On the occasion of the review of the portable art of Grotta Romanelli, a decorated stone with a feline figure was object of an interdisciplinary study. The analysis considered different approaches so to: characterise the stratigraphic setting of the finding, the rock support, look into the techniques used to decorate the stone, elaborate a graphic documentation (photographs, 3D models and tracings), relate the symbolic production with the environmental context, and consider the motifs into the wider late Upper Palaeolithic (LUP) art production.The work allows confirming that the represented subject corresponds to a Panthera spelaea, and fixing some issues concerning the variability of the decorating activity, which is in line with the graphic tradition of the European LUP. Style and formal variable features of the figure might have responded to specific social conventions or to single author's skills, tracing new investigation lines about the cultural behaviour and the decorating activity: from the collection of the raw material and the preliminary modelling of the support, to the different artistic techniques (engraving and painting), from the use of the object to the definition of possible local artistic variations and/or inspiration at large scale. Moreover, it questions the thematic aspect in relation to the local fauna and its influence in the symbolic production, highlighting the importance of this stone in the wider debate about the extinction of the cave lions. Indeed, the Romanelli lion may represent the last evidence of this animal in Europe.
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