye pre) as an example

Methods of style directions are considered as backgrounds for certain reasons and mechanisms of the methods followed, to interpret linguistic or literary discourses and to identify certain methodological characteristics according to certain scientific methods to avoid inferential decisions and interpretations, according to linguistic levels, As a result of contemporary linguistic research done through the use of linguistic sciences in order to identify aesthetic aspects of literary works and writings. Descriptive stylistics is considered an important direction for interpretation of any innovative discourse, because the nature of methodological research, some linguistic directions are important for interpretation of any text it takes hold of itself. Because the concept of expression among linguists is connected the material form of speech, such as speech versus content, which becomes a linguistic meaning for that speech, or the sounds spoken and written on the surface of expression with surface of content, because language is speech. Either they are just some voices and each nation speaks through them, or they are voices that express their actions. This research is entitled (Diversity of dialects of the novel characters according to the descriptive stylistics, the novel (Alye di ye pre) as an example), is an attempt to explain the language expression of characters according to the theory of descriptive stylistics. Expression methodology is a good basis for interpreting text according to the mechanisms it works with in order to convey the right direction for understanding the message of each text.

«Хороший слог» и «новая художественность» в журнальной полемике 1860-1870-х годов

The research aims to determine the mutual influence of the principles of democratic criticism and raznochinets (“mixed-title”) literature in the 1860s-1870s. The work examines the issues related to the denial of artisticity as an important aesthetic criterion, as well as to the attempt to diminish the authority of literature with a “good style”, which “real critics” attributed to “aristocratic” literature. The paper considers the polemics of those years related to the socio-literary definition of the new stage of democratic literature with a social orientation, which was presented in magazines and by writers. The influence of raznochinets prose on the development of new criteria for evaluating literary works is identified, the function of the rhetorical form of a “conversation with the reader” in terms of combining critical and literary discourse is analyzed, using the prose of A. Scheller-Mikhailov, F. Reshetnikov, and I. Fedorov-Omulevsky as examples. As a model for subsequent imitation by fiction writers, the “conversation with the reader” in N. G. Chernyshevsky’s novel “What Is To Be Done?” is considered in comparison with his concept of art in “The Aesthetic Relations of Art to Reality”. Scientific originality is determined by the comparative method, which allows the researcher to reveal the forms of discursive interaction at the level of the concept of criticism and its embodiment in literary practice. As a result, it was found that a “conversation with the reader” as a metatextual manifesto of the author’s program becomes a component in the concept of literature of the post-Gogol period.

A Coherent Analysis of The Lottery by Shirley Jackson Using Segmented Discourse Representation Theory

Shirley Jackson's The Lottery is a powerful narrative widely analyzed for its social, cultural, and literary dimensions. However, the linguistic intricacies of Jackson's work remain underexplored. This study addresses this gap by applying Segmented Discourse Representation Theory (SDRT) to analyze the discourse structure of The Lottery. SDRT, a formal theory of discourse that emphasizes coherence relations, provides a systematic framework for examining how different narrative segments interact to create a cohesive and impactful story. By employing SDRT, this research uncovers the intricate ways in which Jackson's linguistic choices contribute to the story's thematic depth and emotional resonance. This analysis not only enhances our understanding of Jackson's narrative techniques but also demonstrates the applicability of SDRT in literary discourse analysis, offering new insights into the dynamic development of discourse within literary texts.