Handmade Batik Research Articles

STRATEGI PEMASARAN DIGITAL DAN PENDISTRIBUSIAN BATIK TULIS DI KALANGAN MASYARAKAT: STUDY KASUS DESA GAMEL MELALUI SORUM ASOFA CIREBON

In distributing written batik, a batik craftsman in Gamel Village needs to have a digital marketing strategy through Sorum Asofa to develop batik cloth more widely in order to preserve batik culture in Cirebon. After the process of distributing written batik cloth from craftsmen, sorum asofa will be redistributed in the form of more creative products. Sorum Asofa's digital marketing strategy process promotes its products by utilizing social media (online) through applications such as Shopee, TikTok Shop, Lazada, and Tokopedia. Apart from that, Sorum Asofa also promotes its products offline (directly) so that innovation is needed that is in line with current technological developments. this this. Written batik is one of the regional cultural heritages that must be preserved both with more modern and traditional processes, so digital marketing has a very important role in preserving regional culture with more modern innovations among local communities and the manufacturing process is different from stamped batik, and mixed batik.Key words: Marketing, Distribution, Handmade Batik, Sorum Asofa

Developing UV-light driven photocatalytic PSf/Ni-doped ZnO/PDA membrane with superior antifouling, self-cleaning, and self-protecting performances for handmade batik wastewater treatment

Ultrafiltration UV light-driven photocatalyst composite membranes, with distinctive antifouling, self-cleaning, and self-protection capacities, were synthesized using a Ni-doped ZnO photocatalyst to enhance the functional properties of polysulfone (PSf) membranes. The manufacturing process involved soaking of PSf membrane sheet in a dopamine solution to allow self-polymerization of polydopamine (PDA) on the membrane surface. PDA coating led to increased membrane surface roughness and the incorporation of numerous hydroxyl and amine groups, which play a role in the reduction of interactions with impurities. The results of FTIR, XRD, mechanical properties, and surface physicochemical properties confirmed that the optimum duration for PDA polymerization to achieve the preferred membrane performance was 2 h. This was supported by high membrane stability in terms of productivity and photocatalytic activity for the processing of handmade batik wastewater (BWW). Furthermore, the membranes also possess an improved antifouling property, with a flux recovery ratio (FRR) of nearly 100%. The membrane also exhibited preserved self-cleaning and self-protection abilities after being operated for five consecutive cycles under UV light irradiation, with flux recovery and pollutant rejection rates exceeding 90%. These findings suggest that the 2-h PDA-coated composite membrane is the most suitable membrane for efficient processing of highly polluted wastewater, particularly handmade batik and other textiles wastewater.

Pelatihan Digital Marketing Pada Pelaku UMKM Sociopreneur Batik Kebon Indah Klaten

Batik Kebon Indah is the name of a batik business managed by some villagers in Kebon village, Bayat sub-district, Klaten Regency, Central Java. This batik business is managed by one of the village residents involving 15 batik craftsmen. Soiciopreuner's main products are handmade batik and printed batik in cloth form. During and after the Covid 19 pandemic, sales of Kebon Indah batik stopped, because the main consumers were foreign tourists who came directly to the production location to see the batik making process. Another problem that occurs is that Sociopreneur members are mothers/women who rarely use social media which can actually be used to promote their products anywhere. For this reason, the service team provides training which objective of this community service is to train the members of Sociopreuner Batik Kebon Indah to make use of social media platforms to promote their products. The results of the training show the enthusiasm of the training participants, it is proven that several training participants have started to promote their products regularly through social media: Instagram, Facebook and TikTok. The followers and viewers visiting the training participants' social media increased. By increasing the number of followers and viewers on the platform, it is hoped that it can increase product sales and increase guest visits to the batik product show room.

Handmade batik with tuberose motifs as creative home industry idea

Batik tulis is a rich cultural heritage of Indonesia, encompassing traditional values and artistic expressions. However, in some regions, there has been a decline in interest and skills in batik tulis making, along with the threat of plagiarism of local batik motifs. Therefore, efforts are needed to develop creative innovations in batik tulis production and ensure the sustainability of local batik traditions. Desa Doplang faces challenges in enhancing the skills of its residents in creating batik tulis with the motif of Polyanthes Tuberosa L., preserving the authenticity and originality of batik motifs, and improving economic well-being through increased production and sales of batik tulis. The Community Engagement Program (PKM) is designed to address these challenges through intensive mentoring, quality control, and efforts to prevent plagiarism. Through technical and creative training, the residents of Desa Doplang have acquired the skills required to produce batik tulis with the motif of Polyanthes Tuberosa L. Mentoring is provided at every stage of production, including the application of wax, dyeing, and the final boiling process. Feedback and constructive advice are given to improve the quality and authenticity of the batik tulis produced. Quality control measures are implemented to ensure that each batik tulis product meets the established quality standards. Additionally, through socialization and education, awareness regarding the importance of authenticity and originality of batik motifs is heightened. The program utilizes a community development, empowerment, and engagement approach. As a result, the program has successfully enhanced the skills of the residents of Desa Doplang in batik tulis production, increased cultural appreciation, and improved economic well-being through enhanced production and sales of batik tulis. The quality of the batik tulis produced has shown continuous improvement alongside the enhancement of skills. Moreover, the program has successfully preserved the local tradition of batik making and strengthened the position of batik tulis with the motif of Polyanthes Tuberosa L. as the flagship product of Desa Doplang. Another positive impact is the increase in the residents' income through the sale of batik tulis at better prices.

STRATEGI PENINGKATAN KUALITAS BATIK MELALUI PELATIHAN DI DESA MACAJAH KECAMATAN TANJUNG BUMI - MADURA

Batik is a cultural heritage from our ancestors which is still developing in various regions in Indonesia. Batik cloth is worn as a characteristic of clothing in Indonesia which is used by all groups. Tanjung Bumi sub-district is known for the quality of hand-made batik which has different motifs and variations from other batik. Batik, which is also one of the world's cultural heritages, is a superior product and the pride of Tanjung Bumi sub-district. In the past, batik Tanjung Bumi was a job for women in the area to fill their spare time waiting for their husbands who worked as sailors to go to distant areas, such as to the islands of Kalimantan and Sulawesi. The results obtained are that Tanjung Bumi written batik can increase the income of Macajah Village. In the process of making written batik, the initial cultivation of batik focused on the motifs and colors on the batik cloth and made the villagers as workers thus helping the welfare of the people of Macajah Village.

DJARUM FOUNDATION BAKTI BUDAYA DALAM MENINGKATKAN KAPASITAS ALFA SHOOFA BATIK KUDUS

PT Djarum which is called the Djarum Foundation. This researcher discusses the Djarum Bakti Budaya Foundation in improving the efforts of Alfa Shoofa Batik Kudus. Alfa Shoofa Batik Kudus is one of the batik businesses in Kudus. The discussion in this study discusses the strategy and implementation of the Djarum Foundation in enhancing the efforts of Alfa Shoofa Batik Kudus. This research uses descriptive qualitative research in the form of field research, while data collection techniques such as observation, interviews, and documents. The results showed that the Djarum Bakti Budaya Foundation was a form of concern for the cultural results of the Indonesian people. Meanwhile, Alfa Shoofa Batik Kudus is a home for the production of traditional handmade batik, hats and embroidery that is lifted and preserves the culture of Kudus. In enhancing Batik Alfa Shoofa's business, the Djarum Foundation has a strategy of (1) approving, (2) developing human resources, (3) developing promotion. The assessment stage, the assessment stage, installation of treatment, maintenance of actions, monitoring and evaluation, termination and action. Development is carried out using Direct Contacts which is carried out with business training in the form of tourism.

Peran Ekonomi Kreatif Dalam Peningkatan Pendapatan Pengrajin Batik Tanjungbumi Ditinjau dari Perspektif Ekonomi Islam


 
 This study aims to reveal the role of the creative economy in increasing the income of batik artisan in Tanjungbumi District, Bangkalan Regency. This study uses a descriptive qualitative approach with data collection methods through observation, interviews and documentation. The result of the study illustrate that the creative economy of written batik craftsmen in Tanjungbumi District, Bangkalan Regency is already good, it can be seen from the 15 craftsmen that 9 craftsmen have experienced an increase in income, 6 craftsmen with stable income from 2021 to 2022. Meanwhile, in an Islamic economic perspective, the craftsmen have fulfilled the production process, market and marketing, government policies, economic conditions, and partnerships, but have not met the management and financial indicators.
 Keywords: Creative Economi, Income, Handmade Batik, Islamic Economics

PERANCANGAN READY-TO-WEAR UNTUK ANAK MUDA DENGAN BATIK PHOENIX KONTEMPORER PADA BRAND DRL

Batik is an Indonesian cultural heritage that has been recognized by UNESCO, batik in Indonesia has diverse motives and in each region has unique and different characteristics. The batik technique was originally handmade batik which was processed using canting and wax, as well as the process of using human labor, because of that it has more value and high price. But as the times evolve, various batik techniques emerge which process is faster, by using mechanical power so that it can be sold at a cheap price, the technique is of various kinds, one of which is stamp batik. This modern batik technique makes it possible to make motifs that are more modern and most commonly found on the market. Therefore, batik also requires the development of motifs so that it can compete with other batik techniques, moreover handmade batik is an original technique that must be preserved. Batik in the past was quite in demand in the field of fashion, but with the rapid development of the world with the influence of technology and culture from outside which also influenced fashion trends. Because of that batik began to lag behind, because it was considered too formal, old-fashioned, so that young people are less interested. Therefore the development of batik needs to be done so that it can continue to compete with other fashion trends, and so batik is not forgotten because it is inferior to other developing trends. Therefore the research was conducted with interview techniques and surveys of experts and extreme users, and it is known that batik can develop through motifs and designs. And from the results of research on the target market can also be known colors and designs that are preferred. From these results obtained ideas to design batik with contemporary motif designs, as well as modern styles that follow fashion trends.

KYAI RAJAMALA BOAT’ CANTHIK IN COUTURE BATIK PATTERN

The Historically, the Javanese palaces relied on boats for transportation, like the Kyai Rajamala boat used by the Surakarta palace. At the time, Paku Buwana IV used the boat to cross the Bengawan Solo river. Kyai Rajamala boat’s canthik is a decorative element on the end bow of the Surakarta palace's boat. Apart from being a decorative element on the boat's end bow, the Kyai Rajamala boat’s canthik is also an heirloom used to ward off bad luck. Because the Kyai Rajamala boat’s canthik has a high value for life, it is critical to communicate the Kyai Rajamala boat’s canthik through easily accepted media. One medium that can convey the beauty of the Kyai Rajamala boat’s canthik is the batik textile art, which can be used to meet basic human needs. Clothing is not only a means of covering the body; it can also be used to convey messages. The Kyai Rajamala boat’s canthik was reinterpreted and dyed with remasol into handmade batik.

Eksistensi Batik Tulis Sebagai Identitas Kabupaten Pamekasan

Pamekasan handmade batik is a work of art that must be preserved and its existence is not forgotten. The purpose of this study was to measure the knowledge of the Pamekasan community regarding the types of handmade batik in Pamekasan Regency, the marketing of Pamekasan handmade batik, and to prove the extent to which the Pamekasan community still uses Pamekasan handmade batik as a form of cultural preservation. The method used is qualitative research. The results show that batik marketing is not only through selling in the market but also being sold online, either using Facebook, Instagram or other social media. In addition, most Pamekasan people do not know the types of Pamekasan batik motifs. The existence of Pamekasan batik is still very well maintained, many Pamekasan people still use Pamekasan batik in their daily life or when attending certain events. However, the batik used is stamped batik, not handmade batik.

The dynamics of the factory function as a production room at the house of clothing artisans in Pekalongan

Technological innovation provides many business opportunities (technopreneurs) that involve various fields of study. Architecture is not an exception; technological advances can create a “hi-tech” masterpiece. There are two fields of study related to the application of architectural technology. First, the use of technology to improve the quality of architectural products, so that the design results are considered to be able to keep up with the times, such as materials and technological elements. Second, a form of architectural preservation that can be used as a guide in following technological developments, such as spatial planning. During the Diponegoro War some of his followers were forced to leave Mataram, then those who stopped in Pekalongan began to introduce batik in three areas: Wonopinggo, Pekajangan, and Buaran in 1825-1830. Gradually, batik production increased, until it is expanded into weaving craft. Both types of clothing production can’t be separated from technological advances, handmade batik is replaced with stamped batik, and the weaving of ATBM production changes to using ATMs. The historical journey that transformed Pekalongan as a well-known clothing city in Indonesia is interesting to study, especially in the architectural field, namely spatial planning formed from local culture. This study discusses the spatial preservation of clothing production houses in three areas in Pekalongan, namely: Pekajangan, Kauman, and Pesindon. The objective of the study was to identify the form of spatial preservation used during the development of clothing-making technology. Descriptive-exploratory research method is used to explore elements of local wisdom used as guidelines for spatial planning. The results of the study elaborate that the layout of the clothing production house in Pekajangan, Kauman, and Pesindon consists of: living room, family room, drying room, and factory. However, there are differences in the location of the drying room. This difference is due to the change in function from residential building to production building, and also from the development of clothing technology. This requires some additional spaces. Based on the research results from the three areas, the factory is a long-lasting and sustainable space category.

PENERAPAN METODE PENGENDALIAN KUALITAS MEWMA BERDASARKAN ARL DENGAN PENDEKATAN RANTAI MARKOV (Studi Kasus: Batik Semarang 16, Meteseh)

An industrial company requires quality control to maintain quality consistency from the production results so that it is able to compete with other companies in the world market. In the industrial sector, most processes are influenced by more than one quality characteristic. One tool that can be used to control more than one quality characteristic is the Multivariate Exponentially Weighted Moving Average (MEWMA) control chart. The graph is used to determine whether the process has been controlled or not, if the process is not yet controlled, the next analysis that can be used is to use the Average Run Length (ARL) with the Markov Chain approach. The markov chain is the chance of today's event is only influenced by yesterday's incident, in this case the chance of the incident in question is the incident in getting a sampel of data on the production process of batik cloth to get a product that is in accordance with the company standards. ARL is the average number of sample points drawn before a point indicates an uncontrollable state. In this study, 60 sample data were used which consisted of three quality characteristics, namely the length of the cloth, the width of the cloth, and the time of the fabric for the production of written batik in Batik Semarang 16 Meteseh. Based on the results and discussion that has been done, the MEWMA controller chart uses the λ weighting which is determined using trial and error. MEWMA control chart can not be said to be stable and controlled with λ = 0.6, after calculating, the value is obtained Upper Control Limit (BKA) of 11.3864 and Lower Control Limit (BKB) of 0. It is known that from 60 data samples there is a Tj2 value that comes out from the upper control limit (BKA) where the amount of 15.70871, which indicates the production process is not controlled statistically. Improvements to the MEWMA controller chart can be done based on the ARL with the Markov Chain approach. In this final project, the ARL value used is 200, the magnitude of the process shift is 1.7 and the r value is 0.28, where the value of r is a constant obtained on the r parameter graph. The optimal MEWMA control chart based on ARL with the Markov Chain approach can be said to be stable and controlled if there is no Tj2 value that is outside the upper control limit (BKA). The results of the MEWMA control chart based on the ARL with the Markov Chain approach show that the process is not statistically capable because the MCpm value is 0.516797 and the MCpmk value is 0.437807, the value indicates a process capability index value of less than 1. Keywords: Handmade batik, Multivariate Exponentially Weighted Moving Average (MEWMA), Average Run Length (ARL), Capability process.

Break Even Point Analysis As A Basic of Profit Planning In Handal Insan Sentosa Batik Business

Batik is a craft that has high artistic value and has been a part of Indonesian culture for a long time. One of the centers of written batik in Sidoarjo is Reliable Insan Sentosa written batik which is a container in the effort to preserve batik itself. This study aims to analyze the amount of company revenue and production in the state of reaching Break Even Point. The method used in this study is a qualitative descriptive method, to get a clearer and more detailed picture based on the data and information that has been obtained. The results showed that the business of reliable handmade batik sentosa level of profit earned Rp. 12,182,325, where the break even point of sales achieved was Rp.199,000,000 with a total of 199 units. The achieved margin of safety is 10% or Rp.22,200,000 from sales. So that the margin of safety obtained is Rp.199,800,000. In this case the greater the margin of safety the better for the company because the company can experience a significant decline. MSMEs are advised to classify costs to prepare financial reports and apply a BEP analysis to determine financial condition.

Break Even Point Analysis As A Basic of Profit Planning In Handal Insan Sentosa Batik Business

Batik is a craft that has high artistic value and has been a part of Indonesian culture for a long time. One of the centers of written batik in Sidoarjo is Reliable Insan Sentosa written batik which is a container in the effort to preserve batik itself. This study aims to analyze the amount of company revenue and production in the state of reaching Break Even Point. The method used in this study is a qualitative descriptive method, to get a clearer and more detailed picture based on the data and information that has been obtained. The results showed that the business of reliable handmade batik sentosa level of profit earned Rp. 12,182,325, where the break even point of sales achieved was Rp.199,000,000 with a total of 199 units. The achieved margin of safety is 10% or Rp.22,200,000 from sales. So that the margin of safety obtained is Rp.199,800,000. In this case the greater the margin of safety the better for the company because the company can experience a significant decline. MSMEs are advised to classify costs to prepare financial reports and apply a BEP analysis to determine financial condition.

Facilitating “Paguyuban Batik Tulis Langensari” In Determining Targets To Respond The Global Fashion Trends

Paguyuban Batik Tulis Langensari (PBTLS) is a community of batik artisans in the area around Embung Langensari, Yogyakarta. Determining the target of enthusiast of handmade batik from PBTLS crafters requires a strategy so that batik results can be right on target. The strategy that will be carried out requires an agreement that becomes a joint agreement in the community, given the current fashion trends that are developing very fast. Along with the development of the main trends in life, namely go green that returns to nature, fashion trends are also following. Today's global fashion trends are shifting from fast fashion to slow fashion. The target of the PBTLS is to determine the meeting point between products that have been produced as supply and market needs/demand. The method used in determining PBTLS targets is carried out through 4 stages. The first stage identifies the range of products that have been produced by PBTLS. The second stage determines the target users of PBTLS products. The third stage determines the direction of product development. Then the fourth step determines the uniqueness of PBTLS products. In carrying out these four steps, a crafter's poll was conducted through a "mentimeter application" conducted on 17 PBTLS artisans and focus group discussions (FGD). Through the application of the "mentimeter" the results of the PBTLS artisans poll can be immediately known to be discussed and formulated together through the FGD. The results obtained by the main target of PBTLS are middle-aged mothers consumers. Uniform fashion / formal batik fashion becomes the main target for the direction of PBTLS product development by developing the unique PBTLS products namely motifs and colors of handmade batik.

Perlindungan Hukum Dan Faktor Penghambat Pengurusan Hak Cipta Batik Tulis Di Kota Kediri

The works of Handmade batik in the City of Kediri are original works of the archipelago. Traditional handmade batik in the City of Kediri who are members of five groups of artisans who have been working, no one has a certificate of intellectual property rights in the form of a copyright certificate from the Ministry of Justice of the Republic of Indonesia. The research questions are: 1. How is the legal protection of handmade batik implemented in Kota Kediri? 2. What are the efforts of the City Government of Kediri in helping batik artisans to obtain batik art copyright certificates in Kediri City? 3. What are the inhibiting factors for batik copyright registration in Kediri City ?. This study uses juridical empirical methods by interviewing informants and field observations. The results are found to be several inhibiting factors why craftsmen do not have written batik copyright certificates, namely internal factors and external factors.

Classification of stamps and handmade batik based on pattern recognition

Batik is a traditional cloth made by painting motifs with Indonesian culture nuance on plain cloth. It has always been used by the people, from their birth until marriage, even someone who died using batik cloth as a cover. Batik cloth made with philosophy and symbolic meaning. Every region in Indonesia has a characteristic according to the circumstances and character of the man himself. There are three ways to make batik, such as using stamps, handmade, printing. Every type of batik has different types of patterns, and there is a repetition of a pattern and a combination of several patterns. Based on the type of batik, handmade batik has the highest price, and printing batik has the lowest prices. For batik lovers, handmade batik would want to have, but not everyone knows how to characterize the stamps batik and often mistaken in the detection of the type of batik. Thus, only a few people can distinguish the differences between the three types of batik. It is difficult for ordinary people to recognize a batik pattern. The purpose of this research is to create a prototype system that can detect the patterns of batik motifs created by handmade or stamps. Cosine similarity is used in this research to recognize the pattern and classified handmade or stamps batik. The results of this research is 95% in detecting handmade and stamp batik, then 91% in detecting sum of pattern in stamps batik.

ADIWIYATA: Membangun Kepedulian dan Budaya LingkunganWarga Sekolah (Studi Kasus: SMPN 2 Gurah Kediri, Jawa Timur)

Environmental education in schools is the application of education which includes knowledge, awarenessand action. Environmental education applied by the Ministry of Environment and Forestry (KLHK) is theAdiwiyata Program. This program has the potential to raise school community awareness of theenvironment. This study aims to analyze the role of Adiwiyata in building environmental awareness andculture of school residents. This research uses descriptive qualitative methods and uses participatory datacollection techniques, interviews and documentation. The results of the study showed that the Adiwiyataprogram contributed positively to school achievement in the environmental field. SMPN 2 Gurah, Kediri isa favorite school because it has a high concern, creativity and school innovation in the field of environmentis very varied such as handmade batik with natural dyes, the development of local products such as passionfruit syrup, passion fruits and passion fruit preserves, and various waste recycling products to producehigh economic value. Schools that are able to make good use of all available spaces, both indoors andoutdoors for environmental learning while being able to involve the active participation of all schoolmembers will be better able to build schools that are environmentally friendly and cultured.

Auto-Generation System Based on Fractal Geometry for Batik Pattern Design

In order to obtain the automatic simulation generation of traditional handmade batik patterns in a computer, this paper proposes the automatic generation method of batik flower patterns based on fractal geometry. Firstly, we analyze the fractal characteristics of batik flowers and design an automatic flower generation algorithm based on a two-dimensional iterated function system (IFS) and a curve function. The algorithm forms a complete flower pattern. Secondly, a nonlinear function is defined and the flower pattern is introduced into the nonlinear function to iterate and change. On this basis, we present an automatic generation method of different distribution patterns for flower patterns which obtains the most effective range of each parameter value for each function. Finally, in order to verify the feasibility of the automatic generation method of batik flower patterns, we develop an automatic generation experiment system for batik patterns via an interactive way of working. The results show that the user or designer can quickly and automatically simulate a series of flower patterns by changing the relevant parameter values, realizing the digitization and innovative design of the pattern and enriching the batik pattern base.

MAPPING VALUE CHAIN SEBAGAI OPTIMALISASI PENGEMBANGAN KAMPUNG BATIK TULIS DI SURABAYA

The creative industry which is one of Indonesia's valuable cultural heritages and has been known throughout the world is Batik. The culture of making batik has also been occupied by some residents of Surabaya, but only its presence has not been widely exposed. However, its existence is still not developed optimally, the Surabaya city government initiated the Putat Batik House as the center handmade Batik Village in Surabaya. The purpose of this research is to obtain the formulation of strategies that can be applied to maximize the utilization of potential effort to develop the Medium Creative Industry (IKM) of handmade batik in Surabaya. The value chain mapping is carried out as a basis of information on value formation in a creative industry which can be seen from the aspects of creation, production, distribution and commercialization. Information of value chain mapping is valuable for an input to determine the strategic factors of batik industry village. The results of the study were obtained, that a value chain process of the IKM handmade batik activities began from material planning to network marketing. The total internal matrix value of 4.013 is classified as "Strong" and the total external matrix value of 4,286 shows the response to the external environment is classified as "High". If the total score of internal and external factors is mapped in the matrix, then the position of the company in the "First" quadrant is a growth strategy, namely: concentration on human resources, skills, target markets, market expansion and networking and product development.