Beauty Of Language Research Articles

Stilistika Al-Qur’an: Memahami Bentuk-Bentuk Komunikasi Metafora dalam Surat Ali Imran

This research aims to delve into the stylistics of the Al-Qur’an, particularly the use of metaphorical communication (isti'arah) in Surat Ali Imran. This study uses a qualitative descriptive method to collect data from the Al-Qur’an, exegesis, and relevant literature. The research findings identify and analyze various forms of isti'arah employed in Surat Ali Imran, conveying metaphorical messages with linguistic uniqueness and brilliance. The analysis reveals that isti'arah serves as an effective tool for conveying religious concepts and enriches the reader's understanding through strong symbols and analogies. The research conclusion affirms that the presence of isti'arah in Surat Ali Imran enhances the Quranic language's beauty and adds depth to the comprehension of religious concepts. This metaphorical language style serves as a window that showcases the wisdom and grandeur of the Al-Qur’an, inviting readers to contemplate and understand divine messages more profoundly. Thus, this research provides valuable insights into the use of isti'arah in conveying metaphorical meanings in the Al-Qur’an, enriching Quranic readers' religious and linguistic understanding.

دور هعهذ األكاديوي ضياء تٌيادوف للذراسات الشرقية تأكاديوية أررتيداى الىطٌية للعلىم في دراسة األدب العرتي خارج الىطي العرتي

Language‟s definition varies in the literature. One of the most accurate definitions of language is that the language is the voice through which people express their purpose, it is a tool for communication, understanding and interaction between people, and this is a phenomenon that reflects human knowledge and culture. At the same time, it is a powerful factor that animates people and helps them to develop and thrive. The beauty of the language is reflected in examples of poetry and prose of folk literature. It is one of the most famous and widely spoken languages in the world. Arabic is the language of science and culture and helps to transmit religious, scientific and literary knowledge throughout history. There is no doubt that Arabic literature emphasizes the beauty of the Arabic language from preIslamic times to the present day. Arabic literature attracts the attention of the whole world, both ancient and modern. One of the countries where the Arabic language and its literature is taught is Azerbaijan. There are universities and institutes that contain faculties of Arabic literature and its departments. One of the scientific institutions that study the Arabic literature is the Institute of Oriental Studies named after Ziya Bunyadov of the National Academy of Sciences of Azerbaijan. It should be noted that the most important results of scientific research and books of the Institute are used in educational institutions within the country and abroad.

The Language of Beauty in African Art curated by Constantine Petridis

The Language of Beauty in African Art curated by Constantine Petridis

The dynamic role of inhibitory control in language switching during number-word task performance in dominant and balanced bilinguals.

Language is one of the fascinating abilities of the human species. The beauty of language becomes intriguing when we examine language processing among bilinguals. This work attempted to study the effects of language dominance among native Hindi speakers who were either Hindi dominant, English dominant, or balanced bilingual in a language switching task. The task required the participants to read aloud the number-words that were presented singly on the computer screen. The findings support the inhibitory control model's predictions as the results were indicative of asymmetrical switch cost for both the Hindi and English dominant bilinguals. In both the language dominance condition, moving back to the dominant language from a non-dominant language required more time than vice versa. The results also indicated overall reduced reaction time in the reading task performance for balanced bilinguals, further demonstrating the benefits of balanced bilingualism.

Figurative Language in Poetry for Children Selected by Sylvia M. Vardell (2020) with Family and Friends Theme

Figurative language is a way of conveying a message using the beauty of language. The use of figurative language is usually found in casual conversation, novels, poems, song lyrics, speech, and poems. This study aims to investigate the types of figurative language in selected children’s poetry compiled by Sylvia M. Vardell (2020). This research focused on the types of figurative language and the meaning of those figurative lines. The method of this research is the descriptive qualitative method. The object of this research is the figurative lines from selected 5 poems with family and friends theme. The researcher also made a conclusion about the most frequent types at the end. To achieve the goal of this research, the researcher employed the theory from Laurence E. Rozakis (1995) about the types of figurative language. Thus, from 43 data, the findings show that there are 12 occurrences of hyperbole, 18 occurrences of metaphor, 1 occurrence of simile, 2 occurrences of ambiguity, 5 occurrences of personification, 3 occurrences of synecdoche, and 2 occurrences of allegory. The researcher finds a conclusion about the most dominant type in this research, which is metaphor.

Effects of Poetry on Relaxation and Liberalism of Thoughts and Feelings: A Case Study of Poets, Poetry Readers, and Therapists

Poetry is the most potent expression of emotions and sentiments. The language of beauty and expression takes both the reader and the writer to another realm of imagination. Reading and writing poetry may be the most effective therapy for dealing with any emotional condition. Poetry may be utilized in various ways by therapists, readers, and writers to obtain advantages that improve their physical, social, and emotional well-being. While there has been a lot of study on poetic therapy in general, there has been very little research on how poets, writers, and therapists utilize poetry. The study hypotheses that poetry has no impact on readers and authors to disclose their feelings. To validate this hypothesis the researcher has adapted qualitative method for analyzing data collected by means of interviews that held with, the readers, authors, and therapists. The study found 25 poetry enthusiasts including poetry readers, writers and enthusiasts in Duhok, Iraq in Nawroz University in College of language-English department. All of the participants were interviewed, both online and in-person, and their interviews have been audio recorded for the research. The answers were analyzed, and three findings were drawn: the impact of poetry on relaxation and liberalization of ideas and emotions, the effect of poetry therapy, and poetry therapy methods. According to this research, poetry is an excellent tool for readers and authors to explore emotions and feelings and offer expression. The usage of poetry therapy has also been shown to have beneficial reward for therapists while conducting it with their patients as tool for treatment. Its worthy to note that the current research does not focus on a particular type of poetry. It rather follows on eclectic approach ie taking different types of poetry written in different languages into account.

The Pleasures of Domesticity

AbstractThis article analyzes Egyptian print advertisements of gas stoves, refrigerators, and washing machines as a way to consider how the technopolitics of Egyptian modernity intersected with gender politics—both at the level of state policy and in everyday life—in the two decades following the 1952 revolution. It argues that the proliferation of advertisements for Egyptian-made stoves, refrigerators, and washing machines found in the popular press during this period envisioned domestic technology as a critical building block in a gendered social contract between the state and the Egyptian people. Aimed exclusively at women, such ads stressed values like pleasure, abundance, affordability, and leisure—a vision of society where every housewife could achieve her dreams and every family could have a modern kitchen. These idealized images were not a new feature of household advertisements. However, the language of pleasure, beauty, and happiness used to advertise household goods prior to the revolution became embedded in new gendered definitions of citizenship after it. Advertisements also depicted women as primary beneficiaries of Egyptian state socialism and, in doing so, papered over some of the tensions in the state’s plan to mobilize women as workers, housewives, and consumers.

Красотата като автентичност и автентичността като красота в разказите на Николай Хайтов

In this article, I examine some philosophical intuitions and existential motives in the descriptions of the beautiful in the stories of Nikolay Haitov. When Haitov asks what the "soul” of our language is, “its beauty", he does not give an explicit answer, but simply describes the beauty he sees in the richness of the Bulgarian language. If the beauty of language, which has found expression in folk songs and stories, implies the gift of unknown "talented masters", bards and story tellers, then, for its part, this beauty lasts only insofar as it is daily revived and shared in people’s soul. The soul wants a soul. Haitov's stories are valuable from a philosophical point of view, because they show the primordial and inseparable connection of beauty and language – the sense of beauty is cultivated as an experience in language. And then any masterly artistic description of the beautiful can be considered as a kind of reciprocal relation of language to the sense of the beautiful, in which the latter is enriched and constructed as taste.

Щрихи от епистоларната теория за „Доброто Писание“ на „Красни Писма“ в „Славеноболгарский предручний послателник за наставлениe на болгарските юноши“ (1835) от Неофит Бозвели и Емануил Васкидович

The hereby offered article points out some strokes from the revival epistolary theory that is presented on the pages of the letter-writing manual “Slavenobolgarskiy predruchniy poslatelnik za nastavleniya na bolgarski yunoshi” (1835) by Neophyte Bozvely nad Emanuil Vaskidovitch. The main target of the following research is the philological insight of the two teachers from Svishtov in the aspects of soundness of language and its stylistic perfection, and their following instructions concerning the writing of good and proper letters. Following the basic beliefs of the European Enlightenment and especially the correlation between the right, the virtuous and the beautiful, Bozvely and Vaskidovitch are constructing their own concept about the language and style of the letter by planting the two principles: “Write good when you do” and “Write just as you speak”. Under the banner of these two absolutes the coauthors introduce the stylistic demands for brevity, simplicity, aptness and beauty of language.

TO STUDY THE AMBIGUITY OF MATHEMATICAL LANGUAGE IN STUDENTS' UNDERSTANDING OF MATHEMATICAL CONCEPTS.

Language has always been a vital part to understand and learn new concepts of any field. Every discipline has its own specific language.Scholars,especially mathematics students,get so fascinated by the beauty of language & the symbols used in the mathematics teaching-learning process. In the present study, researchers tried to find relations and facts related to mathematical language.Since there is always a scope to acquire new knowledge in all disciplines,hence they would like to know the reasons for finding the mathematical language as difficult to understand by students and the reason for having confusion between some words used in the English language & mathematical language.In the present research, some students of elementary grades were interviewed by researchers by providing them with some random words and then using those words in sentences to get an insight into students' understanding of the mathematical language & to know the times students ever faced any difficulty or any confusion regarding the same

“A Stern Language of Beauty”: Ecological Grief and Ecofeminist Ethics in Paula Meehan’s Poetry

AbstractThrough publicly mourning the loss of family members, communities, and natural habitats, Paula Meehan’s poems de-privatize and politicize grieving and lamentation, functioning in resistance to the existing social and cultural norms. From Reading the Sky (1985) to As If By Magic (2020), Meehan has been conscious of and has continuously delineated the deterioration of the ecosystem due to the exploitative expansion of human society. Drawing on ecofeminist theories and Judith Butler’s theorizations of precariousness and grievability, the essay explores how Meehan depicts ecological grief and the interrelationship between human and nonhuman beings at different stages of her poetic career; it further probes how she illuminates and complicates the ethics of mourning and ecofeminism in her ecological elegies.

THE PSYCHOLOGICAL STRUGGLE IN THE SONG “GIVE US CHILDHOOD” BY REMY BANDALI

Abstract
 Literature is a form of art that expresses human thoughts and feelings through the beauty of language, the originality of ideas and the depth of the message. Where literary psychology is a literary study that includes works as psychological creativity. The researchers were interested in analyzing the song "Give Us Childhood" by Remy Bandali using the literary psychology method, and the reason for the analysis from the perspective of literary psychology is that it found an internal conflict experienced by the characters in the song. The research method used in this study is descriptive analysis, which describes the forms of internal structures of Palestinian children in the lyrics of the song "Give Us Childhood" written by Remy Bandali. As for the data in this study, it is journals, articles and research related to the research

Imagism of Chinese Poem: A Literary Study on Ezra Pound’s Poetry

Imagism aims at creating poetry as art, pursuing the clarity and beauty of language, and implying personal emotions via images. While Imagism brings the most influential change in English literature, Chinese traditional poetry with its unique cultural and historical style stands out in world literature with rich emotional expression through images. This literary study compares Ezra Pound’s imagist poems with classical Chinese poetry, reviewing his translations of Chinese. To scrutinize the data, a qualitative research method that covers document analysis techniques was implemented comprehensively. The research reveals that Pound’s translated Chinese poems build a strong bond between the two cultures. Chinese traditional poems and Imagism poems share their love of descriptive language, a passion for accurate detail creation, joyfulness towards metaphor, analogy, personification, and other writing techniques, while they all conserve their own art form and identities Keywords: Chinese poem, Ezra Pound, Imagism

Robert Frost’s Poems: Picture of “Man”

Robert Frost’s Poems: Picture of “Man”

ARTISTIC TECHNIQUES USED IN THE CHINESE TRANSLATION OF THE NOVEL "THE WAY OF ABAI"

Due to the deepening of the study of the Kazakh language and literature, the art method, which is often used in the literature, attracted the attention of researchers. In this article, the novel "The Way of Abai" identifies the methods and techniques of depiction, which are regularly used in the Kazakh language literature. We use language not only to convey ideas and convey information, but also to convey it accurately. It is correct, clear and understandable. It should also strive to be as lively, relevant, systematic and appropriate as possible to give people a deep impression and the beauty of language. How to actively mobilize linguistic and non-verbal factors to obtain the most ideal expressive effect in the most appropriate language form after processing, based on the fact that the content and language environment of expression is determined. The practical function of this language is rhetoric. In language, the content of the same idea can be expressed in different linguistic forms, and these different forms have their own peculiarities and expressive effects in different contexts. Let's briefly compare the oratory and cultural meanings in Chinese and Kazakh.

Мир гуцулов глазами Сергея Параджанова: семиотический перевод, киноязык, бытийные инварианты

The article analyses Parajanov's reflections on semiotic translation, on the example of the life, traditions, and customs of the Hutsuls, as recorded in his article “Eternal Movement” about his film Shadows of Forgotten Ancestors. Shadows of Forgotten Ancestors became a stylistic and semantic invariant for Parajanov's subsequent films. In fact, it became a manifesto movie. Parajanov found his own thematic language and creative constants, such as rituals, traditions, customs, and sacraments. By focusing on the creative invariants of the lives of different peoples (Hutsuls, Armenians, Turks, Tatars, etc.), Parajanov began to aesthetically conjecture and reveal their inner worlds, customs, and more. Shadows of Forgotten Ancestors is based on a deep love of Hutsul culture, as well as I. Savchenko's “method” that assumes a direct cognition and absorption of the object-culture, nature, and the sensual world on different communication channels (visual, auditory, olfactory). Based on the deep knowledge of the Hustsul culture, Parajanov works with the world of values, by translating the text into a visual image, as well as fantasizing visual customs. Through the bearer of culture, an elderly woman, he began to look at the world of the Hutsuls and absorb their spirit for the correct reconstruction of the material in the transnational language of beauty and recoding denotative codes into connotative ones. Parajanov's reflection on the film showed the transition from the amorphous cinematic language of socialist realism to the language of auteur cinematography: the rejection of clear plot reproduction, photographic reproduction of everyday life, manners and customs, “notorious canons”, “old habits, and impressions”. The emergence of the author's cinematic language made his conflict with the Soviet cinematic system and nomendaturai “elite” even clearer. This is evidenced by the fact that Parajanov still had to defend his position and argue against dubbing his film, since in that case, the viewer would lose the authentic auditory world of the Hutsuls.

Restoring the Self in the Language of Beauty and Balance: Esther Belin’s Of Cartography

The article analyzes the collection of poetry, Of Cartography, by Navajo poet and visual artist Esther G. Belin. In the collection, the poet explores the concepts of home and the self, merging her urban experience with traditional Navajo teachings. Written in a mixture of English and Navajo, the collection abounds in experimental poems with structure directly referring to the Navajo view of the cosmic reality. Grounded both in the Navajo philosophy of Beauty and Balance and modern, urban experience, Belin’s story can be interpreted as a healing rite that aims at restoring hózhǫ́: an ideal Navajo way of life which centers on the spiritual, physical, emotional, and psychological well-being of an individual and his/her community.

The Color Palette in the Work of the Iranian Writer Rаziye Tujjar

The article analyzes the symbolic expressions reflected in colors in the stories of Razia Tujjar, one of the greatest representatives of modern Iranian literature. In modern Iranian literature, the famous writer Raziye Tujjar has a great ability to fully understand a woman's heart, reach the depths of a woman's heart, revealing all its secrets. Raziye Tujjar writes in a unique style that distinguishes her works from other writers for the richness of philosophical observations, the beauty of language and style, and the presentation of social problems. Most of the characters in her stories are women. The writer is very fond of colors in her stories. She sees the world through different colors and shades. Especially gray, full of hardships, she describes it and ends her work in a depressed state. Our scientific article also emphasizes the role of color symbolism in the richness of the literary imagery of the writer.

Al-Naẓm Stylistic Discourse in I’jāz al-Qur’ān Based on Al-Jurjānī’s Perspective: Analysis of Arabic Literature Criticism on the Qur'an Studies

This article discusses Arabic literature criticism during the classical period represented in al-Jurjāni’s naẓm (poetic) theory. It aims to analyze al-Jurjānī's thoughts in the field of balāgha (Arabic rhetoric) in revealing the miracles of the Qur'an in terms of its language beauty. Al-Jurjānī argues that one of the miraculous aspects of the Qur'an is concerned with its naẓm. Although the theory of naẓm had been previously proposed by Arabic literary scholars, such as al-Jāhiẓ, al-Baqillānī and al-Rummānī, al-Jurjānī, however, elaborated and developed the theory naẓm in great details. His theory contributes to the development of the meaning of balāgha and introduces it to public audience amongst scholars of the Qur’an. Al-Jurjānī concludes that naẓm is determined by the meaning of the Qur'anic verses as well as the structure in the discipline of naḥwu (grammar). The naḥwu and naẓm theory work together to generate meaning of the spoken sentence. Al-Jurjānī’s concept of naẓm supersedes later experts' and even modern Western linguists' discoveries and knowledge in the field of Arabic literary criticism.

THE LANGUAGE STYLE IN THE LYRICS OF DARA AYU'S SONG AND ITS LEARNING IMPLICATIONS

Literature is an art form expressed by human thoughts and feelings with the beauty of language, the authenticity of ideas, and the depth of messages. instruction guideline , from the basic word A›As- which means instruction teaching . Language style in rhetoric is known as style. In subsequent developments, the word style then changed to the ability and expertise to write or use words The results of lyric research on Dara Ayu's songs can be concluded that there is a dominant language style that is asonance, and there are other styles of language, for example personification, repetition and parallelism. Keywords: language style, song lyrics, implications