This article contains some language that readers may find offensive. Black people have never been human. White heteropatriarchal paradigms in the United States depend upon the abjection of blackness, excluding us from the realm of human identities. It is this exclusion that generates the problem of unintelligibility; this lack of grammar in turn renders black bodies invisible and more vulnerable to violence. The article attends to the black disabled body as a source of new grammars , short-circuiting the separation of blackness from other modes of difference. These new grammars, or what the article articulates as crip superpowers , theorize new ways of thinking, knowing, and being beyond abjection. By building on the labor of black feminist, crip/queer, and disability scholars, this intervention into disability studies analyzes how marginalized bodies engage with issues of erasure and disability within the black community. The article offers a transtemporal reading of Essex Hemphill’s Ceremonies (1992) and Danez Smith’s Don’t Call Us Dead (2017) to examine how black disabled subjects have developed these new grammars across time and space. Through this affective connection between the past and our contemporary moment, we can, as it were, go home ; we can imagine, that is, alternative worlds, where we can be whole and free.