Jewelry Design Research Articles

Generative Artificial Intelligence as a Tool for Jewelry Design

Generative Artificial Intelligence as a Tool for Jewelry Design

Jewellery Making, Boundary Objects and Creativity in Social Work

The use of the arts in social work is creating space to reimagine effective communication, meaningful relationships and social change. Peripheral to this growing body of knowledge is jewellery design and making, a lacuna that this paper addresses within the context of recovery journeys. The paper presents art as an activity which can lead to tangible outputs, understood as ‘boundary objects’ and as an embodied aesthetic and sensory experience, for building dialogical relationships. Using the concept of ‘boundary objects’ is a new, yet achievable ambition for social work. Insights are presented from a small qualitative study on the use of jewellery making for assisting women, who have experienced trauma, to develop a positive self-identity and confidence. Jewellery making is introduced as a method for reframing trauma narratives into tangible objects. Part of the women’s embodied experiences are situated in the jewellery, an object of adornment external to them, rather than remaining trapped inside their body. For social workers, identifying objects (a piece of jewellery, a photograph, or any range of items) that symbolises or contains meaning for service users, can unlock a conversation that can lead to a deeper understanding of the person, their past, present and future ambitions.

Calligraphic Semiotic Interpretation in Jewelry Design: Culture, Identity and Expression

This article places the application of calligraphy in jewelry design under the perspective of semiotic research. It is a targeted study based on whether calligraphy can be organically integrated with semiotic characteristics for jewelry design. Supplemented by qualitative analysis, based on the relationship between the form and connotation of calligraphy and the signifier and the signified in semiotics, the positive impact of the integration and mutual promotion of calligraphy semiotics and jewelry design was deeply explored. This article first introduces the principles of semiotics, cultural semiotics and the research theory of traditional Chinese cultural symbols, then explains the essential characteristics and significance of jewelry design, and then focuses on the multi-dimensional and diversified connection between calligraphy, jewelry design and semiotics. After discussion and research, we finally reflected on jewelry design and attached relevant suggestions. The perspective chosen in this article is one of the outstanding features of this study. Although calligraphy and symbols originated from different cultural backgrounds in the East and the West, they have common attributes and functions that can be learned from each other. Based on the theoretical intersection of calligraphy and semiotics, the value and application of the combination of calligraphy symbols and jewelry design are discussed, which fully illustrates the close connection between Chinese calligraphy and semiotics and jewelry design. This article attempts to start with Chinese calligraphy and use semiotic research as a guide to construct a more practical "symbol"-"calligraphy"-"culture" jewelry design model. Through theoretical framework analysis, literature review, and empirical research, this article delves into how calligraphic symbols contribute to cultural heritage conservation, personal identity expression, and artistic expression in the context of jewelry design.

Application and Commercial Value of Traditional Chinese Auspicious Patterns in Modern Jewellery Design

Application and Commercial Value of Traditional Chinese Auspicious Patterns in Modern Jewellery Design

Malay Cultural Heritage Preservation Through Seni Tekat Motif On Kerongsang Tok Design

Seni Tekat is a form of embroidery on cloth, usually velvet, using gold threads, and has been an important form of cultural expression throughout history. The art of seni tekat embroidery is a treasure inherited from our famous ancestors in Kuala Kangsar, Perak. In Malaysia, Seni Tekat is a work-related skill heritage hand decorated with gold or silver thread embroidery sewn on a velvet base cloth according to a certain motive or pattern. The design senses of the motifs found in the gold thread art are inspired by the design composition of the pattern that borrows the design that is sourced from nature available in Malaysia. This form of embroidery has been down through generations, and it continues to be an important aspect of Malaysian culture. Preserving cultural heritage through Seni Tekat is a way of ensuring that the tradition does not disappear with time. Seni Tekat is an important part of Malaysian culture, and it must be preserved for future generations. Seni tekat can be used in several ways to ensure that the tradition continues to thrive. By creating Kerongsang Tok design using seni tekat motifs, and incorporating it into modern designs, the art of knotting can remain an integral part of Malaysian culture for years to come. The most important objectives of this research are to create an innovative source of inspiration for the Kerongsang Tok design and to preserve the Malay heritage of culture via the new design of Kerongsang Tok inspiration. The ideation process, which has a direct relationship to the fundamentals of Kerongsang Tok design, forms the basis of this design research. The process of creation starts with the design of the Kerongsang Tok, which is developed incorporating Malay patterns to complement its new source of inspiration. A survey has been conducted to determine which design is the best, with input from academics, students, goldsmiths, and jewellery designers. Based on the poll outcomes, an innovative inspiration for the Kerongsang Tok design was created. This study will help to preserve Malaysia's legacy, provide an educational resource for future generations, and promote an awareness of our unique cultural heritage.

Research on the Application of 3D Printing Technology in Enamel Jewelry Design

Research on the Application of 3D Printing Technology in Enamel Jewelry Design

DESIGN FEATURES OF ART PRODUCTS MADE BY LASER CUTTING METHOD

The study uses a specific example to show the design of a three-dimensional artistic product, the elements of which are obtained using gas laser cutting. The sequence of technological stages of manufacturing such an artistic product is given. The main technological cutting parameters for sheet steel and brass are presented. In order to analyse the influence of the technological properties of the processed material and the thickness of the metal on the technological parameters and processing modes, different materials for laser cutting were chosen: steel and brass. It is shown that the achievements of modern science and technology can be applied in the jewellery industry and allow solving any problems of industrial jewellery design. The artistic products presented in the article are chess pieces and were made as part of a diploma design.

Research on Key Technologies of Jewelry Design and Manufacturing Based on 3D Printing Technology

In conjunction with the swift enhancement of China’s economic prowess, the demand for jewelry among the populace is gradually evolving towards personalized, customized, and intricate designs. Traditional manufacturing approaches are increasingly inadequate to meet these evolving demands. However, the advent of 3D printing technology presents a viable solution for the direct fabrication of such sophisticated jewelry. To this end, the conceptualization of personalized jewelry inspiration is initiated, followed by the implementation of parametric design using SolidWorks 2018 software. Subsequently, 3D printing technology is employed to materialize the jewelry directly. Results indicate that the “Guardian” jewelry model, crafted through the parametric modeling method, exhibits a commendable design, and adheres to processing requirements following a comprehensive risk analysis. The strategic adjustment of the jewelry’s position effectively reduces the required support, circumventing the necessity of adding support to critical surfaces. The surface of the Selective Laser Melting (SLM)-manufactured “Guardian” jewelry boasts a lustrous finish, showcasing optimal overlap between pillars and excellent connectivity among pores. Minimal powder adherence on the surface is observed, enabling direct utilization post-sandblasting, polishing, and plating. This establishes a solid foundation for the direct application of SLM-manufactured personalized jewelry.

Perancangan Produk Aksesoris Fashion dengan Pemanfaatan Limbah HDPE dan PPE

Plastic is the most frequently used material as a storage container by the public. Its various purposes, wide range of colors, types, and sizes, its versatility makes plastic a popular choice of material. One of the characteristics of plastic is its single-use, which implies it often being thrown away after one use and increases the amount of plastic waste in circulation. One of the most frequently found plastic wastes in circulation is HDPE plastic, which has become a pollutant that contaminates both land and bodies of water. Management of plastic waste is currently still ineffective, that eventually end up in landfills or burned. HDPE plastic waste can be processed and repurposed into a new product to produce jewelry designs. HDPE plastic that will be processed will undergo a meticulous and attentive process to ensure its quality and cleanliness, so it can remain safe when it has direct contact to human skin. Plastic that is one of the biggest pollutants in the world, can be repurposed and produced as a new product that can be used every day, to reduce the number of plastic pollutants.

Designing Jewelry from identity Black Spinel Fragments of Kanchanaburi Province

The design of jewelry from Kanjanaburi Province's identity aims to: 1) Classify the types, limitations, and information of local identity materials in Kanjanaburi Province. 2) Study the identity of Kanjanaburi Province, both in terms of abstract and concrete. 3) Develop guidelines for designing jewelry using local identity materials that communicate the uniqueness of Kanjanaburi Province. The research team gathered data from both documentary sources and field surveys in the Kanjanaburi Province, leading to an analysis of business-related issues in the gem and jewelry industry in the region. The key summarized points for jewelry design into 3 points include: 1) Utilization of local identity materials, black spinel, in Kanjanaburi Province. 2) The essence of the abstract and concrete of Kanjanaburi Province's identity. 3) Trends suitable for developing jewelry patterns from local identity materials. The important components for creating design guidelines, designing jewelry from local identity materials, and selecting a prototype for production were derived from the expertise of three specialists. These components contribute to the production of prototype jewelry representing the unique identity of Kanjanaburi Province. The research results categorize the types of black spinel into three categories: black spinel, black pyroxene, and magnetite. The information on the identity of Kanjanaburi Province can be divided into four aspects: 1) Natural and Environmental Aspect, 2) Cultural Aspect, 3) Ritual Aspect, and 4) Gem and Jewelry Aspect. These aspects lead to the conclusion of design guidelines for jewelry made from black spinel, representing the identity of Kanjanaburi Province, as evaluated by experts. The designed work is a jewelry set called 'Kanjanigar,' specifically inspired by the Kanjanaburi Province's flower, the Kanjanigar flower. The jewelry set includes various earring designs that can be worn according to different clothing styles and occasions. The materials used in the design are small-sized black spinel plates, along with black pyroxene, using drilling and resin techniques. The researchers have transferred this work to local entrepreneurs in Kanjanaburi Province through practical training sessions, with 22 participants. The pre-training understanding of design was rated at 3.31, while post-training understanding significantly increased to 4.65. This indicates that the provided guidelines can effectively enhance the knowledge and skills of local entrepreneurs in Kanjanaburi Province in designing jewelry from black spinel.

The Thai Chinese-Malaysian Bonding Story of Baba Nyonya’s Cuisine in Phuket to Contemporary Jewelry

As a researcher who was born and raised in the culture of the Phuket Baba clan and is familiar with traditional Phuket local food, I understand how the past and present interweave seamlessly and harmoniously. I, therefore, would like to present the identity of Phuket’s local gastronomy or Pun Teh cuisine through contemporary jewelry design with the purpose 1. To design contemporary jewelry that can be applied to create a commercial prototype from studying the history, significance, meaning, and beliefs of Phuket local food. 2. To search for substitute materials from raw materials used in cooking Phuket local cuisine with a production process that is friendly to the environment to substitute the use of consumables in the jewelry industry. 3. To design jewelry through Phuket local food cultural capital that can be used as a commercial prototype in the future. This research uses a mixed research approach consisting of quantitative research at the beginning and qualitative research with surveys primary and secondary data collections. The research utilizes the principle of cultural capital management for local food in Phuket, analysis, and experimental materials as a research framework. Research Area is the old town area known as Thalang Road in Phuket Province. The research model focuses on studying the history and significance of Phuket local food culture, raw materials for food preparation, meaning, beliefs, Nyonya wares, Siannah, and Toei Panan woven baskets. The study found that Phuket local foods that are in line with the objectives of the jewelry design include crispy sticky rice, Hokkien noodle, O-aew or Aiyu, Moo Hong, and Tumi curry, by interpreting the identity of Phuket local food through the processing of raw materials used in food

Analyse the Connection between Jewelry Design and Consumers

The way jewelry is designed has an significant impact on consumers’ consumption behaviors. The present study digs into the symbolic significance of jewelry as a source of personal and societal expression, detailing how modern design choices are purposefully guiding consumer behavior. It predicts a design progression that blends legacy with modern style, based on a thorough grasp of historical relevance and current market trends. The study emphasizes the importance of expertly priced and promoted items to meet consumers' changing expectations. It believes that digital engagement and tailored offerings will become increasingly important in the future environment of jewelry selling. At the same time, a good brand image should be established to connect customers to ensure the improvement of brand awareness. The findings indicate that smart pricing and efficient marketing are critical, and that proactively leveraging sophisticated, consumer-centric strategies will be fundamental to future success in the jewelry industry. The results of this work can serve as the foundation for additional empirical investigations in the future.

JEWELRY DESIGN: A PERSPECTIVE ON SOCIAL AND AESTHETIC CHANGES IN THE USSR AND EASTERN EUROPE IN THE 20-21st CENTURY

The study explores the significant impact of adornments in shaping clothing identity, highlighting contemporary jewelry as a distinct manifestation of individual taste in an ever-changing society. Analyzing social changes in the USSR, Ukraine, Bessarabia and Eastern Europe, as well as the disintegration of the USSR, the research reveals the interaction between communist aesthetics and traditionalism, generating innovations in jewelry design. Technological evolution has brought significant changes and the study emphasizes the importance of researching preferences and analyzing contemporary trends in understanding current design directions in jewelry today. The findings reveal that jewelry from the USSR and Europe in the 20th-21st century reflects temporal changes and cultural diversity, marking a continuing transformation and diversity in the artistic expression of contemporary jewelry.

The Impact of Technology on Jewellery Design and Manufacturing: Exploring Traditional and Modern Techniques

The Impact of Technology on Jewellery Design and Manufacturing: Exploring Traditional and Modern Techniques

POISONING ARTIFICIAL INTELLIGENCE

Over the past decade, the proliferation of electronic devices, wearables, and information technology has enabled the collection and extraction of vast amounts of personal and behavioural data, penetrating our biological and physical nature. We are witnessing the gradual transformation of data mining into life mining. The big data collected feeds machine learning algorithms and artificial intelligence systems, which effectively implement real-time surveillance of our lives, mainly for commercial purposes. Starting from theoretical reflections on the relationship between humans and non-humans in AI, the essay identifies some projects by fashion and jewellery designers that subvert the ubiquitous surveillance system, acting concretely in specific processual and technological dynamics. Finally, by adopting a disruptive approach, the essay seeks to chart new spaces of design thinking that disobey or begin to question the prevailing logic involved in AI.

Sharia Economic Review of Gold Selling Price Determination

This research aims to find out how Sharia Economic Review on Determining Gold Selling Prices (Case Study at the Cempaka Indah Gold Shop, Talang Babat Village). and the results of this research; First, gold traders have a very strong position in the marketing mechanism for gold buying and selling transactions because the level of stability of the gold business is very stable. In this gold buying and selling transaction, gold traders carry out price dualism. The price of gold sold by traders to buyers is always very different from the price of gold sold by buyers to traders. Second, the price of gold for consumers is always higher than the standard price because gold as jewelry is more expensive because of the aesthetic value and complexity of the jewelry design. Third, the government never sets the price of gold so respondents' answers are still very ambiguous. Because they do not yet understand the dominance and power of gold traders in marketing mechanisms and gold price movements. Fourth, the practices carried out by East Tanjung Jabung Marketing to increase or decrease the price of gold are not in accordance with Islamic law

Sustainable Materials for Jewelry: Scenarios from a Design Perspective

The complex nature of materiality describes the modern era and raises several questions, especially regarding sustainability. With the significant expansion of science and industry, the variety of materials available for designers is unlimited, and they are no longer forced to use materials that are provided directly by nature. Therefore, artificial materials are becoming more popular, offering new possibilities from a creative and innovative perspective. This introduces a new, challenging context for the jewelry design practice that should provide a positive and more sustainable approach. The paper aims to define future scenarios for sustainable materials for jewelry merging science and design. Cutting-edge movements are experimentally operating at the intersections of varied fields, occasionally deviating from conventional methods. Primarily, this article is intended to provide an overview of the current advancements in sustainable materials, emphasizing the strengths and potential benefits they could offer. Then, the paper investigates four scenarios as results of the intersection between science and design, highlighting the impact on the jewelry field. Four scenarios will analyze the materials currently employed in different fields and their possible application in future innovative tracks: designing sensibly; reshaping waste; modeling nature; making in lab. Lastly, this paper shows how crucial it is for designers and companies to take a proactive role and become agents to extend access to sustainable solutions.

The application of carving technique based on 3D printing digitalization technology in jewelry design

The application of carving technique based on 3D printing digitalization technology in jewelry design

Analysis on the Materials Used in Weaving Jewelry Design

The present study discusses the use of materials in the weaving jewelry, weaving jewelry is a type of jewelry that has a structure or texture similar to the textiles works. Although the practice of weaving jewelry is evident, there are many styles of weaving jewelry around the world, many researches talk about the designs, methods or structures of the weaving jewelries but few comprehensive overview of the materials involved. This study is a qualitative research method, bibliographical and scientific literature review were carried out as well as consulting collections of artists and designers, currently working with jewelry. This study takes the attempt of weaving materials in jewelry design as the theme, talking about how to make weaving materials unique and beautiful.

The Influence of Aesthetics and Apparent Usability on Jewelry Design Preference

Over the last two decades scholars have studied the relationship between product usability and consumer purchase intentions. It has been established that perceived usability is valuable for predicting intentions to purchase water bottles, kitchen appliances, smart devices, etc., but there has been little research on the role of usability in jewelry purchase decisions. Product aesthetics is also an important factor in consumers’ purchasing decisions; aesthetics creates attraction, evokes emotions and satisfaction in shoppers. This article aims to investigate the role of aesthetics and usability in jewelry purchasing decisions in India. A survey of 194 potential jewelry customers was undertaken, with respondents asked for their opinions on six product concepts for handmade glass pendants. Our results show that aesthetics, usability and willingness to purchase handmade glass pendants are strongly and significantly related to each other. When correlation and multiple regression analysis were performed on the survey data, it was found that both usability and aesthetics positively influence purchase intention. This study finds that aesthetics and apparent usability are both valuable predictors for purchase intention of glass pendants. Keywords: Aesthetics, Craft, Design, Apparent usability, Craft cluster