Editors' Preface Diane C. Fujino and Lisa Sun-Hee Park This special issue of the Journal of Asian American Studies presents a wide range of scholars raising critical questions about the work of Asian American studies. The guest editors, Cathy J. Schlund-Vials, Lily Anne Y. Welty Tamai, and Paul Spickard, invited scholars to wrestle with the inter/discipline of the field at the fortieth anniversary of the founding of the Association for Asian American Studies in 1979. Several of the essays began as presentations at the 2018 AAAS, and all had drafts completed before the pandemic. COVID-19 disrupted this special issue, as it did all our personal, professional, and collective lives. Many authors revised their essays in 2021, revisiting their ideas through the lens of the urgencies of the global health pandemic as well as the intensified focus on anti-Asian racism and antiblack state violence. The seventeen scholars in this special issue interrogate—from different disciplines, methods, and perspectives—the work of Asian American studies, not as a static field, but as one responsive to scholarly theorizing and to interventions and changes in the material and discursive society in which we are embedded. The essays vary widely. But taken as a whole, this issue makes explicit and implicit inquiries about the kinds of questions that frame Asian American studies and what this then obscures. They wonder whether the original goals of the field—with its focus on, as the guest editors note, "communities, partnerships with activism, solidarity with other communities of color, and defense against racism and gender and class oppression"—ought to be the primary mechanisms animating the field, or in what ways these ideas have shifted and towards what new formations. This is not to suggest that there is a disavowal of the original goals of the field. In fact, many authors suggest that the ideas and critiques and activist struggles that established the field either remain or, having shifted away, are now being revisited. While some might assume that Asian American studies [End Page v] is "designed for the advancement of Asian-raced people," it is, as Kandice Chuh states, "a way of bringing to bear the critique of power as the energizing force of the field." Her essay invites us to re-evaluate the meanings of what we think we understand about the field and its interrogations of power. Several of the essays work to critique and expand the field, and, perhaps seemingly paradoxically, some "newer" ideas actually reactivate ideas permeating the field's founding. Yê´n Lê Espiritu, in her article in this issue, looks at the ways critical refugee studies demands the global study of race, imperialism, and war, beyond the domestic landscape of what some consider Asian American studies. Lisa Yoneyama invites the field to consider how transpacific critique, as well as Native Pacific Islander studies and Southeast Asian studies, shapes Asian American studies. Josephine Nock-Hee Park, borrowing from Roderick Ferguson, asks what it means when we replace redistribution power with representational frameworks. She uses her own experiences at the university to critique narratives of success and to explore what is gained and what is lost through institutionalization. Naoko Shibusawa similarly uses compelling examples from her own experiences in various campus struggles to offer reflections on solidarity. She delves into the tensions swirling today among people centering antiblackness and Afro-pessimism to the exclusion of other kinds of racisms. Her musing on the specific and nuanced ways in which anti-Asian racism manifests (as a "sucker-punch" in her formulation) reminds us of Mitsuye Yamada's widely circulated essay, "Invisibility is an Unnatural Disaster." Jean-Paul R. Contreras deGuzman, and Douglass Ishii in a separate essay, share candid reflections on the life of contingent labor in the university and what is being asked of a field that claims to center critiques of power and work for transformative justice. We are proud to have redesigned the journal's cover to feature artwork, and view the cover's visual image as evocation of the themes in this issue. The artist, Cece Carpio, identifies as an Asian American, Filipina Indigenous immigrant who specializes in creating public art locally, nationally, and internationally. Her...