Previous articleNext article FreeEditor’s IntroductionPaul StirtonPaul StirtonBard Graduate Center Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreDesign historians and material culture scholars have long been aware of the affective role of one’s surroundings, and the ways in which objects shape and even direct our behavior. In fact, most thoughtful people recognize this. Nevertheless, it was slightly surprising to discover that John Maynard Keynes gave a talk on this very subject to the secret society known as The Apostles in Cambridge University in 1909. But why should we have been surprised? Keynes was incredibly smart by any standard, so it was probably as natural that he should consider the influence of furniture on love, as he might address issues of monetary policy, elasticity of demand, or the law of diminishing returns. The manuscript of this talk lay in Keynes’s papers at King’s College Cambridge and is published here for the first time as one of our Primary Source Texts.The articles in this issue are more widely dispersed than usual; from eighth-century Northumbria to eighteenth-century India, and on to antebellum Philadelphia and postwar Glasgow. Each of these articles examines different media deploying a variety of techniques. Ben Tilghman considers the processes of laying out manuscript pages in the early Middle Ages and how this affects their meaning; Siddhartha Shah traces the changes in symbolism and status that a highly prized diamond undergoes when translated from the Punjab to Britain, from the armlet of Duleep Singh to the crown jewels of Queen Victoria via the Great Exhibition of 1851; Anne Verplanck aims to put some of the people involved in early American portrait photography back into the picture in her study of daguerreotypes in Philadelphia; and Glenn Hooper considers the ways in which design and new materials played a role in re-establishing the British furniture industry in the wake of the Second World War by tracing the business history of one firm, Morris and Co. of Glasgow, between 1948 and 1958.The book and exhibition reviews in this issue are similarly wide-ranging. In England alone, we move from the glorious survivals of medieval embroidered vestments to the equally spectacular psychedelic clothing of the later 1960s, and from a single Lithuanian boot in Cambridge to the occasionally conflicting advice on home decorating in the Aesthetic Movement. Alongside this, one can find discussions of simulacra in medieval Germany, the autobiography of the Viennese émigré Paul Frankl, and a retrospective exhibition of the work of the French furniture and interior designer Pierre Paulin. Previous articleNext article DetailsFiguresReferencesCited by West 86th Volume 24, Number 1Spring–Summer 2017 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/693795 © 2017 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
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