Objectives The purpose of this study is to analyze the current status of classical drama education in literature education and to clarify the significance of U-hui as a subject of classical drama education.
 Methods To this end, the content related to theater history presented as educational content in the literature curriculum was examined diachronically. In addition, the educational content related to theater history covered in current literature textbooks was analyzed by dividing them into explanatory materials, work materials, and learning activities in the textbook history section. Based on the structure of the revised educational goal classification system, a method for generating knowledge according to the development of the learner's cognitive process was presented.
 Results The influence of the syllabus and the period of the 4th curriculum on classical theater education leads to fixed knowledge, and in textbooks, academic discourse on theater history in the past is reproduced or knowledge that has formed an issue is avoided. Accordingly, the content of education was organized around the theater and commoners in the late Joseon Dynasty.
 Conclusions In order to solve this problem, the current academic discourse related to Woohee should be included, and the cognitive process in which learners evaluate knowledge and create new knowledge should be used as an educational method. Taking U-hui as a subject of classical drama education enables a change from the educational content centered on the common people in the late Joseon Dynasty to encompassing various eras and enjoyment classes. In addition, the change in teaching and learning methods that utilize research historical issues has significance in helping learners maintain an open attitude toward knowledge of the history of literature.