This article focuses on performative articulations of critiques of psychiatry, with two forms of demonstration in particular: First, the Mad Pride Parades, which have been held in various German cities since 2013, and second actions by the "Blaue Karawane" in Bremen, amovement that emerged in the 1980s in the wake of the dissolution of apsychiatric clinic. Although they are situated in different temporal and local contexts, both rely on forms of street protest to question the demarcation between 'normal' and 'mad' and to promote the equal recognition of mental alterity. Adetailed examination of the forms of action highlights the importance of carnivalesque celebration, provocation and spectacle for both forms of psychiatric critique. We argue that these forms allow experiencing this critique and, at the same time, make drafts of adifferent-better-society tangible. To elaborate on these aspects, we draw on queer and gender theoretical considerations as well as on approaches from performance studies. Looking at Mad Pride parades and the Blaue Karawane in their respective contexts reveals similarities in the way in which critique of the exclusion of mental alterity is articulated, but also highlights differences in terms of affectedness, participation and argumentation.
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