Background This paper presents a comprehensive analysis of the themes of lack, desire, and denial in the realm of disability culture as conceptualized by Dan Goodley. In Disability Studies: An Interdisciplinary Introduction (2011), Goodley re-examines the psychoanalysis of disabled characters, Emphasizing the necessity of a critical approach to psychoanalysis rather than a blind alignment with it. Despite this caution, he investigates potential connections between Lacanian theory and disability studies, acknowledging the current literature on this topic is limited and lacks further development. Nevertheless, the author argues that psychoanalysis is most effective when used to understand the biases and prejudices faced by handicapped individuals in a culture, as well as the unrealistic expectations of extreme rationality and independence in modern society. Method The research juxtaposes the disability portrayals in J.M. Coetzee’s Slow Man, written from an abled author’s perspective, and John Green’s Turtles All the Way Down, written from a disabled author’s perspective. Through meticulous evaluation of these works, the article uncovers how the writers’ individual encounters and viewpoints influence their depiction of disability. Result The analysis uncovers notable disparities in the portrayal of disability in the two works. These disparities are influenced by the authors’ personal experiences and perspectives, highlighting the significant differences in how abled and disabled authors depict disability. Conclusion This approach reveals the significance of having a variety of perspectives in literature, specifically focusing on the influential role of authors with disabilities in establishing disability culture and promoting a nuanced comprehension of disability within society. It promotes a nuanced comprehension of disability within society, underlining the critical role of varied authorial viewpoints in enriching the understanding of disability.
Read full abstract