A Review of Textual Rivalries: Jesus, Midrash, and Kabbalah Sharon Carson (bio) and Gilad Elbom Elbom, Gilad. Textual Rivalries: Jesus, Midrash, and Kabbalah. Minneapolis: Fortress Press, 2022. Pp. 210, $39.00, hb. This isn't a book review in the usual sense, but rather an exchange between Gilad Elbom, the author of Textual Rivalries: Jesus, Midrash, and Kabbalah, and myself. Both Gilad and I serve as editors for NDQ. We are friends and colleagues, and we have talked about textual and cultural interpretation of religious and other texts for many years. Gilad brings his considerable talent as a literary scholar, a translator, a comparativist in religious studies, and a fiction writer to this beautifully written book, and we at NDQ are delighted to see Textual Rivalries in print. No doubt like others among his readers, I lack some of the deep-dive experience in linguistics—and all of the deep-dive experience in the Hebrew language and Kabbalah studies—that a full critique would require. But happily, Textual Rivalries is interdisciplinary, comparative, and accessibly grounded in questions central to the humanities and central to pluralistic communities of interpreters. In fact, a key strength in Gilad's work is that he opens and sustains the reality of interpretive multiplicity. He does this in Textual Rivalries across diverse interpretive traditions and texts within Judaism and Christianity. He very successfully opens this world of "multiples" for serious readers across a spectrum of interests and backgrounds. Gilad's prose is philosophically, artistically, and existentially engaging, whether one has a theological stake in the narratives of the Torah, the Talmud, the New Testament texts, the Kabbalah textual traditions (and the endlessly unfolding commentaries on all of these), and/or a literary or interpretive stake in the same texts, or some other stake altogether. Readers should also be prepared to embark on their own tangential interpretive adventures sparked by the remarkably sharp conceptual and textual detail in every chapter. Just one example: Gilad has me off again reading the late and indefatigable Jewish studies scholar Jacob Neusner, especially his work on the life and thought of Yohanan ben Zakkai, a key [End Page 34] Jewish thinker of the first century. Textual Rivalries is especially successful in bringing some of the cultural and interpretive issues of the past into a clear dialogue with concerns of our present. It's a truly generative book on many levels. I asked Gilad a series of questions, and our exchange is reproduced below. Hopefully the questions I tossed to Gilad will indicate some of the range in the book itself and his thoughtful responses will offer a collaborative invitation for readers to head off and find their own way along the many interpretive paths he created in Textual Rivalries. sharon carson (sc): Your book unfolds as a multilayered call for interpretive openness: a resistance to making texts or meaning static and closed. It's clear that this call has a particular context for you in the realms of human interpretations of scripture, but you also talk about metafiction. I'm curious: to whom are you speaking via this rhetoric of "call to openness"? How is your book an engagement with particular audiences (emphasis on the plural), with particular agents in culture, and with particular historical stresses? What contemporary concerns moved you to craft such an intricate engagement with the problems created by interpretive closure? gilad elbom (ge): I'm very suspicious of people who know, people who hold opinions, people who look for answers. I'm even more suspicious of people who know the answers. I prefer questions. If I can read a text, any text, and come up with five different interpretations, I'm happy. If I can come up with ten different interpretations, I'm happier. I'm fascinated by possibilities, new combinations, multiple perspectives, clashing points of view. But I don't think we live in a society that values this kind of openness. We live in a society that teaches persuasive argumentation: how to formulate a clear thesis, how to support a personal opinion, how to defend a main argument, how to win a debate. In this context, metafiction offers a good alternative. It rejects the idea...
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