History Classroom Research Articles

Students evaluating the trustworthiness of historical sources and internet sources: A comparison

AbstractFake news and disinformation are easily spread in today's digital society. Therefore, it is important that students learn how to evaluate the trustworthiness of online information, but this skill is often confined to a limited number of subjects in secondary education. History classes can potentially contribute to developing this skill. Therefore, the first aim of this study was to investigate whether there is a relationship between how Grade 9 students (N = 112) perform while evaluating the trustworthiness of historical sources and internet sources. Average student performance on both kinds of sources was similar, but the distribution of the scores was significantly different. There was a moderate correlation between students’ total scores on the historical task and the internet task. Two of the three criteria of trustworthiness that could be used on both kinds of sources were used by a great majority in both tasks. The second aim was to gain more insight into students’ (N = 8) and teachers’ perspectives (N = 8) on the usefulness of the evaluation skill learned in history class for other contexts, especially when searching on the internet. While most of the teachers mentioned the importance of the skill when using the internet, none of the students did so spontaneously. We suggest that history classrooms are an appropriate place to teach students not only about historical sources but also about internet sources, provided that more explicit attention is given to the relationship between both types of sources.

Pre-service teachers’ world history discussions: Distancing global citizenship, justice, and identity

In this qualitative multi-case study, we illustrate how three pre-service teachers from varying programs and social positions framed discussions in world history classrooms, and we discuss the broader narratives about the world their discussions communicated. Using critical theories of global citizenship education (GCE) and the Dynamic Systems Model of Role Identity (DSMRI), three primary data sources inform our analysis: observations of participants’ discussions, decision memos written while reflecting on their discussion facilitation, and semi-structured interviews. The three participants prioritized making discussion content relevant to their students. However, their facilitation practice ultimately contradicted such aims by favoring dominant and distancing global narratives, though this tendency went unacknowledged in interviews and while writing reflective memos. Our DSMRI cross-case analysis reveals how candidates’ role identities manifested in classroom discourse, with ontological and epistemological beliefs reliant on dominant global narratives. Despite varied personal experiences offering potential strengths for critical GCE teaching, participants’ self-perceived limited world history content knowledge appeared to condition their distanced and power-neutral facilitation approaches. By unconsciously relying on dominant narratives, teachers’ discussion facilitation positioned global issues firmly in the past and distant from students’ lived experiences and agency.

A HOUSE WITH EXPOSED BEAMS: INQUIRY‐BASED LEARNING AND HISTORIANS’ ETHICAL RESPONSIBILITIES AS SCHOLAR‐TEACHERS

ABSTRACTThis is an article about the relationship between historical scholarship and pedagogy. The teaching of history can itself be seen as a meaningful form of historical scholarship and poses some of the same methodological, theoretical, and ethical questions as historical research, albeit usually generating quite different answers to the queries. I delve into three sets of questions that are of significance to historians in our roles as researchers and as teachers. In scholarship and in teaching, it pays to consider the relationship between authority and humility. In the library and the classroom, there is a balance to be struck between narrative and analysis. In both settings, one must at times choose between historicist particularity and human universalism. I discuss each set of tensions with reference to such thinkers as Paulo Freire, bell hooks, and Friedrich Nietzsche. In each case, I also draw on my own experience in the classroom, particularly my time teaching tenth‐grade world history. Throughout, I suggest that intellectually and ethically flourishing history classrooms are often “houses with exposed beams,” in which teachers initiate students as junior members in communities of historical inquiry, often, though not always, through collaborative analyses of revealing primary documents.

Kahooting Attendance Quiz in the History Classroom

Kahooting Attendance Quiz in the History Classroom

Historical empathy can longitudinally predict adolescent students’ history achievement via classroom engagement

In the context that many students have been fed up with rote learning or mechanical learning in history, this three-wave longitudinal study with one-year intervals examined the potential role of historical empathy in facilitating history learning. A sample of 821 middle school students participated (aged from 11 to 15 years, M = 13.47 years, SD = 0.64). Results indicated that historical empathy positively predicted students’ classroom engagement in history, which further positively predicted students’ history achievement. More specifically, both cognitive historical empathy and affective historical empathy could be longitudinally associated with cognitive, affective, behavioural, and agentic classroom engagement, respectively. Each of the four facets of history classroom engagement could be longitudinally associated with history achievement, respectively. These findings empirically validated the positive role of history empathy in improving history learning and suggested that it may be a promising way to change the current status quo of history learning by cultivating students’ historical empathy.

Filmic and other forms of historical representation in the history classroom: ancient Sparta

The aim of the present research was to examine whether a film is considered a more accurate source of knowledge about historical times when it is compared to the graphic novel it was inspired by, a poem and primary historical sources that deal with the same events depicted in the film. For that purpose, we used the film 300, which depicts the battle of Thermopylae and the Spartan agogi, as well as the role of the ephors in the Spartan political system. The data analysis validated that the cinematic representation is considered the most accurate and pedagogically appropriate representation of the past by the students, even though the limitations of the medium are thoroughly demonstrated in the classroom.

Pausing and contributing towards Indigenous futures: A pedagogical reflection on college history classrooms

In this article, I explore a pedagogical approach grounded in Native feminist theories and their commitments to place, to relations, to lands, and to more sustainable, just futures. In approaching college history instruction from a place informed by Native feminist teachings, I offer that the college-level classroom can be a space for students to imagine and work towards anticolonial futures as they process hard histories from where they stand. To do so, I draw on self-reflection and an examination of student reflections on their relationships with tribal sovereignty, their perceptions of ethical commitments to Indigenous people, and their understandings of academic collaborations toward Indigenous priorities. This analysis reveals how a pedagogy that embraces “pausing” and contributions to Native nation building can create a classroom space for students to process histories of genocide, build habits of relationality and civic engagement, and work toward more just futures.

Exploring the role of virtual exhibition and media design rhetoric in learning history

This paper investigates the intersection of media and design literacies in learners becoming more competent in developing complex ideas within a history classroom. Drawing from multiliteracies, design literacy, and media literacy, this paper conceptualizes media design rhetoric as a process. It utilizes a virtual exhibition as a facilitator to deepen the understanding of propaganda. We accumulate qualitative data from artifacts created by 10th and 11th graders (age range: 15–17) in a history classroom within a suburban high school in Western Canada, with written reflections on their artifacts. artefact analysis is followed by thematic and subject analysis in NVivo 12. Results show that media design rhetoric supports learners in deepening their understanding of propaganda, critically reading media, and creatively communicating messages. Results suggest that virtual exhibitions can be pivotal in creating new artifacts with complex but interest-driven topics. This research introduces media design rhetoric as a bridging concept (between multiliteracies, design literacy, and media literacy) and situates virtual exhibitions as a facilitator for developing complex ideas. This research highlights the significance of critical thinking and creativity in the media design rhetoric, as students critically engaged with historical content and creatively adapted it to modern contexts.

The Affective Dimensions of Historical Empathy: Opportunities, Problems, and Challenges

Emotions and feelings play an important role within history education. Yet, the affective dimensions (feelings, emotions, connections) of learning about the past are understudied within research on historical empathy—defined here as a cognitive-affective process of attempting to understand the thoughts, feelings, experiences, decisions, and actions of people from the past within their historical contexts. Drawing from interviews with secondary school history teachers in Canada, this article offers insight into teachers’ perspectives on constructive ways that they approach the affective dimensions within history classrooms, as well as problems and challenges that arise when they intentionally elicit emotions or encounter them unexpectedly. In doing so, the article aims to further conceptualize the affective dimensions of historical empathy and expand understandings of emotions in history and social studies education, while positioning these discussions in relation to history education in Canada.

Using Holocaust Education as a “Bridge” to Learning about Apartheid in a South African History Classroom: The Development of “Interpretive Frames” through Comparative Histories

Abstract The Grade 9 South African history curriculum teaches the history of the Holocaust as an introduction to the study of apartheid. Students are taught how racial identities are constructed, codified into law, and weaponized for the purposes of discrimination and genocide. They are taught that racialized discrimination can happen anywhere—not only in South Africa—and that we must be vigilant lest it happens again. Curriculum developers—supported by international literature (e.g., UNESCO publications)—believe that learning about the Holocaust will act as a “bridge” to learning about apartheid.1 By teaching young South Africans difficult history that is emotionally, geographically, and temporally removed from their own country, educators believed that students will be better prepared to study the complex history of apartheid. Yet what is the impact of this comparative approach?2 The author’s ten-month ethnographic study explores how Grade 9 students in one majority-White history classroom in Cape Town learned about the Holocaust and apartheid. Developing Epstein’s idea of an “interpretive frame,”3 this empirical study contributes to ongoing debates on whether and how genocides and other atrocities can be meaningfully compared in the history classroom.4 Furthermore, it questions whether using Holocaust education as a “bridge”5 to domestic injustices and persecution will significantly improve historical understanding, tolerance, and moral reasoning.

Feminist Pedagogy and Student Collaboration in Open Educational Practices in the Art History Classroom

Feminist Pedagogy and Student Collaboration in Open Educational Practices in the Art History Classroom

Teachers’ Conceptions on the Value of History Education in Eswatini

History as a subject is expected to instil a sense of unity, patriotism and veneration for the nation sublime heritage. Supposedly history education’s sustainability has to emanate from the teachers’ confidence and reflective practices in a history classroom. The History syllabus demands the use of socio-constructivism strategy which postulates that meaningful learning occurs through conversations and interaction, among learners and with teachers and that the realities are determined by their experiences (EGCSE History Teaching Syllabus 2022-2025). However, most educators tend to teach History mostly using the lecture method which then relegates the subject to being monotonous as largely considered by the learners. The credit percentage of History learners in EGCSE completing class is showing a mediocre performance. A five year range study indicates that the highest credit percentage stood at 30.74% in 2020, hence the lowest was 26.76% in 2018 (ECESWA 2023). The range mentioned depicts that History Education credit percentage is not appealing to learners.

An exploration into the nature and extent of diversity within history classrooms in Kent

AbstractEver since the 1970s, politicised debates have raged over the teaching of history, dubbed the ‘history wars’. These debates continue to impact primary and secondary teachers' choices of history curriculum foci to this day. This research aimed to discover history teachers' understanding of how to develop diversity within their history curricula and to discuss the possible pitfalls of their decision making. We set out to answer the following questions: (1) How do history teachers and subject leads understand the concept of diversification within the history curriculum? (2) How are schools approaching the diversification of their history curriculum? We carried out this project collaboratively with 10 history teachers and subject leads from four primary and three secondary schools in Kent, South‐East England. As a result, we have developed a model of ‘school diversification’ and make several recommendations to support the development and teaching of increasingly diverse history lessons, within the confines of the current National Curriculum. This project adds to the literature by privileging the voice of teachers within classrooms and including collaboration between teachers of all phases within history education in English schools to support the development of diversity within their practice.

Policy Dialogue on Twenty-First-Century Book Banning in the US

AbstractBook banning is a topic covered in many US history classrooms. Students learn that in the first decades of the twentieth century, fights over the teaching of evolution led to restrictions on science texts. Meanwhile, fears about the spread of communism sparked campaigns to limit access to “subversive” ideas. Well into the 1960s, textbooks usually explain, Americans remained at odds about what schools should be free to teach.What’s old is new, it seems. And tomorrow’s textbooks will have to be updated with stories from the present. As this issue goes to press, conservative groups across the United States have sought to remove hundreds of titles from schools and libraries. Such attempts range from challenges filed by individual parents—often inspired by the list curated on BookLooks.org—to statewide legislative efforts to recall books from schools. Thousands of books have been removed from libraries and classrooms, and the chilling effect has led cautious educators to self-censor even further.For this policy dialogue, the HEQ editors asked Adam Laats and Kasey Meehan to discuss book banning in the US, focusing particularly on the motivations of groups seeking to limit what young people can read. Adam Laats is a professor of education and history at SUNY Binghamton. A leading scholar of conservative activism in education, he is the author of several books including The Other School Reformers (Harvard University Press, 2015) and Fundamentalist U (Oxford University Press, 2018). Kasey Meehan is the director of the Freedom to Read program at PEN America, where she leads initiatives to protect the right of students to freely access literature in schools. Founded in 1922, PEN America is the largest of the more than one hundred centers worldwide that make up the PEN International network. PEN America works to ensure that people everywhere have the freedom to create literature, to convey information and ideas, to express their views, and to access the views, ideas, and literatures of others.HEQ policy dialogues are, by design, intended to promote an informal, free exchange of ideas between scholars. At the end of the exchange, we offer a list of references for readers who wish to follow up on sources relevant to the discussion.

The Imperial Politics of Time in the British History Classroom.

The Imperial Politics of Time in the British History Classroom.

Australia’s national(ist) history curriculum: history education as a site of attempted de-democratisation

AbstractThis paper explores the contested content of the Australian history curriculum to understand the curriculum’s national(ist?) purpose and investigate if national histories can be taught in a way which combats the anti-democratic forces at play in our culture. This question will be explored through analysis of the three topics in the Australian Curriculum: History 7–10, which have a strong focus on Australian history specifically, and semi-structured interviews with secondary teachers on pedagogies for history and instilling democratic dispositions in students (UniSQ ETH2023-0315). Since Prime Minister John Howard’s call for reform of the curriculum to ensure that the national narrative “is one of heroic achievement” (Howard, 2006), the conservative right’s desire to have the curriculum deliver a singular, nationalist narrative has become increasingly more extreme. We risk an “acute crisis of democracy” (Repucci and Slipowitz, 2021, p. 1) as our students are taught a singular narrative that silences First Nations peoples and other cultural minorities. The best defence against this nascent de-democratisation of Australian history classrooms is found in the vital work of history teachers as curriculum workers. If teachers adhere to the curriculum directives focused on historical thinking skills, our students must consider “different perspectives” and use a “range of sources” (ACARA, 2023a) to make evidence-based decisions about our past. The teaching of critical thinking and the use of varied evidence which considers a range of perspectives and assesses their reliability serves as a bulwark against the monocultural assault which seeks to control the content of the curriculum. If we ensure our next generation of citizens have the skills to make informed and critical choices rather than be blind adherents to a nationalist monomyth, our pluralistic liberal democracy will not only survive but thrive.

Shaping citizens: teachers enacting democratic education in the history classroom

AbstractThe work of history teachers in schools is contentious and often heavily scrutinised, characterised by conflicts between professional and ideological perspectives on the purpose of the work they do (Macintyre & Clark, 2003). History curricula in Australia have been the subject of regular, ongoing political intervention, in particular about the role of history education in constructing and maintaining narratives of Australian democracy and citizenship. Against this landscape, this paper explores how history teachers from New South Wales, Australia conceive of the contemporary role of history curriculum in the development of students’ understanding of civics and democracy, and their navigation of the tensions between the written curriculum and the contexts in which they teach. Using both observational and interview data, this paper explores teachers’ perceptions of the gap between curriculum “as intention and as reality” (Stenhouse, 1975, p. 2) illuminating the experiences of teachers who interact with and implement the curriculum in their daily work, and highlighting the role that school context plays in determining how civics and citizenship education is enacted in practice. Contrast is offered between the teachers of history in the context of a privileged, urban school community, to that of an Aboriginal teacher working in a regional context - with an exploration of the impact of these contexts in framing the possibilities for democratic and civic engagement in the history classroom. Using the theoretical framework of practice architectures (Kemmis & Grootenboer, 2008), I explore the role of curriculum as both an enabling and constraining force in the way teachers work to develop student understandings of democracy and civic identity and the complex relationship that emerges from teachers’ interaction with curriculum documents and their decision-making in relation to their students and communities.

Achievers, explorers, wanderers, and intellectuals: Educational interaction in a Minecraft open-world action-adventure game

A common dilemma in educational game design is identifying the right balance between freedom and structure. Too much structure limits constructive learning and curiosity, while too much freedom diverts focus away from the educational content. How can we create a feeling of freedom while encouraging students to interact with learning material? We argue that a compelling, open-world action-adventure game with a branching storyline could provide just the right balance. To test this idea, we created a single-player custom map action-adventure game, Ulfberht's Sword, using the popular Minecraft game. Our objective was that the game would support prehistory education and we piloted it with 151 students in their history classrooms. To determine how effective our game was for delivering educational material, we collected and analyzed the students' log files in combination with students' Minecraft experience. Our structure discovery revealed four interaction types, (1) intellectuals, (2) wanderers, (3) explorers, and (4) achievers, which reflect the students' interaction with the educational content and perseverance in challenging situations. Ultimately, the game design engaged Minecraft-experienced player types and guided them toward primary educational materials. Less-experienced player types remained curious but would have benefited from more direct in-game scaffolding, demonstrating the importance of players' pre-existing gaming skills and thoughtful choice architecture. In conclusion, the player types provide insight into how we can best support different types of students in the open-world game environment. In turn, this information allows us to identify design challenges and suggest better ways to strike the structure-autonomy balance in realistically heterogeneous classrooms.

Crash Course in the Classroom: Exploring How and Why Social Studies Teachers Use YouTube Videos

This article explores how the Crash Course video series are being used as a content-focused resource in the social studies classroom. It argues that the Crash Course series, alongside its YouTube competitors, has significantly stepped in to fill a vacuum left by criticisms and the unpopularity of lectures, textbooks, and feature films. With over 15 million subscribers and accumulated views over 1.9 billion, Crash Course has become an important and ubiquitous force in history and social studies classrooms and represents a new genre of educational media found on YouTube. However, the dramatic rise in the popularity of educational videos online has not coincided with a growth in educational research, particularly in social studies and history education. This article explores the findings of a mixed-methods study that examines how and why history and social studies teachers are using Crash Course videos in their teaching and planning. In particular, it analyses descriptive statistics derived from the results of a teacher survey ( n = 181) and semi-structured interviews with seven social studies teachers who have used Crash Course in their classrooms. The authors found that teachers in the study are regularly using the Crash Course video series to deliver content which is clearly meeting a need many social studies teachers have. The videos–short, easily accessible, and fun–fit nicely with demands to keep students engaged, reduce reliance on textbooks, and explore new content that teachers have little time to learn themselves. This study also found that rarely, if ever, are teachers inviting students to evaluate or assess the content, trustworthiness, or perspective of Crash Course videos. This article discusses what is gained and what are the risks of embracing Crash Course in the social studies and history classroom.

Controversial issues in history teaching

ABSTRACT Most of the history education research that addresses controversial issues suggests that disputes arising in the history classroom are rooted in students’ diverse identities that relate differently to history. Therefore, a history education that wants to ease tensions must try both to make these different identities and their relations to history visible and to enable an understanding of different relations to history based on identity. Starting with Gadamer’s concept of historically effected consciousness, this article outlines a model consisting of ontological third-order concepts and historical empathy in the history education as a suggestion to enable and corroborate constructive deliberative discussions in the history classroom.