High Dynamic Range Video Research Articles

Luminance decomposition and reconstruction for high dynamic range Video Quality Assessment

High dynamic range (HDR) video represents a wider range of brightness, detail and colour than standard dynamic range (SDR) video. However, SDR-based VQA (Video Quality Assessment) models struggle to capture HDR distortions. In addition, some of the existing methods designed for HDR video focus on emphasising the distortion of local areas of the video frame, ignoring the distortion of the video frame as a whole. Therefore, we propose a no reference VQA model based on luminance decomposition and recombination that provides excellent performance for HDR videos, called HDR-DRVQA. Specifically, HDR-DRVQA utilises a luminance decomposition strategy to decompose video frames into different regions for explicit extraction of perceptual features in different regions of the high dynamic range. We then further propose a residual aggregation module for recombining multi-region features to extract static spatial distortion representations and dynamic motion perception (captured by feature differences). Taking advantage of the Transformer network in remote dependency modelling, this information is fed into the Transformer network for interactive learning of motion perception and adaptively constructs a stream of spatial distortion information from shallow to deep layers during temporal aggregation. We validate that our model significantly outperforms SDR VQA and existing HDR VQA methods on the publicly available HDR databases.

HDR-ChipQA: No-reference quality assessment on High Dynamic Range videos

We present a no-reference video quality model and algorithm that delivers standout performance for High Dynamic Range (HDR) videos, which we call HDR-ChipQA. HDR videos represent wider ranges of luminances, details, and colors than Standard Dynamic Range (SDR) videos. The growing adoption of HDR in massively scaled video networks has driven the need for video quality assessment (VQA) algorithms that better account for distortions on HDR content. In particular, standard VQA models may fail to capture conspicuous distortions at the extreme ends of the dynamic range, because the features that drive them may be dominated by distortions that pervade the mid-ranges of the signal. We introduce a new approach whereby a local expansive nonlinearity emphasizes distortions occurring at the higher and lower ends of the local luma range, allowing for the definition of additional quality-aware features that are computed along a separate path. These features are not HDR-specific, and also improve VQA on SDR video contents, albeit to a reduced degree. We show that this preprocessing step significantly boosts the power of distortion-sensitive natural video statistics (NVS) features when used to predict the quality of HDR content. In similar manner, we separately compute novel wide-gamut color features using the same nonlinear processing steps. We have found that our model significantly outperforms SDR VQA algorithms on the only publicly available, comprehensive HDR database, while also attaining state-of-the-art performance on SDR content.

GLHDR: HDR video reconstruction driven by global to local alignment strategy

Reconstructing High Dynamic Range (HDR) video from alternating exposure Low Dynamic Range (LDR) sequence is an exceptionally challenging task. It not only demands the reliable reconstruction of missing information caused by occlusion or motion without introducing artifacts but also balances the exposure differences between frames to ensure a visually pleasing reconstructed HDR video. Unfortunately, existing methods are typically complex and struggle with unavoidable artifacts and noise, especially when dealing with low-exposed scenes. To tackle this formidable challenge, we propose a two-stage HDR video reconstruction method that employs a global to local alignment strategy. Firstly, we utilize iterative optical flow estimation and hybrid weighting to achieve global alignment, ensuring well-reconstructed in majority of areas. Secondly, the recursive refinement network further addresses locally misaligned areas, reconstructing HDR frames from bottom to top and recursively refining them to yield faithful reconstruction results. Extensive experimental results demonstrate that our method generates the HDR video with fine details and superior visually, surpassing the state-of-the-art method across diverse scenes.

P‐70: A Novel Peak Luminance Correction Method Based on Global IR Drop Compensation System on AMOLED

In the past year, AMOLED have been widely used in smartphones, laptops, and vehicles. Local excitation luminance is one of the important parameters to measure AMOLED quality. This feature is of great significance for realization of HDR video and getting better visual experience in sunlight environment. Due to IR drop effect in the local display, the performance of peak luminance is often skewed by luminance, chrominance, and gamma curves. The solution is adding a set of Gamma curve debugging at peak luminance of local display, which results in longer take time (TT) and greater aging pressure at high luminance. In this paper, we propose a novel peak luminance correction method based on Global IR (GIR) voltage drop compensation system. In the compensation system, GIR compensation Look‐Up Tables (LUT) is used to accurately tune the luminance, chrominance, and gamma curves that correspond to the local excitation luminance.

Removing Banding Artifacts in HDR Videos Generated From Inverse Tone Mapping

Removing Banding Artifacts in HDR Videos Generated From Inverse Tone Mapping

Compressed-SDR to HDR Video Reconstruction.

The new generation of organic light emitting diode display is designed to enable the high dynamic range (HDR), going beyond the standard dynamic range (SDR) supported by the traditional display devices. However, a large quantity of videos are still of SDR format. Further, most pre-existing videos are compressed at varying degrees for minimizing the storage and traffic flow demands. To enable movie-going experience on new generation devices, converting the compressed SDR videos to the HDR format (i.e., compressed-SDR to HDR conversion) is in great demands. The key challenge with this new problem is how to solve the intrinsic many-to-many mapping issue. However, without constraining the solution space or simply imitating the inverse camera imaging pipeline in stages, existing SDR-to-HDR methods can not formulate the HDR video generation process explicitly. Besides, they ignore the fact that videos are often compressed. To address these challenges, in this work we propose a novel imaging knowledge-inspired parallel networks (termed as KPNet) for compressed-SDR to HDR (CSDR-to-HDR) video reconstruction. KPNet has two key designs: Knowledge-Inspired Block (KIB) and Information Fusion Module (IFM). Concretely, mathematically formulated using some priors with compressed videos, our conversion from a CSDR-to-HDR video reconstruction is conceptually divided into four synergistic parts: reducing compression artifacts, recovering missing details, adjusting imaging parameters, and reducing image noise. We approximate this process by a compact KIB. To capture richer details, we learn HDR representations with a set of KIBs connected in parallel and fused with the IFM. Extensive evaluations show that our KPNet achieves superior performance over the state-of-the-art methods.

Fast Decision-Tree-Based Series Partitioning and Mode Prediction Termination Algorithm for H.266/VVC

With the advancement of network technology, multimedia videos have emerged as a crucial channel for individuals to access external information, owing to their realistic and intuitive effects. In the presence of high frame rate and high dynamic range videos, the coding efficiency of high-efficiency video coding (HEVC) falls short of meeting the storage and transmission demands of the video content. Therefore, versatile video coding (VVC) introduces a nested quadtree plus multi-type tree (QTMT) segmentation structure based on the HEVC standard, while also expanding the intra-prediction modes from 35 to 67. While the new technology introduced by VVC has enhanced compression performance, it concurrently introduces a higher level of computational complexity. To enhance coding efficiency and diminish computational complexity, this paper explores two key aspects: coding unit (CU) partition decision-making and intra-frame mode selection. Firstly, to address the flexible partitioning structure of QTMT, we propose a decision-tree-based series partitioning decision algorithm for partitioning decisions. Through concatenating the quadtree (QT) partition division decision with the multi-type tree (MT) division decision, a strategy is implemented to determine whether to skip the MT division decision based on texture characteristics. If the MT partition decision is used, four decision tree classifiers are used to judge different partition types. Secondly, for intra-frame mode selection, this paper proposes an ensemble-learning-based algorithm for mode prediction termination. Through the reordering of complete candidate modes and the assessment of prediction accuracy, the termination of redundant candidate modes is accomplished. Experimental results show that compared with the VVC test model (VTM), the algorithm proposed in this paper achieves an average time saving of 54.74%, while the BDBR only increases by 1.61%.

Decoupling Degradations with Recurrent Network for Video Restoration in Under-Display Camera

Under-display camera (UDC) systems are the foundation of full-screen display devices in which the lens mounts under the display. The pixel array of light-emitting diodes used for display diffracts and attenuates incident light, causing various degradations as the light intensity changes. Unlike general video restoration which recovers video by treating different degradation factors equally, video restoration for UDC systems is more challenging that concerns removing diverse degradation over time while preserving temporal consistency. In this paper, we introduce a novel video restoration network, called D2RNet, specifically designed for UDC systems. It employs a set of Decoupling Attention Modules (DAM) that effectively separate the various video degradation factors. More specifically, a soft mask generation function is proposed to formulate each frame into flare and haze based on the diffraction arising from incident light of different intensities, followed by the proposed flare and haze removal components that leverage long- and short-term feature learning to handle the respective degradations. Such a design offers an targeted and effective solution to eliminating various types of degradation in UDC systems. We further extend our design into multi-scale to overcome the scale-changing of degradation that often occur in long-range videos. To demonstrate the superiority of D2RNet, we propose a large-scale UDC video benchmark by gathering HDR videos and generating realistically degraded videos using the point spread function measured by a commercial UDC system. Extensive quantitative and qualitative evaluations demonstrate the superiority of D2RNet compared to other state-of-the-art video restoration and UDC image restoration methods.

Self-supervised High Dynamic Range Imaging: What Can Be Learned from a Single 8-bit Video?

Recently, Deep Learning-based methods for inverse tone mapping standard dynamic range (SDR) images to obtain high dynamic range (HDR) images have become very popular. These methods manage to fill over-exposed areas convincingly both in terms of details and dynamic range. To be effective, deep learning-based methods need to learn from large datasets and transfer this knowledge to the network weights. In this work, we tackle this problem from a completely different perspective. What can we learn from a single SDR 8-bit video? With the presented self-supervised approach, we show that, in many cases, a single SDR video is sufficient to generate an HDR video of the same quality or better than other state-of-the-art methods.

Unsupervised HDR Image and Video Tone Mapping via Contrastive Learning

Unsupervised HDR Image and Video Tone Mapping via Contrastive Learning

An Asynchronous Linear Filter Architecture for Hybrid Event-Frame Cameras.

Event cameras are ideally suited to capture High Dynamic Range (HDR) visual information without blur but provide poor imaging capability for static or slowly varying scenes. Conversely, conventional image sensors measure absolute intensity of slowly changing scenes effectively but do poorly on HDR or quickly changing scenes. In this paper, we present an asynchronous linear filter architecture, fusing event and frame camera data, for HDR video reconstruction and spatial convolution that exploits the advantages of both sensor modalities. The key idea is the introduction of a state that directly encodes the integrated or convolved image information and that is updated asynchronously as each event or each frame arrives from the camera. The state can be read-off as-often-as and whenever required to feed into subsequent vision modules for real-time robotic systems. Our experimental results are evaluated on both publicly available datasets with challenging lighting conditions and fast motions, along with a new dataset with HDR reference that we provide. The proposed AKF pipeline outperforms other state-of-the-art methods in both absolute intensity error (69.4% reduction) and image similarity indexes (average 35.5% improvement). We also demonstrate the integration of image convolution with linear spatial kernels Gaussian, Sobel, and Laplacian as an application of our architecture.

Objective Color Characterization of HDR Videos Captured by Smartphones: Laboratory Setups and Analysis Framework

Objective Color Characterization of HDR Videos Captured by Smartphones: Laboratory Setups and Analysis Framework

Multi-Frame Content-Aware Mapping Network for Standard-Dynamic-Range to High-Dynamic-Range Television Artifact Removal.

Recently, advancements in image sensor technology have paved the way for the proliferation of high-dynamic-range television (HDRTV). Consequently, there has been a surge in demand for the conversion of standard-dynamic-range television (SDRTV) to HDRTV, especially due to the dearth of native HDRTV content. However, since SDRTV often comes with video encoding artifacts, SDRTV to HDRTV conversion often amplifies these encoding artifacts, thereby reducing the visual quality of the output video. To solve this problem, this paper proposes a multi-frame content-aware mapping network (MCMN), aiming to improve the performance of conversion from low-quality SDRTV to high-quality HDRTV. Specifically, we utilize the temporal spatial characteristics of videos to design a content-aware temporal spatial alignment module for the initial alignment of video features. In the feature prior extraction stage, we innovatively propose a hybrid prior extraction module, including cross-temporal priors, local spatial priors, and global spatial prior extraction. Finally, we design a temporal spatial transformation module to generate an improved tone mapping result. From time to space, from local to global, our method makes full use of multi-frame information to perform inverse tone mapping of single-frame images, while it is also able to better repair coding artifacts.

Subjective Quality Assessment of Compressed Tone-Mapped High Dynamic Range Videos.

High Dynamic Range (HDR) videos are able to represent wider ranges of contrasts and colors than Standard Dynamic Range (SDR) videos, giving more vivid experiences. Due to this, HDR videos are expected to grow into the dominant video modality of the future. However, HDR videos are incompatible with existing SDR displays, which form the majority of affordable consumer displays on the market. Because of this, HDR videos must be processed by tone-mapping them to reduced bit-depths to service a broad swath of SDR-limited video consumers. Here, we analyze the impact of tone-mapping operators on the visual quality of streaming HDR videos. To this end, we built the first large-scale subjectively annotated open-source database of compressed tone-mapped HDR videos, containing 15,000 tone-mapped sequences derived from 40 unique HDR source contents. The videos in the database were labeled with more than 750,000 subjective quality annotations, collected from more than 1,600 unique human observers. We demonstrate the usefulness of the new subjective database by benchmarking objective models of visual quality on it. We envision that the new LIVE Tone-Mapped HDR (LIVE-TMHDR) database will enable significant progress on HDR video tone mapping and quality assessment in the future. To this end, we make the database freely available to the community at https://live.ece.utexas.edu/research/LIVE TMHDR/index.html.

A Study of Subjective and Objective Quality Assessment of HDR Videos.

As compared to standard dynamic range (SDR) videos, high dynamic range (HDR) content is able to represent and display much wider and more accurate ranges of brightness and color, leading to more engaging and enjoyable visual experiences. HDR also implies increases in data volume, further challenging existing limits on bandwidth consumption and on the quality of delivered content. Perceptual quality models are used to monitor and control the compression of streamed SDR content. A similar strategy should be useful for HDR content, yet there has been limited work on building HDR video quality assessment (VQA) algorithms. One reason for this is a scarcity of high-quality HDR VQA databases representative of contemporary HDR standards. Towards filling this gap, we created the first publicly available HDR VQA database dedicated to HDR10 videos, called the Laboratory for Image and Video Engineering (LIVE) HDR Database. It comprises 310 videos from 31 distinct source sequences processed by ten different compression and resolution combinations, simulating bitrate ladders used by the streaming industry. We used this data to conduct a subjective quality study, gathering more than 20,000 human quality judgments under two different illumination conditions. To demonstrate the usefulness of this new psychometric data resource, we also designed a new framework for creating HDR quality sensitive features, using a nonlinear transform to emphasize distortions occurring in spatial portions of videos that are enhanced by HDR, e.g., having darker blacks and brighter whites. We apply this new method, which we call HDRMAX, to modify the widely-deployed Video Multimethod Assessment Fusion (VMAF) model. We show that VMAF+HDRMAX provides significantly elevated performance on both HDR and SDR videos, exceeding prior state-of-the-art model performance. The database is now accessible at: https://live.ece.utexas.edu/research/LIVEHDR/LIVEHDR_index.html. The model will be made available at a later date at: https://live.ece.utexas.edu//research/Quality/index_algorithms.htm.

λ-Domain Rate Control via Wavelet-Based Residual Neural Network for VVC HDR Intra Coding.

High dynamic range (HDR) video offers a more realistic visual experience than standard dynamic range (SDR) video, while introducing new challenges to both compression and transmission. Rate control is an effective technology to overcome these challenges, and ensure optimal HDR video delivery. However, the rate control algorithm in the latest video coding standard, versatile video coding (VVC), is tailored to SDR videos, and does not produce well coding results when encoding HDR videos. To address this problem, a data-driven λ-domain rate control algorithm is proposed for VVC HDR intra frames in this paper. First, the coding characteristics of HDR intra coding are analyzed, and a piecewise R-λ model is proposed to accurately determine the correlation between the rate (R) and the Lagrange parameter λ for HDR intra frames. Then, to optimize bit allocation at the coding tree unit (CTU)-level, a wavelet-based residual neural network (WRNN) is developed to accurately predict the parameters of the piecewise R-λ model for each CTU. Third, a large-scale HDR dataset is established for training WRNN, which facilitates the applications of deep learning in HDR intra coding. Extensive experimental results show that our proposed HDR intra frame rate control algorithm achieves superior coding results than the state-of-the-art algorithms. The source code of this work will be released at https://github.com/TJU-Videocoding/WRNN.git.

EventHDR: From Event to High-Speed HDR Videos and Beyond.

Event cameras are innovative neuromorphic sensors that asynchronously capture the scene dynamics. Due to the event-triggering mechanism, such cameras record event streams with much shorter response latency and higher intensity sensitivity compared to conventional cameras. On the basis of these features, previous works have attempted to reconstruct high dynamic range (HDR) videos from events, but have either suffered from unrealistic artifacts or failed to provide sufficiently high frame rates. In this paper, we present a recurrent convolutional neural network that reconstruct high-speed HDR videos from event sequences, with a key frame guidance to prevent potential error accumulation caused by the sparse event data. Additionally, to address the problem of severely limited real dataset, we develop a new optical system to collect a real-world dataset with paired high-speed HDR videos and event streams, facilitating future research in this field. Our dataset provides the first real paired dataset for event-to-HDR reconstruction, avoiding potential inaccuracies from simulation strategies. Experimental results demonstrate that our method can generate high-quality, high-speed HDR videos. We further explore the potential of our work in cross-camera reconstruction and downstream computer vision tasks, including object detection, panoramic segmentation, optical flow estimation, and monocular depth estimation under HDR scenarios.

HDR or SDR? A Subjective and Objective Study of Scaled and Compressed Videos.

We conducted a large-scale study of human perceptual quality judgments of High Dynamic Range (HDR) and Standard Dynamic Range (SDR) videos subjected to scaling and compression levels and viewed on three different display devices. While conventional expectations are that HDR quality is better than SDR quality, we have found subject preference of HDR versus SDR depends heavily on the display device, as well as on resolution scaling and bitrate. To study this question, we collected more than 23,000 quality ratings from 67 volunteers who watched 356 videos on OLED, QLED, and LCD televisions, and among many other findings, observed that HDR videos were often rated as lower quality than SDR videos at lower bitrates, particularly when viewed on LCD and QLED displays. Since it is of interest to be able to measure the quality of videos under these scenarios, e.g. to inform decisions regarding scaling, compression, and SDR vs HDR, we tested several well-known full-reference and no-reference video quality models on the new database. Towards advancing progress on this problem, we also developed a novel no-reference model called HDRPatchMAX, that uses a contrast-based analysis of classical and bit-depth features to predict quality more accurately than existing metrics.

A Dataset and Model for the Visual Quality Assessment of Inversely Tone-Mapped HDR Videos.

To enhance the viewer experience of standard dynamic range (SDR) video content on high dynamic range (HDR) displays, inverse tone mapping (ITM) is employed. Objective visual quality assessment (VQA) models are needed for effective evaluation of ITM algorithms. However, there is a lack of specialized VQA models for assessing the visual quality of inversely tone-mapped HDR videos (ITM-HDR-Videos). This paper addresses both an algorithmic and a dataset gap by introducing a novel SDR referenced HDR (SD-R-HD) VQA model tailored for ITM-HDR-Videos, along with the first public dataset specifically constructed for this purpose. The innovations of the SD-R-HD VQA model include 1) utilizing available SDR video as a reference signal, 2) extracting features that characterize standard ITM operations such as global mapping and local compensation, and 3) directly modeling interframe inconsistencies introduced by ITM operations. The newly created ITM-HDR-VQA dataset comprises 200 ITM-HDR-Videos annotated with mean opinion scores, gathered over 320 man-hours of psychovisual experiments. Experimental results demonstrate that the SD-R-HD VQA model significantly outperforms existing state-of-the-art VQA models.

Assessing Quality Differences for 8K/UHD-2 and 4K/UHD-1 HDR Video Based on Viewing Distance

Assessing Quality Differences for 8K/UHD-2 and 4K/UHD-1 HDR Video Based on Viewing Distance